Face value

“ The face indeed will bear a constant view, yet always entertain and keep our curiosity awake, without the assistance either of a mask, or veil; because vast variety of changing circumstances keeps the eye and the mind in constant play, in following the numberless turns of expression it is capable of. How soon does a face that wants expression grow insipid, tho' it be ever so pretty?—The rest of the body, not having these advantages in common with the face, would soon satiate the eye, were it to be as constantly exposed, nor would it have more effect than a marble statue. ”

“ It was the face of the man that held his gaze—a bronzed and high-boned face, full of weather-wrinkles like his own, whose dark eyes gave him look for look and in their arrogance held a peculiar glassy appearance. ”

“ And, as I fixed my attention upon them more and more closely, heaven aid me! the features of a human face grew more and more distinctly traceable and visible, just as when, on looking at a distorted picture through a lens specially constructed, all its lines and effects then, and not till then, grow clear and sharp. ”

“ The face is singular, one that strikes at a first sight and grows upon the observer; a brilliant eager, old face, keen and gentle, with a preponderance of brow and head; clear bird-like eyes, eloquent excitable mouth, with a look of nervous and fluent power; the whole lighted through as it were from behind with a strange and pure kind of smile, touched too with something of an impatient prospective rapture. ”

“ Force, firmness, no ordinary self-reliance and courage found masterly expression in the rest of the face. There was through the whole physical man a nice blending of strength and delicacy of structure. The impression of fineness and finish was perhaps mainly owing to the woman-like purity and freshness of skin and color, which overspread the virile lines and features of the face from brow to chin. ”

“ It was a face of deadly pallor, that the dark close-cropped hair and the thick black eyebrows accentuated. Aesthetic in outline, refined in contour, it was the face of a visionary, and in the restless, troubled eyes there lay a hint of the fanatic. ”

“ If you do recall the features, and say that an eye is blue, a chin sharp, a nose short, or a cheek sunken, I fancy that you do not succeed well in giving the impression of the person,—not so well as when you interpret at once to the heart the essential moral qualities of the face—its humor, gravity, sadness, spirituality. ”

“ The picture was as perfect as when I had had the first glimpse of it, only her face had grown, if possible, more charming after my renewed scrutiny of it.
There are faces that grow upon you the longer and the oftener you look upon them; faces that seem to have a veil over them, which melts away like the thin, fine mist of the morning upon the cliffs, until they flash out in their full color and beauty. ”

“ Too long has the face been degraded from its rank as a thing of beauty to a mere vulgar index of character or emotion. We had come to troubling ourselves, not with its charm of colour and line, but with such questions as whether the lips were sensuous, the eyes full of sadness, the nose indicative of determination. I have no quarrel with physiognomy. For my own part, I believe in it. But it has tended to degrade the face æsthetically, in such wise as the study of cheirosophy has tended to degrade the hand. And the use of cosmetics, the masking of the face, will change this. ”

“ Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,—all energy, decision, will,—were not beautiful, according to rule; but they were more than beautiful to me: they were full of an interest, an influence that quite mastered me,—that took my feelings from my own power and fettered them in his. ”

“ But it was a face, so he told himself, that any man would trust,—a face that would make a man the better for looking at it,—a face which reflected a soul that no environment could make other than pure and spotless. ”

“ The face, with its candid brow, its rather short straight nose and the soft curves of its chin, has the ineffable charm of purity, of equable pulses, of slow-breathing health both of mind and body; the whole expression is one of sweet, grave steadfastness. ”

“ Possibly it will be urged, in reply, that changes of expression affect only the muscles and skin of the face; that the permanent marks they produce can extend but to these; that, nevertheless, the beauty of a face is mainly dependent upon the form of its bony framework ”

“ In spite of the broken condition of the face, with the nose gone, it has not lost its character. There are the heavy eyebrows, the prominent cheek-bones, the full lips, the poetic chin, the blurred but on-looking eyes. I think the first feeling of the visitor is that the face is marred beyond recognition, but the sweep of the majestic lines soon becomes apparent; it is not difficult to believe that there is a smile on the sweet mouth, and the stony stare of the eyes, once caught, will never be forgotten. ”

“ But more than these details did the stranger's face strike the novice; a face almost as perfect as the masks of the gods found in the temples; the rounded and curved features were over-full for a man, and the expression was too indifferent, troubled, almost weak, to be attractive, but taken in itself the face was noticeably beautiful. ”

“ We like or dislike too readily, we are blinded by the race, sex and age of the one studied, and, most fatal of all, we judge by standards of beauty that are totally misleading. The sweetest face may hide the most arrant egoist, for facial beauty has very little to do with the nature behind the face. In fact, facial make-up is more influenced by diet, disease and racial tendency than by character. ”

“ If it be true that man's face is the canvas upon which the affections and desires of his mind are depicted as soon as they are formed, the eyes are unquestionably the central point of the picture, and it is in them, as in a looking-glass, that every sentiment that passes across our brain is reflected. ”

“ The difference just eyes can make! His face is the face of the drilled, of the perfect unthinking machine, the correct and well-born Oberleutnant; and out of it look the eyes of a human being who knows, or will know I'm certain before life has done with him, what exultations are, and agonies, and love, and man's unconquerable mind. ”

“ Time alone could not furrow a human face into so many distorting folds and wrinkles. As I recalled the sleek, full-fed condition of his big smooth-shaven face when I had known him in the old days, I was revolted at the change. ”

