Gilbert Seldes,
The Seven Lively Arts
“ Yet one gets the sense of the impending flight beautifully when, at the close, Charlot as the bogus count has been shown up and is fleeing pell-mell through every room in the house; the whole movement grows tense; the rate of acceleration perceptibly heightens as Charlot slides in front of a vast birthday cake, pivots on his heel, and begins to play alternate pool and golf with the frosting, making every shot count like a machine gunner barricaded in a pill-box or a bandit in a deserted cabin. ”
