Greek verb

“ Greeks, the low Irish. St. Giles’s Greek, slang or cant language. Cotgrave gives merrie Greek as a definition for a roystering fellow, a drunkard. The Greeks have always been regarded as a jolly, luxurious race; so much so, that the Latins employed the verb Græcari (lit. to play the Greek) to designate fine living and free potations, a sense in which Horace frequently uses it; while Shakspeare often mentions the merry Greeks; and “as merry as a grig” (or Greek) was long a favourite allusion in old English authors. ”

“ He was much addicted to the substitution of rare expressions—γλῶτται, as the Greek critics called them—for the ordinary forms of speech. His language [16] abounded in archaic and poetical words, striking metaphors and unusual compounds. He frequently employed neuter adjectives and participles in preference to the corresponding abstract nouns; he liked to use a verbal noun accompanied by an auxiliary in places where a simple verb would be naturally employed. ”

“ Men laboured to communicate their feelings to one another, by those expressive cries and gestures which nature taught them."--Dr. Hugh Blair's Lectures, p. 57.
[20] "It is certain that the verb was invented before the noun, in all the languages of which a tolerable account has been procured, either in ancient or modern times."--Dr. Alex. Murray's History of European Languages, Vol. I, p. 326.
[21] The Greek of this passage, together with a translation not very different from the foregoing, is given as a marginal note, in Harris's Hermes, Book III, Chap. 3d. ”

“ Proposition II.—It is equally certain that the modern Greeks have declined in several most important points from the purity of Hellenic orthoepy, as practised in the most classic times; but many of the striking peculiarities of the modern pronunciation can be traced back, with more or less uniformity, to a period not far removed from the most flourishing period of Greek literature, a period certainly when pure Greek was both a spoken and a written language, and preserving such a living organic power, as entitled it by a spontaneous impulse from within to modify the laws of its own orthoepy. ”

“ It is an instrument which responds with happy elasticity to every demand of the Greek intellect. The forms which it has retained are light, graceful, flexible. It can express the most delicate shades of meaning with an elegant simplicity. This power is due, not only to its organic structure, but also to the tact with which words expressing the same general idea have been discriminated in its rich vocabulary. The Greek language is the earliest work of art created by the spontaneous working of the Greek mind, and it is the greatest work of Greek art which has survived. ”

“ I therefore cannot resist the conclusion that, if the language of Greek poetry has, to those who know it intimately, this special quality of keen austere beauty, it is because the minds of the poets who used that language were habitually toned to a higher level both of intensity and of nobility than ours. It is a finer language because it expresses the minds of finer men. By ‘finer men’ I do not necessarily mean men who behaved better, either by our standards or by their own ”

“ Greek poetry, we say, is very direct, very simple, very free from irrelevant ornament. And yet when we translate it into English and look at our translation, our main feeling, I think, is that somehow the glory has gone: a thing that was high and lordly has become poor and mean. Any decent Greek scholar when he opens one of his ancient poets feels at once the presence of something lofty and rare—something like the atmosphere of Paradise Lost. But the language of Paradise Lost is elaborately twisted and embellished into loftiness and rarity; the language of the Greek poem is simple and direct. ”

“ The Greeks, then, do not give passion, do not give character, do not give refined or naïve beauty. But you may think that the absence of these is intended to give dignity to the gods and nymphs; and that their calm faces would be found, if you long observed them, instinct with some expression of divine mystery or power.
I will convince you of the narrow range of Greek thought in these respects, by showing you, from the two sides of one and the same coin, images of the most mysterious of their Deities, and the most powerful,—Demeter and Zeus. ”

“ Consequently we are a little chilled and disappointed by a language in which people hardly ever use a metaphor except when they vividly realize it, and never utter heroic sentiments except when they are wrought up to the pitch of feeling them true. Does this mean that the Greek always remains, so to speak, at a normal temperature, that he never has intense or blinding emotions? Not in the least. It shows a lack of faith in the value of life to imagine such a conclusion. ”

“ The amount of latitude in literary expression varies no doubt with the prevalent popular morality of the period. But it would lead to infinite confusion to think of the poetry as a translation of conduct. A truer picture of Greek life is happily given us in those epigrams which deal with the material that history passes over and ideal poetry, at least in Greek literature, barely touches upon, the life of simple human relations from day to day within the circle of the family. ”

“ The foundation of this world seems to be the Myth; and as the world grew it developed in terms of Myth. The Greek mind had only one background. Athletics and Statuary, Epic and Drama, Religion and Art, Skepticism and Science expressed themselves through the same myths. In this lies the fascination of Greece for us. What a complete cosmos it is! And how different from any other civilization! Modern life, like modern language, is a monstrous amalgam, a conglomeration and mess of idioms from every age and every clime. The classic Greek hangs together like a wreath. ”

“ Man, man, Greek is the only living bridge between the present and the past!"
Then, snatching up a handful of newspapers from Athens, he continued, "Some folks call Greek a dead language. Poor souls! They don't know any better. These things should interest you. They are fresh from Athens; not a week old." And then he read aloud from them, a bit of politics, an advertisement, lines from the bargain counter, as if to show that one touch of shopping makes the whole world kin. "But no heroes, man, no heroes! There's no Aristotle now, no Shakespeare, no Goethe, no Apostle Paul!" ”

“ But on the whole, putting aside for the moment the possible inadequacies of translation, Greek philosophy speaks straight to any human being who is willing to think simply, Greek art and poetry to any one who can use his imagination and enjoy beauty. He has not to put on the fetters or the blinkers of any new system in order to understand them; he has only to get rid of his own—a much more profitable and less troublesome task. ”

