Greek grammar

“ HOMER AND THE STUDY OF GREEK
The Greek language is being ousted from education, here, in France, and in America. The speech of the earliest democracies is not democratic enough for modern anarchy. There is nothing to be gained, it is said, by a knowledge of Greek. We have not to fight the battle of life with Hellenic waiters; and, even if we had, Romaic, or modern Greek, is much more easily learned than the old classical tongue. The reason of this comparative ease will be plain to any one who, retaining a vague memory of his Greek grammar, takes up a modern Greek newspaper. ”

“ We need a lot of pictures about Greece. I have a good deal of interest in classic culture if it can be, for a large number of people, divorced from the classic languages. To suppose that there is an identity between Greek grammar and Greek life, its social institutions and its aspirations and their lessons for us, is to make a very serious blunder. ”

“ The modern Greek declines innumerable words which formerly belonged to different declensions after the type of ταμίας, turning βασιλέας, ἄνδρας, and the like, into nominatives singular, and in the English which is unchecked by a literary tradition I comed is already more common than I came. Analogy is constantly at work throughout the whole domain of language—in pronunciation, in formal grammar, in syntax, and in sematology—building up and reconstructing what phonetic decay and change of meaning have tended to pull down. ”

“ On this supposition, "I am going to write a letter," is a pure Grecism; meaning, "I am going the writing a letter," which is utter nonsense. And further, the infinitive in Greek and Latin, as well as in Saxon and English, is always in fact governed as a mood, rather than as a case, notwithstanding that the Greek article in any of its four different cases may, in some instances, be put before it; for even with an article before it, the Greek infinitive usually retains its regimen as a verb, and is therefore not "a substantive," or noun. ”

“ As the literature of Greece is composed in a particular language, the grammar and the syntax of which have to be studied before the works in poetry and prose can be read, so Greek works of art are composed in what may be called an artistic language. To the accidence of a grammar may be compared the mere technique of sculpture and painting: to the syntax of a grammar correspond the principles of composition and grouping of individual figures into a relief or picture. ”

“ But out of the suggestions and reminiscences of Greek lines they made a rigid and inflexible grammar of their own,—a grammar to suit the mailed clang of Roman speech, which, in its cruel martial strength, sought no refinements, no delicate inflections from a distant Acropolis. The result was the coarse splendor of the Empire. How utterly the still Greek Ideal was forgotten in this noisy splendor, how entirely the chaste spirituality of the Greek line was lost in the round and lusty curves which are the inevitable footprints of Sensual Life, scarcely needs further amplification. ”

“ For, like every living tongue, the vernacular Greek continually changed in pronunciation and form, as well as in vocabulary and grammar, and thus the living language surely and gradually separated itself from the rigid written language. ”

“ This process of grammatical vivisection may be painful in the eyes of classical scholars, yet even they must see how great a difference there is in the quality of knowledge imparted by our Greek and Latin grammars, and by comparative grammar. I do not deny that at first children must learn Greek and Latin mechanically, but it is not right that they should remain satisfied with mere paradigms and technical terms, without knowing the real nature and origin of so-called infinitives, gerunds, and supines. ”

“ The distinctive method of this book consists in building up a boy's knowledge of Greek upon the foundation of his knowledge of English and Latin, instead of trusting everything to the unassisted memory. Greek words have been used in the earlier part of the book except such as have connections either in English or Latin. Each step leads naturally on to its successor; grammatical forms and rules are at once applied in a series of graduated exercises, accompanied by ample vocabularies. Thus the book serves as Grammar, Exercise book, and Vocabulary. ”

“ It is indeed natural that those who cultivate their mental powers, write with more clearness than the uncultivated individual. The mental cultivation, however, may take place in the mother tongue as well as in Latin or Greek. Yet the spirit of the ancient languages, further is declared to be superior to that of the modern. I allow this to be the case; but I do not find that the English style is improved by learning Greek. It is known that literal translations are miserably bad, and yet young scholars are taught to translate, word for word, faithful to their dictionaries. ”

“ Modern Persian, on the contrary, is poorer in flexions than almost any language which exists; it may be said, without exaggeration, that its whole grammar might be compressed into a few pages. Modern Greek is the analysis or decomposition of ancient Greek during a long period of barbarism. The Romance languages are Latin submitted to the same process; Italian, Spanish, French, and Wallachian, are merely Latin mutilated, deprived of its flexions, reduced to shortened forms, and supplying by numerous monosyllables the learned organisation of the ancient idioms. ”

“ A grammar of Greek, which will deal fully with the whole material of the language, is at present a desideratum, and is hardly possible so long as new dialect material is being constantly added and while comparatively so little has been done on the syntax of the dialects. ”

“ He will find that the idioms of the modern newspaper are the idioms of all newspapers, that the grammar is the grammar of modern languages, that the opinions are expressed in barbarous translations of barbarous French and English journalistic clichés or commonplaces. This ugly and undignified mixture of the ancient Greek characters, and of ancient Greek words with modern grammar and idioms, and stereotyped phrases, is extremely distasteful to the scholar. Modern Greek, as it is at present printed, is not the natural spoken language of the peasants. ”

“ The former is generally well on in its development before speech itself becomes an abject of study. Greek literature was fully grown when the Sophists, and finally Aristotle, developed the rudiments of grammar, the parts of speech being at first closely related with his ten metaphysical categories. Our modern tongue had the fortune, unknown to those of antiquity, when it was crude and despised, to be patronized and regulated by Latin grammarians, and has had a long experience, both for good and evil, with their conserving and uniformitizing instincts. ”