“ I look long and earnestly at the tired face I see reflected in the pretty oval mirror, with its beveled edges and dainty drapery of pink silk and pure white mull. It is not a pretty face; even my friends do not think me beautiful. Yet I sometimes fancy—alas! perhaps it is only a fancy—that I have on my face a suggestion of beauty, even if beauty itself be absent. My eyes are full and dark, with long lashes; my mouth is somewhat large, not a good shape either, and some people—who do not like me—say that they can easily detect a hard, cold expression which does not please them. ”

“ Of all parts of the body, the face is most considered and regarded, as is natural from its being the chief seat of expression and the source of the voice. It is also the chief seat of beauty and of ugliness, and throughout the world is the most ornamented. The face, therefore, will have been subjected during many generations to much closer and more earnest self-attention than any other part of the body ”

“ I see a large-featured, broad-browed English face, a trifle heavy-looking when in repose, yet a thorough, honest, manly face, with a complexion neither dark nor fair, with brown hair and moustache, and with light hazel eyes that look out on the world quietly enough. ”

“ And when it comes to recognition being instantly claimed from the negative and before a print is made—as in a case I heard of not long ago—one almost gives up hope!
One need hardly point out that, although a medium who merely trusts to luck will probably score a good proportion of “hits” by ringing the changes on a few common types of face, he can greatly increase this proportion by a little adroit “pumping” of the sitter which will give him a guide to at least the general type of face expected, thus enabling him to “deliver the goods,” at any rate approximately, at the next séance. ”

“ I read that a face is strong, gentle; that it is full of patience, of intellect; that it is fine, sweet, noble, beautiful. Have I not the same right to use these words in describing what I feel as you have in describing what you see? They express truly what I feel in the hand. I am seldom conscious of physical qualities, and I do not remember whether the fingers of a hand are short or long, or the skin is moist or dry. No more can you, without conscious effort, recall the details of a face, even when you have seen it many times. ”

“ If either good or bad thoughts come to live in your mind all the time, they will print themselves on your face and change your looks. The good thoughts will make your face beautiful, though your hair may be as straight as an Indian’s, your nose crooked, and your mouth large. On the other hand, though your hair may curl, your skin be as fair as a peach blossom, your features be perfect, yet if you let bad thoughts live in the mind, your face will no longer look lovely to others. ”

“ Thy face is the physiognomy of an extraordinary man, who thinks deeply, who holds fast to whatever he undertakes, works, flies, triumphs, finds few men in whom he will confide, but many who will rely on him.
“Ah! if a common mortal had such a brow, such a mouth, such a nose, or even such hair, what would become of physiognomy?
“Perhaps there is not a man existing whom thy countenance would not by turns attract and repel. ”

“ Equally true is it that the face should be free from that incessant smiling which overspreads the countenances of so many. The face should possess neither one of these expressions, but present a set, firm appearance, conveying no idea of the thoughts of the mind. Outward causes are exceptions to the changes of facial expressions. ”

“ He continued to observe, that what is usually called character in a face, is probably excess in some of its parts, and particularly of those which are under the influence of the mind, the leading passion of which marks some feature for its own. A perfectly symmetrical face bears no mark of the influence of either the passions or the understanding, and reminds you of Prometheus’s clay without his fire. ”

“ The loveliest woman’s face, viewed through a magnifying glass, appears equally scarred and seamed and pitted. But here ’tis the lens that is accused of falsification, ’tis the ugliness that is pronounced the delusion—a face was meant to be seen at a certain distance and with the natural eye. ”

“ In life this must have been a glorious face. The eyes are large and prominent, the brow is broad and fine, the mouth wide and obviously sensitive, the chin delicate, and the nose long, well set, and indicative of immense force of character. ”

“ To our way of thinking, such a face could scarcely be described as beautiful; but how much prejudice there is in our ideas of beauty! I soon came to find these brown faces, gleaming with health and fat, really pleasing. ”

“ That in these profiles exists one cause of beauty is proved by the character of the opposite line; for the greater the inflection of the nose, the less beautiful is the face; and if, when seen sidewise, it presents a bad profile, it is useless to look for beauty in any other view. ”

“ It is the expressiveness of a face after all that constitutes its beauty, and among our girls who are compelled to earn their livelihood in factories and offices, one will behold faces delicate and features classically beautiful. ”

“ Without pretension to actual beauty or any kind of perfection, the face was one likely to attract and then to charm; gentleness, thoughtfulness, intellectual power, might be read in those fair features, as well as an almost infantine candor and innocence, and the subtle and all too-transient bloom of extreme youth. ”

“ The face, wearing an expression of great earnestness and intentness, is as yet beardless, unformed, and rather heavy-looking; different indeed from the emphatic furrowed countenance that appears in the later portraits which show him when age had developed his full individuality. The eyes are pale bluish grey, and the eyebrows very light in colour. ”

“ Always look for the predominant factor—the feature, or features, which give personality to the face. In your case they are undoubtedly the eyebrows and the curve of the upper lip. A few judicious touches to these will alter the whole expression to a surprising extent. A few more lines will give age. The wig and spectacles are the refuges of the amateur. In themselves they can do little, but with the touches I suggest, and a deep-toned powder to darken the skin, your disguise will be complete. ”

“ Under this severe coiffure we discern a serious gentle placid face—long narrow eyes, a high forehead, a full mouth with pretty pursed lips; a face too closely following the mediæval ideal for it to impress us very strongly as a likeness. ”

“ The differences in human features must be reckoned great, inasmuch as they enable us to distinguish a single known face among those of thousands of strangers, though they are mostly too minute for measurement. At the same time, they are exceedingly numerous. The general expression of a face is the sum of a multitude of small details, which are viewed in such rapid succession that we seem to perceive them all at a single glance. ”