Manus

“ Try to mould the hand of your mistress, and see what you will get,—ghastly articulations, without the slightest resemblance to her living hand; you must have resource to the chisel of a man who, without servilely copying that hand, can give it movement and life. It is our mission to seize the mind, soul, countenance of things and beings. Effects! effects! what are they? the mere accidents of the life, and not the life itself. A hand,—since I have taken that as an example,—a hand is not merely a part of the body, it is far more ”

“ Strong Hand lifted No Man’s head until it was level with his own breast, and then he smashed it down upon the rocks. And after that first blow No Man had no face, and after the second, the life went out of him. ”

“ Those who would degrade the body, in order, as they imagine, to exalt the mind, should consider more deeply than they do the importance of our muscular expressions of feeling. The manifold shades and kinds of expression which the lips present—their gibes, gambols, and flashes of merriment; the quick language of a quivering nostril; the varied waves and ripples of beautiful emotion which play on the human countenance, with the spasms of passion that disfigure it—all which we take such pains to embody in art—are simply effects of muscular action.... ”

“ What the mind conceives the hands put into execution, and what the heart wills the hand makes possible. Upon the palm are found more or less indications of the physical and mental attitudes of men—their appetites, instincts, and ambitions. ”

“ And if for some clairvoyant eyes God has written each man's destiny over his whole outward and visible form, if a man's body is the record of his fate, why should not the hand in a manner epitomize the body?—since the hand represents the deed of man, and by his deeds he is known. ”

“ Brains and books were one thing, but the strong arm, the quick eye, and the deft lunge home with the sword or dagger were better; they were of a man’s own skill, not the acquired skill of another’s brains which books give. He straightened his shoulders till he looked like a modern actor playing the hero in a romantic drama, and with quick vain motions he stroked and twisted his brown moustache, and ran his fingers through his curling hair. ”

“ I am tired of the novelist's portrait of a gentleman, with gloves and hat, leaning against a pillar, upon a vague landscape background. I want the gentleman as he appears in a snap-shot photograph, with his every-day expression on his face, and the localities in which he spends his days accurately visible around him. ”

“ It is true that past efforts have given but little result—little result because they ignored and avowedly ignored the connection which is coming to be more and more clearly seen to exist between character on the one hand and bodily organisation and proclivity, and especially the organisation and proclivity of the nervous system, on the other hand. ”

“ He continued to observe, that what is usually called character in a face, is probably excess in some of its parts, and particularly of those which are under the influence of the mind, the leading passion of which marks some feature for its own. A perfectly symmetrical face bears no mark of the influence of either the passions or the understanding, and reminds you of Prometheus’s clay without his fire. ”

“ See how the flaxen-haired young gentleman with the weak legs—he who has his pocket-handkerchief thrust into the breast of his coat-glares upon the fainthearted civilians who linger to look upon his glory; how the next young gentleman elevates his head in the air, and majestically places his arms a-kimbo, while the third stands with his legs very wide apart, and clasps his hands behind him. ”

“ THE MIND AND THE HAND.
The Mind and the Hand are Allies; the Mind speculates, the Hand tests its Speculations in Things. — The Hand explodes the Errors of the Mind — it searches after Truth and finds it in Things. — Mental Errors are subtile; they elude us, but the False in Things stands self-exposed. — The Hand is the Mind’s Moral Rudder. — The Organ of Touch the most Wonderful of the Senses; all the Others are Passive; it alone is Active. — Sir Charles Bell’s Discovery of a “Muscular Sense.” — Dr. Henry Maudsley on the Muscular Sense. — The Hand influences the Brain. ”

“ I set about studying anatomy, and considering the multitude, movement, and wonderful construction of the various parts that composed the human machine; my apprehensions were instantly increased, I expected to feel mine deranged twenty times a day, and far from being surprised to find myself dying, was astonished that I yet existed! ”

“ I know nothing in the drama more pure and touching.
When we find a constitution of soul so new, and capable of such great effects, it behooves us to look at the bodies. Man's extreme actions come not from his will, but his nature. [502] In order to understand the great tensions of the whole machine, we must look upon the whole—I mean man's temperament, the manner in which his blood flows, his nerves quiver, his muscles act, the moral interprets the physical, and human qualities have their root in the animal species. ”

“ Wherefore should I speak of the multiform protection provided by animated creatures against one another?—some armed with horns, some hedged with teeth, and shod with claws, and barbed with stings, or with freedom obtained by swiftness of feet, or by the capacity of soaring furnished by wings? The very beauty of our own figure especially confesses God to be its artificer: our upright stature, our uplooking countenance, our eyes placed at the top, as it were, for outlook; and all the rest of our senses as if arranged in a citadel. ”

“ My flesh is meat indeed, and my blood is drink indeed--" such a contemplation of the Divine Personality in Him as will cause a like receiving of the Divine Personality into individualization in ourselves--this is the great purpose of the Creative Process in the individual. It terminates the old series which began with birth after the flesh and inaugurates a New Series by birth after the Spirit, a New Life of infinite unfoldment with glorious possibilities beyond our highest conception. ”

“ We darkly behold (in the poetry of the obscurest eras) the forms of men,—such as can be seen afar through the mist,—no costume, no dialect, but for language you have a tongue itself. As for costume—we can dispense with that, the skins of beasts or bark of trees are always to be had,—what if the man is naked? ”

“ None the less, all mankind at least unconsciously, and intelligent persons consciously, will continue to be physiognomists, people will continue to judge character from the nose, although they will not admit the existence of a science of physiognomy, and the portraits of celebrated men and of murderers will continue to interest every one. ”

“ I want to cut up the bodies of men and anatomize corpses. Perhaps one can get at the seat of weakness and vulgarity. One must seek life at its source and death at its root. The talent of an anatomist stirs within me. ”

