Buffalo dance

Definition and stakes

M. R. Harrington,  Religion and ceremonies of the Lenape (1921)

“ The Buffalo dance is a pleasure dance and always begins in the morning and lasts all day. The ground is made clean in a circle large enough to dance on, and in the center a fire is built and a fork driven into the ground on each side, and a pole placed across the fire east and west. On each side of the fire is a large brass kettle hanging across the pole with hominy in it, and when the dance is nearly over, the dancers eat the hominy, dipping their hands in the kettle. The singers are outside of the ring and beat on a dried deer [183] hide stretched over poles. ”
Source: Gutenberg

Edwin Eastman,  Seven and Nine years Among the Camanches and Apaches…

“ During my residence in the Camanche village, these dances were sometimes kept up for two or three weeks without intermission, until the buffaloes made their appearance.
Hence the buffalo dance can never fail, and the Indians consider it an infallible means of bringing the herds into their country. Every man in the tribe is obliged to be provided with the mask of the buffalo, which he can use whenever he is called upon to dance to make "buffalo come."
”
Source: Gutenberg

Old Humphrey,  History, Manners, and Customs of the North American Indians

“ Never, sure, did young people make a more grotesque appearance, than did Austin, Brian, and Basil Edwards, in their attempt to get up a buffalo dance. Each had a mat over his shoulders, and a brown paper mask over his face; two wooden pegs on a string made a very respectable pair of horns; bows and arrows were in abundance; a toy rattle and drum, with the addition of an iron spoon and a wooden trencher, supplied them with music; and neither Mandan, Pawnee, Crow, Sioux, Blackfoot, nor Camanchee, could have reasonably complained of the want of either noise or confusion. ”
Source: Gutenberg

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