Arabic architecture

“ Saracen Architecture. There are no examples of purely Arabic architecture, except a few indistinct ruins of cities and streets excavated out of rocks. The Arabs were wanderers, not artists, and so, whether they built at home or in the countries they invaded, Persian and Byzantine workmen were the usual builders secured by the caliphs or rulers. ”

“ In the sphere of the arts and crafts, our best evidence lies in architecture and engineering. In these the Arabs had no skill and were conscious of their incapacity. The earliest mosques were simply enclosures surrounded by a plain wall, but a new type was developed under the first 'Umayyad Khalif Mu'awiya, who employed Persian non-Muslim builders in the construction of the mosque at Kufa, and they worked on the lines of the architecture already used by the Sasanid kings. ”

“ In this same court I saw an old Nebk tree, which grows on the spot where the ark of Noah is said to have rested after its voyage. This goes to show, if it goes to show anything, that the Flood was “general” enough to reach Egypt.
The mosque of Sultan Hassan, notwithstanding its ruined and shabby condition, is the finest specimen of pure Arabic architecture in the city; and its lofty and ornamented porch is, I think, as fine as anything of its kind in the world. One may profitably spend hours in the study of its exquisite details. ”

“ Less dependent on color than the Moorish or Persian structures, they are usually built of marble, or of marble and sandstone, giving them an air of permanence and solidity wanting in other Moslem styles except the Turkish. The dome, the round minaret, the pointed arch, and the colossal portal-arch, are universal, as in Persia, and enamelled tiles are also used, but chiefly for interior decoration. Externally the more dignified if less resplendent decoration of surface carving is used, in patterns of minute and graceful scrolls, leaf forms, and Arabic inscriptions covering large surfaces. ”

“ The vaulting is most ingenious and beautiful, and its forms, whether executed in brick or in plaster, are sufficiently varied without resort to the perplexing complications of stalactite work. In Persian decoration the most striking qualities are the harmony of blended color, broken up into minute patterns and more subdued in tone than in the Hispano-Moresque, and the preference of flowing lines and floral ornament to the geometric puzzles of Arabic design. Persian architecture influenced both Turkish and Indo-Moslem art, which owe to it a large part of their decorative charm. ”

“ And here began the third and most glorious period of Arab art as displayed in its application to architecture, which, appropriating to itself all that was valuable in the experience of former ages,—ages which had witnessed the erection of the Mosque of Cordova and the Giralda of Seville,—soon disclosed a splendor and variety of decoration peculiarly its own, and, after filling the kingdom with its monuments, attained its climax in the creation of that masterpiece of human skill, the fairy palace of the Alhambra.... ”

“ ARCHITECTURE Painting and sculpture owe little to the Arabs, but their architecture, based in part on Byzantine and Persian models, reached a high level of excellence. Swelling domes, vaulted roofs, arched porches, tall and graceful minarets, and the exquisite decorative patterns known as "arabesques" make many Arab buildings miracles of beauty. ”

“ While bestowing their full meed of praise on the wonderfully rich ornamentation and other details of Arabian architecture, one cannot help feeling that the style fails to give entire æsthetic satisfaction; want of symmetry of plan, poverty of articulation, insufficiency of plastic decoration, and an incongruous mingling of wood and stone are the imperfections which strike most Northern critics. The architects, in fact, bestowed the whole of their attention on the decoration of surfaces ”

“ What is most to be admired in their style of architecture is its extraordinary freedom from restraint, shown in the wonderful variety of its forms, and the skill in design which has made the most intricate details to harmonize with grand outlines. Here the student may best learn the history of Arab art. Like its contemporary Gothic, it has three great periods, those of growth, maturity and decline. Of the first, the mosque of Ahmed Ibn-Tulun in the southern part of Cairo, and the three great gates of the city, the Bab-en-Nasr, Bab-el-Futuh and Bab-Zuwela, are splendid examples. ”

