Lyric poet

“ The true lyric poet lives a life of introspection, he grasps relations in the light of his poetic individuality; and, however in varied fashion his inner life may be blended with the world around him, in its conditions and destiny, what he presents to us exclusively in such material is the unique and independent animation of his own emotions and observations. ”

“ The lyric is a poem which voices the personal feeling, sentiment, or passion of the poet. The poet's feelings are the feelings of human nature, but purified and intensified by his genius. So they are as varied as human nature, but nobler and more beautiful. Lyric poetry, then, appeals to our various moods and often expresses that of which we have been vaguely conscious in ourselves. Sometimes, too, it inspires us to nobler and purer feeling and to higher conceptions of life.
The wise teacher seeks to awaken the interest and arouse the imagination of his pupils. ”

“ To give the body of the time the form and pressure of individual feeling, of individual artistic mastery of the language of one's race and epoch;—this, no less than the other, is the task and the opportunity of the lyric poet. ”

“ But with the departure of the lyrical emotion the narrative impulse ends as well.
(b) While keeping within the limits of the lyric he traverses an immense range of emotion and experience. The feelings he describes are those of the Scottish peasant, but the genius of the poet makes them germane to every member of the human race; he discovers the touch of nature that makes the whole world kin. Here we have the “passion and apathy, and glory and shame” that are the inspiration of the lyrical poet, and we have them in rich abundance. ”

“ Like the essay the lyric is a subjective composition; it is confessedly the expression of the poet’s personal emotion and his own experiences. His mind, his soul, speak to us; he does not interpret the thoughts and feelings of another. The lyric is usually contemplative and full of the choicest results of the poet’s meditations. It influences action indirectly through direct appeals to the emotions. ”

“ Finally, lyric poetry, to a far more considerable extent than is possible with the unassisted aid of rhyme, avails itself of music, by means of which the uttered word becomes veritable melody and song. ”

“ Lyric poetry is the fitting of rhythmic, melodious, colored words to the emotion within, to the point where the very form itself becomes the meaning, and the essence and mystery of the song are in the singing. Beauty is harmony materialized; it is emotion ordered and made visible, audible, tangible. If in the arts of form we seek further a standard of truth, their truth is not found in their relation to any external verity, but is determined by their correspondence with inner experience. ”

“ If lyric poetry shows everywhere this tendency to humanize its "bare vision" of Nature, it is also clear that the lyric, as the most highly personalized species of poetry, exhibits an infinite variety of visions of human life. Any anthology will illustrate the range of observation, the complexity of situations and desires, the constant changes in key, as the lyric attempts to interpret this or that aspect of human emotion. ”

“ Of the different modes of poetry, the lyric has rightly seemed the most typical. Being an expression of a single, simple mood, its subject-matter is most closely akin to the musical expressiveness of the rhythm and euphony of the medium. When, moreover, the mood is a common one, there occurs that identification of self with the passion expressed characteristic of music: the utterance becomes ours as well as the poet's ”

“ It seems to be the same in lyric poetry, and when the power does come, then we have the touch which makes it song, as the thrill of the lark, and the ecstasy of the mocking-bird in the tropic night, are songs. The magic may not be prolonged through an entire lyric. It seldom is. It may be only in a single line or in a single verse. It may not be even the highest strain of feeling or nobility of sentiment, and may even carry with it little definite meaning upon analysis. ”

“ Now that all the fair dreams had been shattered by the selfishness of the courts and the bickerings of politicians, men asked, ‘What is the use?’ Turning inward to examine their own souls, they produced a delicate lyric poetry which contained just what the art-song of the time needed—the intimate and personal. ”

“ I do from my soul believe that Lyric Poetry is the own, if not twin sister of Music; wherefore, as I had before gathered together every thing that any way relates to the one, with what consistency could I forbear to collate the best effusions of the other?—I should premise, that in volume the first of my quarto history, chap. i. page 7, I lay it down as a principle never to be departed from, that, “The Lyre is the prototype of the fidicinal species.” ”