“ In the plural nominative and accusative, cētus, swimming monster, melos, strain of music, and pelagus (493) , the deep, have -ē: as, cētē. Genitive -ōn, rare: as, epigrammatōn, epigrams. Dative and ablative -matīs from words in -ma, -matis: as, poēmatīs, poems (401) .
509. Greek proper names of the consonant declension are usually declined like Latin ones in old Latin and prose. From Vergil and Propertius on, Greek case endings grow more and more frequent, especially in poetry; they are best learned for every name from the dictionary; the commonest forms are:
Genitive -os: as, Pān, Pānos ”

“ The letter A, for instance, so clear-cut, so faultless, as it stands forth from its neat stem,—what a contrast it is to the same letter as scrawled by pen or pencil; it is a little work of art in itself, which appeals to the fancy of an intelligent child. And such as types are to him, such are the words of the Greek language to a sympathetic learner. The Greek words are, in themselves, so clear-cut, so beautifully moulded, that they begin to please one's artistic sense even before one has made much progress with the language. ”

“ And even in Greek, though few would deny him the merit of fine scholarship on the whole, though his command of the language as an orator is masterly, his style luminous, his diction copious and rich without being offensively ornate or redundant, yet his hold upon the language for critical purposes is neither that of a man who spoke it when it was in its purest stage, nor that of a scholar who, living in a later age and speaking a different tongue, has made a careful, laborious study of it as a dead language. ”

“ Proposition II.—It is equally certain that the modern Greeks have declined in several most important points from the purity of Hellenic orthoepy, as practised in the most classic times; but many of the striking peculiarities of the modern pronunciation can be traced back, with more or less uniformity, to a period not far removed from the most flourishing period of Greek literature, a period certainly when pure Greek was both a spoken and a written language, and preserving such a living organic power, as entitled it by a spontaneous impulse from within to modify the laws of its own orthoepy. ”

“ It is an instrument which responds with happy elasticity to every demand of the Greek intellect. The forms which it has retained are light, graceful, flexible. It can express the most delicate shades of meaning with an elegant simplicity. This power is due, not only to its organic structure, but also to the tact with which words expressing the same general idea have been discriminated in its rich vocabulary. The Greek language is the earliest work of art created by the spontaneous working of the Greek mind, and it is the greatest work of Greek art which has survived. ”

“ It requires only a superficial acquaintance with the most patent facts of Greek literature to know that some of the most popular and the most profound teachers of Greek wisdom—Plato, Aristophanes and Xenophon—use the conversational style. The Greeks, in fact, were, as they are still, a lively and a talking people, and Socrates, their greatest name, cannot be better described than as a talking street preacher of reason and common sense. Well, then, on this double basis that Greek is a living language, and that the colloquial style is that in which its highest and best thoughts are expressed ”

“ To start with the practice of speaking will facilitate the acquisition of a new language under any system of pronunciation; only this must distinctly be said, that the scholar who has learned to read Greek with a vocalisation and an accentuation invented by himself for himself has deliberately cut himself off from all intelligible communion with the people whose literary tradition he values so highly, and with whom to maintain a familiar intercourse, both in a political and a literary point of view, should be no secondary consideration with the wise. ”

“ The language which we use ourselves is full of nerve and vigor, with a certain northern force and a habit of appropriating the material stores of other languages by incorporating their words, which suits well the descendants of sea-kings, who have provinces all over the world; but it is without inflexions, deprived of cases and genders, defective in marking time, whereas the Greek in all these is most rich and flexible: the one resembles the torso of a Hercules without its limbs, the other an Apollo as he touches the earth in his perfect symmetry. ”

“ Its scholars are beginning to see that the idea of classical Greek ever becoming a universal language for men of culture is a vain dream, and that a nation’s speech, like its life, must undergo continual modification. ”

“ A language lives as long as a people [Pg 73] lives—a distinct and tangible social totality—speaking it, nor has it the power to die at any point, where grammarians may choose to draw a line, and say that its authors are no longer classical. What “classical” means is hard to say; but as a matter of fact many persons will read the Byzantine historians with much more pleasure than Xenophon’s Hellenics, and not be able to explain intelligibly why the Greek of the one should not be considered as good as the Greek of the other. ”

“ Space forbids, or it would be possible to write pages on the delights of Greek literature. But to any girl who has leisure and inclination, the study of the Greek language itself is most strongly recommended. Translations abound, and are excellent, but the best translation cannot give the beauty of the original. The study of the lovely, flexible language is in itself an education; it is surely an inducement that the New Testament is written in comparatively easy Greek; and the wealth of literature to which Greek constitutes a title-deed may well repay hard labour. ”

“ As to the quantity of the vowels, which is the stumbling block with most English scholars, we have no lack of words, even in our own unmusical English, such as lándholder, in which, as in the Greek ἄνθρωπος, the antepenultimate has the rising inflexion, while the penult is long; and if the modern Greeks pronounce ἄνθρωπος as if written ἄνθροπος, that is only a natural curtailment of the unaccented syllable which lies in the nature of human speech, and will be found exemplified more or less in all languages. ”

“ And at the very last there is the attempt, rather respectable than successful, to re-create at once the language and the literature, for the use of Greeks who are at least questionably Hellenic, in relation to forms and subjects separated by more than a millennium—by nearly two millennia—from the forms and the subjects in regard to which Greek was once a living speech. ”