“ The Arabs, however, appear to have spread architecture over Europe, Asia, and Africa;—they who possess neither ancient ruins nor modern dwellings. These, with the materials and models, are found in Morocco, preserved in the midst of ignorance, unobscured and unchanged.
Architecture is the peculiar feeling and passion of this people. The figures which we find in our cathedrals and ancient churches, are scattered about their domestic establishments, are to be seen in their trays, on their stools, and in endless variety upon their tombstones. ”

“ But the Muslim religion especially promotes industry, by requiring that every man be acquainted with some art or occupation by which he may, in case of necessity, be able to support himself and those dependent upon him, and to fulfil all his religious and moral duties. The art in which the Egyptians most excel is architecture. The finest specimens of Arabian architecture are found in the Egyptian metropolis and its environs ”

“ Forbidden to represent the human form in painting and sculpture, their distinction in the fine arts is confined to architecture. Peculiar to them is the Arabesque ornamentation found in their edifices: the idea of the arch was borrowed from the Byzantine style. One of their most famous monuments is the mosque at Cordova. The ruins of the Alhambra, in Spain, a palace and a fortress, illustrate the richness and elegance of the Saracenic style of building.
THE ARABIAN MIND.—Neither in architecture, nor in any other department, were the Arabs in a marked degree original. They invented nothing. ”

“ In Yemen large castle-like dwellings crown every mountain and frown on every valley; stone is plentiful and the plan of architecture inherits grace and strength from the older civilization of the Himyarites. In Bagdad, Busrah and East Arabia Persian architecture prevails, with arches, wind-towers, tracery and the veranda-windows. While the architecture of Mecca and Medina takes on its own peculiar type from the needs of the pilgrimage. Generally speaking the Arabs build their houses without windows to the street, and with an open court ”

“ Arab art must ever remain distinct from every other school and style, because the essential foundation of it is fixed and limited. Now, those who resign themselves to a style of art reduce themselves to formulas, to copies, or to diagrams. Greco-Roman art has its formulas of ordinance and propositions; Chino-Japanese art has its characteristic copies; and Syro-Arabian art its abstract and geometrical diagrams. The general elements of Arabian art, as applied to architecture and decoration, consist of stalactites, intertwinings, and ornaments. ”

“ At any rate, Byzantine, Greece, and the Palestine and Syria of the Crusaders, contributed as much as Rome and Greece to the formation of that peculiar Moslem art which, all the way from India to the Pillars of Hercules, built itself, with minor variations, out of the same elements.
Arab conquerors always destroy as much as they can of the work of their predecessors, and nothing remains, as far as is known, of Almoravid architecture in Morocco. ”

“ Under such [Pg 106] conditions, no doubt, a close affiliation of Gothic and Arab architecture appears probable, yet both may be essentially distinguished. For the characteristic trait of Arab architecture in the Middle Ages is not the pointed arch, but the so-called horseshoe form. Moreover, these buildings, which are constructed for an entirely different ritual, exhibit an Oriental wealth and splendour, embellishments resembling plant-life and other forms of decoration, which, in an external form, mix together what is of Roman ancestry and that which belongs to the Middle Ages. ”

“ History of Art. The Arabian architecture of Egypt is founded partly on antique, on Byzantine, and on Coptic models which the conquerors of the country found ready to their hand, and partly on Persian types, developed under the Sassanides and adopted by the Arabs with the aid of native builders. The chief Arabian edifices at Cairo are the mosques, the fountains, and the tombs. The period of their construction extends from the time of the Tulunides (9th cent.) down to the conquest of Egypt by the Turks (1517) . ”

“ Near the tower, the red-brown walls and huge piers of the mosque built at the same time stretch their roofless alignment beneath the sky. This mosque, before it was destroyed, must have been one of the finest monuments of Almohad architecture in Morocco: now, with its tumbled red masses of masonry and vast cisterns overhung by clumps of blue aloes, it still forms a ruin of Roman grandeur.
The Mosque, the Tower, the citadel of the Oudayas, and the mighty walls and towers of Chella, compose an architectural group as noble and complete as that of some mediæval Tuscan city. ”

