Beaux-Arts

Definition and stakes

P. L. Jacob,  The Arts in the Middle Ages and at the Period of the Renaissance

“ One can imagine what an infinity, what variety and richness, of details it should contain.
Our subject presents, at the same time, another kind of interest more elevated and not less alluring. Here each Art appears in its different phases and in its diversified progress. It is a history, not alone of the Arts, but of the epoch itself in which they were developed; for the Arts, regarded in their generality, are the truest expression of society. They speak to us of tastes, of ideas, of character: they exhibit us in their works.
”
Source: Gutenberg

Various,  Tom Watson's Magazine, Vol. I, No… (1905)

“ Literature springs to life, throws off antiquated dress, and takes its graceful modern form. The fine arts flourish as never before; the canvas, the marble, the precious metal, feel the subtle [Pg 396] touch of the eager artist, and give birth to beauty which is immortal. The heavy prison-castle of the Frank, the Goth, the Norman, the Anglo-Saxon, retires abashed before the elegant, airy, poetic palace of the Renaissance.
Nor does the revival of learning limit itself to literature, architecture, painting, sculpture. It extends to law, to commerce, to agriculture, to religion, to education.
”
Source: Gutenberg

Various,  Blackwood's Edinburgh Magazine…

“ Taking the Fine Arts at their lowest value, as a mere source of pleasure, from the love of imitation or representation of agreeable objects—the remembrancer of scenes of interest, the elegant accomplishment by which homes are embellished and made more beautifully homely—surely some little gratitude is due, where it has been the fashion to be sparing of any praise, to those good and pious men who in their convents prepared, improved, and invented colours as well as implements of Art; were themselves the early painters, and by their extensive patronage may be called the Fathers of the Arts. ”
Source: Gutenberg

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