“ But whichever view we take, it is obvious that they are centres in some degree, of intelligent force or vitality, centres which, though in their essence rare and tenuous as thought or feeling, succeed in clothing themselves with a certain grade of corporeality by the use of the materials at hand, and in so coming into visible manifestation. ”

“ He sternly rejected any suggestion to idealise the human form, and paint heads, hands, or feet different from those in ordinary life. 'It is the simplicity with which he gives expression by large and melancholy eyes, thought by projections of the forehead, grief by contracted muscles, and suffering by attenuation of the flesh which touches us.' The deadly earnestness of the man impresses the spectator at this distant date. ”

“ Let him, on meeting a fellow-mortal, learn at a glance to distinguish the history of the man, and the trade or profession to which he belongs. Puerile as such an exercise may seem, it sharpens the faculties of observation, and teaches one where to look and what to look for. By a man’s finger nails, by his coat-sleeve, by his boot, by his trouser knees, by the callosities of his forefinger and thumb, by his expression, by his shirt cuffs—by each of these things a man’s calling is plainly revealed. ”

“ When, on the contrary, the hands are left free and disengaged, as the hand of the orator, which unconsciously expresses by its position or movement the general mental state of the speaker, we have in this muscular movement an expression of the man's mind. ”

“ If I told you that my hero had scanty hair, as is the case with modern youths, a pointed moustache, dark eyes with nothing in them to attract you, his nose not more characteristic, a swarthy face, a not more distinctive figure, long nails on short fingers, that he was fashionably dressed,—tell me, would you know him any better? ”

“ The piercing glance and broad forehead of this man revealed a powerful intellect, even as the development of his chest and shoulders announced a vigorous physical organization; whilst his gentlemanly appearance, the perfection of his gloves and boots, the light perfume which hung about his hair and person, the grace and ease of his least movements, betrayed what is called the man of the world, and left the impression that he had sought or might still seek every kind of success, from the most frivolous to the most serious. ”

“ As with the actor, we are each given a certain dramatic conception for the expression of which we have precisely the same artistic materials—namely, our own bodies, sometimes including heart and brains. ”

“ You might quite as well call it the Human Drama, the Human Tragedy.' 'Yes,' said he, 'and you, you are writing the Human Epic.' 'The title in this case,' I replied, 'would be too imposing. What I should like to write is the human pastoral, the human ballad, the human romance. To put it plainly, you have the desire and the ability to paint the human being as you see him. ”

“ You will remember that Albertus Magnus, after describing minutely the process by which spirits may be invoked and commanded, adds emphatically that the process will instruct and avail only to the few—that a man must be born a magician!—that is, born with a peculiar physical temperament, as a man is born a poet. ”

“ The nerves with their muscles obey the tendons as soldiers obey the officers, and the tendons obey the Common [central] Sense as the officers obey the general. [27] Thus the joint of the bones obeys the nerve, and the nerve the muscle, and the muscle the tendon and the tendon the Common Sense. And the Common Sense is the seat of the soul [28] , and memory is its ammunition, and the impressibility is its referendary since the sense waits on the soul and not the soul on the sense. ”

“ Body and soul constitute one inseparable entity." So they do, replies Ulrichs; but the way in which these factors of the person are combined in human beings differs extremely, as I can prove by indisputable facts. The body of a male is visible to the eyes, is mensurable and ponderable, is clearly marked in its specific organs. But what we call his soul—his passions, inclinations, sensibilities, emotional characteristics, sexual desires—eludes the observation of the senses. ”

“ Worth noting is the fact that many of them refer us not only to aesthetic life, but to the military profession and temperament, to the most genuine and even stalwart masculinity of physiques and occupations, with no trace or possible shade of effeminacy, or of a degeneracy of mind or body in such men-types. ”

“ On one hand is an invalid man, woman or child, as the case may be, and on the other a kneeling figure imploring aid for them of the ‘Virgin of Consolation,’ who is also portrayed appearing to the suppliant, and encircled by a golden halo. ”

“ I couldn’t see the man’s face, or any part of him, indeed, except his stooping back, and his feet, and his neck, and his elbows. But what little I saw was printed indelibly on the very fibre of my nature. I could have recognised that man anywhere if I saw him in the same attitude. ”

“ With a single cadence, or a play of the facial muscles, or a slight gesture, he can portray a person, a situation, or an object, so that it appears living in the sight of his hearers. And what the word alone cannot do, is accomplished in the most brilliant manner by the virtuosity of his delivery. He does not speak his words, he presents them; they take bodily form and seem alive. ”

“ They may go, along with our muscles and our physical courage, while, challenging ever more and more our proper admiration, will grow the gigantic domes of our crania, arching over our spectacled eyes, and animating our flexible little lips to those floods of learned and ingenious talk which will constitute our most congenial occupation. ”

“ Where do you come from, O man, and where do you keep yourself, that we know not your features nor hear your voice? Have you wife or mother who awaits your return? Or children who set your torch in the corner and climb to your lap and embrace your neck? ”

“ Again, in the case of women, just as nature has mingled in their voice a certain softer note, so likewise she has taken the hair from their chins. Not so, you say; on the contrary the human animal ought to have been left without distinguishing features, and each of us ought to proclaim by word of mouth, "I am a man." ”

“ For observations on physiognomy in particular we may go as far backwards as to Plato, and his comparisons of the human face and character with those

of the brutes, or even to Aristotle, who still earlier observed the physical and psychological correspondence between the passions of men and their facial expression. ”

“ We gain fiom our piemise the knowledge that these heroes, as well as their typical fates, are personifications of the human libido and its typical fates They are imagery, like the figures of our nightly dreams the actors and interpreters of our secret thoughts. ”