“ Of this he said, in his “Essay on Lyric Poetry,” prefixed to the poem—“For the more harmony likewise I chose the frequent return of rhyme, which laid me under great difficulties. But difficulties overcome give grace and pleasure. Nor can I account for the pleasure of rhyme in general (of which the moderns are too fond) but from this truth.” Yet the moderns surely deserve not much censure for their fondness of what, by their own confession, affords pleasure, and abounds in harmony. ”

“ In lyric poetry we are conscious of emotion, reflection, the personal interest, and yearning. The drama converts the ideal claim of human action into an objective presence. The presentation of epic poetry, on the other hand, moves, as it were, within the element itself of essentially necessary existence. ”

“ If we examine more closely the forms which lyric poetry has taken since 1830, we shall find that certain influences at work in the minds of our leading writers have led to the widest divergence in the character of lyrical verse. It will be well, perhaps, to consider in turn the leading classes of that work. It was not to be expected that in an age of such complexity and self-consciousness as ours, the pure song, the simple trill of bird-like melody, should often or prominently be heard. ”

“ The sea, pour'd out,
Immortal nourishment supplies;
Thence wealth and state,
And power and fate,
Which Europe reads in George's eyes.
From what we view,
We take the clue,
Which leads from great to greater thing
Men doubt no more,
But gods adore,
When such resemblance shines in kings. [pg 157]
On Lyric Poetry. How imperfect soever my own composition may be, yet am I willing to speak a word or two, of the nature of lyric poetry; to show that I have, at least, some idea of perfection in that kind of poem in which I am engaged ”

“ I shall like Beast and common People die,
Unless you write my Elegy." Section II.—Of the poems composed in stanzas;
and first, of the stanzas consisting of three and of four verses. In the poems composed of stanzas, each stanza contains a certain number of verses, consisting for the most part of a different number of syllables; and a poem that consists of several stanzas we generally call an ode; and this is lyric poetry.
But we must not forget to observe, that our ancient poets frequently made use of intermixed rhyme in their heroic poems, which they disposed into stanzas and cantos. ”

“ Let Poetry then pass, if it will, into music and rhyme. That is the form which itself puts on. We do not enclose watches in wooden, but in crystal cases, and rhyme is the transparent frame that allows almost the pure architecture of thought to become visible to the mental eye. Substance is much, but so are mode and form much. The poet, like a delighted boy, brings you heaps of rainbow bubbles, opaline, air-borne, spherical as the world, instead of a few drops of soap and water. ”

“ The songs of all the really great lyrical poets are obviously and radiantly singable, and meant to be sung, and in their authors' lifetime they were sung. So far then from the finest lyrical poetry being impaired by association with music, it is only the maimed poetry of decadence that does not admit of such association, one unfailing mark of a lyric of the highest order being that it rises to the true singing quality. ”

“ A portion of what there is is also imperfect, ephemeral, and careless, but she has written one of the most perfect lyrics in the English language, and a number of others, which, in their melody, their interpretation of simple emotion, their vividness and strength, and their power upon the heart as well as the ear, have a place which few have equaled and none have surpassed in the lyric treasures of a land more rich than all others in the voice of poetry speaking to the heart in song. ”

“ Few readers can fail to observe the natural sweetness of the verse, the single-hearted straightforwardness of the thoughts:—nor less, the limitation of subject to the many phases of one passion, which then characterized our lyrical poetry,—unless when, as in especial with Shakespeare, the 'purple light of Love' is tempered by a spirit of sterner reflection. For the didactic verse of the century, although lyrical in form, yet very rarely rises to the pervading emotion, the golden cadence, proper to the lyric. ”

“ Their sweetest harps have broken strings,
Their grandest accords have their jars,
Like shadows on the light of stars,
And somehow, something ever mars
The songs the greatest minstrel sings.
And so each song is incomplete,
And not a rhyme can ever round
Into the chords of perfect sound
The tones of thought that e'er surround
The ways walked by the poet's feet.
"What ails the world?" he sings and sighs;
No answer cometh to his cry.
He asks the earth and asks the sky —
The echoes of his song pass by
Unanswered — and the poet dies. ”