“ And at the very last there is the attempt, rather respectable than successful, to re-create at once the language and the literature, for the use of Greeks who are at least questionably Hellenic, in relation to forms and subjects separated by more than a millennium—by nearly two millennia—from the forms and the subjects in regard to which Greek was once a living speech. ”

“ Greek philosophy was to prove the greatest intellectual asset of humanity. No other civilization or language before the Greek had invented the abstract ideas: time, will, space, beauty, truth, and the others. And from these wonderful, though imperfect, word ideas the vigorous and subtle Greek intellect rapidly raised a structure which found its supreme expression in Plato, Aristotle, and Zeno. But from the close of the Fourth Century before Christ, the time of Aristotle and his pupil Alexander the Great, Greek began to lose its vitality and to decay. ”

“ The Greeks were not literary imitators of foreign models; the forms of poetry and prose in which they attained to such unequalled excellence were first developed by themselves. Their literature had its roots in their political and social life; it is the spontaneous expression of that life in youth, maturity and decay; and the order in which its several fruits are produced is not the result of accident or caprice. Further, the old Greek literature has a striking completeness, due to the fact that each great branch of the Hellenic race bore a characteristic part in its development. ”

“ This progressive tendency might well have led, in the 11th and 12th centuries, to the founding in the Greek vernacular of a new literary language similar to the promising national languages and literature which, at that period, in the Romance countries, developed out of the despised popular idiom. ”

“ Approaching the literature and language of the Greeks with this abundant knowledge of their real surroundings and conditions of life, he saw the deeper, fuller significance of every classical author and the great literary masterpieces were perceived as the expression of the national life. He appreciated language as the wonderful medium through which the more wonderful life of the versatile Greek expressed itself. The reason he was such a great philologist was because he was so great a realist, a man who was intensely interested in the Greek people, their history and life. ”

“ The first is almost the only modern Greek poet, and his hymns, principally patriotic, are in the common dialect of the country, and said to be full of fire. He is an excessively handsome man, with large dark eyes, almost effeminate in their softness. His features are of the clearest Greek chiselling, as faultless as a statue, and are stamped with nature’s most attractive marks of refinement and feeling. ”

“ This tendency of men to throw the mantle of an honourable word over a dishonourable thing, or, vice versa, to degrade an honourable thing, when they do not love it, by a dishonourable appellation, has in Greek a word to describe it, [Greek: hypokorizesthai] , itself a word with an interesting history; while the great ethical teachers of Greece frequently occupy themselves in detecting and denouncing this most mischievous among all the impostures of words. ”

“ Because the Greek has mind, the barbarian mere brute force. Because mind is the lord of matter; because the Greek being the cultivated man, is the only true man; the rest are βάρβαροι, mere things, clods, tools for the wise Greeks’ use, in spite of all their material phantom-strength of elephants, and treasures, and tributaries by the million. ”

“ Greek simplicity recalls us to the central interests of the human heart. Greek truthfulness is a challenge to see the world as it is and shun the emptiness of mere music, the falsities of rhetoric or sentiment, the incompleteness of writers who, instead of seeing life as a whole, ignore or emphasize a part of it as their own sympathies dictate. Greek beauty is a memorial of an aspect of the universe to which ages of thought are often blind. Greek technique is a lesson in ‘form’ and a reminder of its place in literature. ”

“ It requires only a superficial acquaintance with the most patent facts of Greek literature to know that some of the most popular and the most profound teachers of Greek wisdom—Plato, Aristophanes and Xenophon—use the conversational style. The Greeks, in fact, were, as they are still, a lively and a talking people, and Socrates, their greatest name, cannot be better described than as a talking street preacher of reason and common sense. Well, then, on this double basis that Greek is a living language, and that the colloquial style is that in which its highest and best thoughts are expressed ”

“ Greek prose is a stubborn thing, and the biographer remembers being told that his was ‘the best, with the worst mistakes’; also frequently by Mr. Sellar, that it was ‘bald.’ But Greek prose is splendid practice, and no less good practice is Greek and Latin verse. These exercises, so much sneered at, are the Dwellers on the Threshold of the life of letters. They are haunting forms of fear, but they have to be wrestled with, like the Angel (to change the figure) , till they bless you, and make words become, in your hands, like the clay of the modeller. ”

“ Between these two, Greek presents not so much the happy mean as the consummate union of all the best qualities. It evidently possessed, from the remotest time at which we have any traces of literature, an innate sense of proportion and grammatical symmetry to guide it, first into unconscious and then into conscious symmetry of accidence and syntax, besides a native melody at once sweet, vigorous, and disciplined, which made it the ideal raw material for prosody. ”

“ The language which we use ourselves is full of nerve and vigor, with a certain northern force and a habit of appropriating the material stores of other languages by incorporating their words, which suits well the descendants of sea-kings, who have provinces all over the world; but it is without inflexions, deprived of cases and genders, defective in marking time, whereas the Greek in all these is most rich and flexible: the one resembles the torso of a Hercules without its limbs, the other an Apollo as he touches the earth in his perfect symmetry. ”

“ The art of omission is the art which English writers most need to learn; the literary lima is their least-handled tool. Both art and tool were perfectly understood and constantly used by the Greeks.
The third mark of Greek Literature, with which I have to deal, is perhaps its most important, certainly its most universal quality. It is truthfulness. The Greeks told no fewer lies than other races, but they had the desire and the power to see the world as it is. By this essential quality they gave Europe the conception of philosophy and science. These we inherit from them alone ”