“ Other Arabian astronomers have rendered considerable service to this science. Mohammedanism did not, like ancient paganism, adore the stars; but its disciples studied them with a diligence, without which, perhaps, Newton, Flamstead, and Halley had observed and calculated almost in vain.
Architecture was an art in which the Arabs greatly excelled; their wide extension gave them command of whatever was worthy of observation, and their vast revenues afforded the most abundant means of indulging a taste thus called into exercise. ”

“ The Arabs, a nomadic race who lived in tents, do not seem to have been great builders even in their cities. We have no authentic accounts or existing remains of very early buildings even in Mecca or Medina, as the oldest mosques in those cities have been completely rebuilt. It is to Egypt and Syria that we must turn for the most ancient remaining examples of Saracenic architecture. These consist of mosques and tombs. ”

“ Mosque of Mohammed Ali the tombs of kings and princes. These elegant structures present a striking contrast to the bare ground, here strewn with all manner of débris, and to the rugged walls of the surrounding quarries. The Kait-bey mosque, north of the cluster of hills, dates from the fifteenth century, but has been recently restored. It is, perhaps, the most perfect specimen of Arab architecture in Egypt, at least as regards the arabesque and geometrical designs of its fretted walls, and the exquisite symmetry of its minaret, disposed in corbelled galleries. ”

“ The mosaics of the Dome of the Rock differ, however, in this respect, that they are entirely confined to arabesques, and never represent human (or animal) figures, such as appear in the Greek mosaics at Bethlehem and elsewhere: this shows that they were intended for a Moslem, and not for a Christian building. The Arabs had no native style of architecture. Muḥammad and Omar built rude wooden structures, and it is recorded of El Welîd—son of ’Abd el Melek—that he employed skilled workmen from Persia and Byzantium to build his great mosque at Damascus. ”

“ The Arabians, in general, have little taste for architecture; and even their chiefs content themselves in their mansions with what is merely necessary. Whatever public edifices are still found in Mekka and Medina, are the work of the Sultans of Egypt or of Constantinople ”

“ As the Phœnician architecture of this epoch can be compared to that of no younger land than Mesopotamia, and as the plans of the known Assyrian palaces are provided with no halls of columns, it is natural to seek for the origin of the hypostyle disposition in Egyptian elements, which, in other respects, take so important a place in the development of Israelitic art. Buildings of wood overlaid with metal are, on the other hand, peculiarly characteristic of the Syrian coast. ”

“ The Assyrians, fonder of luxury than of fame, more desirous of display than of enduring strength, contented themselves with materials which they could get without trouble, but ornamenting the brick with colours, or coating it with slabs of soft alabaster, which they found protruding from the ground beneath their feet. The architecture of Egypt was grand and strong—that of Assyria was vast and showy. ”

“ The national polity, which will ever be found to guide the [Pg 28] national taste, induced a preference of the immense and the durable; hence the grandeur of Egyptian architecture: but in statuary, such a character of design necessarily produced figures rigid and motionless. The essential elements of the grand and the beautiful—breadth and simplicity, are indeed present, but the effect is rarely elicited. The simple is seldom inspired by any feeling of the true, the natural, or the graceful; breadth, unrelieved by symmetry of parts, or expression of details, degenerates into inert magnitude. ”

“ The two dynasties that have last occupied us constitute the most brilliant period of Egyptian architecture; for, as Fergusson, the latest historian of architecture, has said, the hall of Seti at Karnak is "the greatest of man's architectural works," the building to which it belongs is "the noblest effort of architectural magnificence ever produced by the hand of man," and the rock-cut temple of Ipsambul is "the finest of its class known to exist anywhere." ”

“ THE origin of Egyptian architecture, like that of Egyptian history, is lost in the mists of antiquity. The remains of all, or almost all, other styles of architecture enable us to trace their rude beginnings, their development, their gradual progress up to a culminating point, and thence their slow but certain decline; but the earliest remains of the constructions of the Egyptians show their skill as builders at the height of its perfection, their architecture highly developed, and their sculpture at its very best, if not indeed at the commencement of its decadence ”