“ But approximately defined, a lyric may be said to be a poem—short, vivid, and expressive of a definite emotion, appealing more to the eye than with any ultimate view of being set to music; a song, as a composition appealing more to the ear, wherein the sentiments are more leisurely expressed, with the intention of being accompanied by music. ”

“ They tell us that these souls, flying like bees from flower to flower, and wandering over the gardens and the meadows, and the honey-flowing fountains of the Muses, return to us laden [Pg 121] with the sweetness of melody; and arrayed as they are in the plumes of rapid imagination, they speak truth. For a Poet is indeed a thing ethereally light, winged, and sacred, nor can he compose anything worth calling poetry until he becomes inspired, and, as it were, mad, or whilst any reason remains in him. ”

“ In lesser compass than the epic, a narrative poem, like the ballads [4] or the more conscious poetical romances and tales, [5] may range over the whole wide domain of men's adventures and fortunes, finding nothing human foreign to it.
Narrative thus stories forth the doings of others; the lyric rises out of oneself. And here again the scope is limitless. A lyric may phrase emotion in its purest essence: it is then the absolute lyric or song. The emotion, gathering about a simple little scene in nature, may utter itself briefly and beautifully in an idyl ”

“ The same thing might be said of a poem in which all the reactions of Nature are translated through the complex medium of the senses as well as the soul. Her voice, her form, her lights and shades, the very spirit of her whole being breathes and sings in the lines of a Wordsworth or a Shelly. At this height, the painter and the poet are one; or the musician brings them together, is the link between them. For a poem may not only contain a picture, or a picture, a poem, but both are often vibrant with the rythmic harmony, even the melody of song. ”

“ For instinctive mastery of its means and absolute attainment of its end, for majesty of living music and fidelity of sensitive imagination, there is no lyric poem in any language more wonderful or more delightful. ”

“ When we think of melody in speech, we immediately think of the lyric. In form and in spirit it approaches nearest towards music, for it is “emotion all compact.” When we have stimulated within us a noble emotion, we begin at once to respond in some rhythmic action, a beat of our foot, sway of the body, or humming in a tuneful way. There is melody in prose as well as in poetry, only it is not so pronounced. Lincoln’s “Gettysburg Address” is a splendid example of prose-poetry. ”

“ The brief lyric, above all other kinds of poetry, should be finished in form and expression. The imperfections of diction that might go unchallenged in a longer poem are inexcusable in a lyric. Delicacy of thought and intensity of feeling constitute its breath of life, and should mold for themselves a beauteous form. What is commonplace, harsh, or unmusical in expression should be avoided, unless such diction is wedded to the thought. Concrete and suggestive words are to be used rather than abstract and vague expressions. There is always a distinct gain when the poem evokes pleasing pictures. ”

“ His scornful lips upon the instant sing,
⁠And all his pulses leap with ecstasies.
'Tis love the poet wants; he cannot live
Without caressing and without caress,
⁠Which all to charity his fellows give;
But I will wrap his soul in tenderness,
⁠And straightway from his lips will burst a song
⁠All loving hearts shall echo and prolong.
POET.
O Earth, and Sky, and Flowers, and Streams agushing,
⁠God made ye beautiful to make us blest:
O bright-winged Songsters through the blue air rushing ”

“ Take for example, the Elizabethan love-lyric. Here is a single human passion, expressing itself in the moods and lyric forms of one brief generation of our literature. Yet what variety of personal accent, what kaleidoscopic shiftings of mind and imagination, what range of lyric beauty! Or take the passion for the wider interests of Humanity, expressed in the lyrics of Schiller and Burns, running deep and turbid through Revolutionary and Romantic verse, and still coloring—perhaps now more strongly than ever—the stream of twentieth-century poetry. ”