Music stand

“ To the lawgivers, the signs themselves are the most important matter, and are continually growing in their estimation; the new art of music is derived from the old signs—and these now stand for musical art itself. ”

“ But it is not only as content that they are in this music. This music is they, in its curves and angles, in its melody and rhythms, in its style and shape. There are times when it stands in relation to other music as some being half giant, half day-laborer, might stand in the company of scholars and poets and other highly educated and civilized men. The unlettered, the uncouth, the humble, the men unacquainted with eloquence are in this music in very body. It pierces directly from their throats. No film, no refinement on their speech, no art of music removes them from us. ”

“ Ah! could we but see the vibrations of the atmosphere which a single musical chord produces—the rolling bass, the gliding alto, the sweeping soprano, and the soaring tenor, rolling onward in one broad channel of harmony, with its myriad tributary streams of thirds and fifths, and its curling, twinkling, shifting, blending, soaring mists of delicate-toned harmonics, how would our enjoyment of music be enhanced! ”

“ A few choice pictures hang on the walls: but here, there, and everywhere are to be found the emblems and accessories of the musical art,—a piano-forte, on the back part of which are great piles of music, and in which are the latest and choicest publications; a number of music-stands; several of the viol family hanging on the walls, or placed in their boxes on the floor; two or three varieties of the clarinet; a cornet, a guitar, a flute, &c. In fact, there is music, music everywhere, and enough instruments to form at any time an orchestra of at least a dozen performers ”

“ Thus from the definite number of twenty-four notes, varied in different degrees, by sharps, flats, semi-tones, &c., are produced all that is so magical, enthusiastic, and transporting in the empire of omnipotent music. Like as the alphabetic characters may be varied into myriads of forms suitable to every multifarious species of conversation or composition; in a word, a few musical notes in the hands of a master may be made by his skill to produce, from agreeable interchanges of time, harmony, &c., every variety of musical sentiment which can affect the human soul. ”

“ The aspect of importance here, in short, is the varied motion of the music simply, the ups and downs of the harmony or melody, the stream of sound through its degrees of opposition, preponderance, emphasis, acuteness or vivacity, the elaboration of a melodic phrase in every respect that is suitable to the means of musical art, the musician-like fusion of all the instruments as one ensemble of tone, or in their succession, alternation, and emphatic display of themselves and each other. ”

“ He loves to bang on the piano and blow his horn.
This craving for pleasure in sounds radiates through the sense of rhythm into graceful movements, the beginnings of dancing and dramatic action, even from the crudest rhythmic kicking 16and tapping movements of the infant. His speech becomes rhythmic, melodic, dynamic, beautiful. His whole body becomes reverberant in response to the sounds of nature. Laughter progressively acquires new and beautiful forms. Even crying may give satisfaction of an artistic sort. The swinging of the pendulum of the old clock on the wall is music. ”

“ In the
fusing of melody and words into an utterance of song—at last into a strophe—music worked potently, shaping the composition of the lines, moulding them to rhythm, insisting upon sonorousness in the words, promoting their assonance and at last compelling them to rhyme so as to meet the stress, or mark the ending, of the musical periods. Thus the exigencies of melody helped to evoke the finished verse, while the words reciprocating through their vocal capabilities and through the inspiration of their meaning, aided the evolution of the melodies. ”

“ No other art is able to inflict such merciless suffering! Under the name of music we are afflicted with every variety of noise, including the hand organ, the bagpipes, the German band, the man who toots the cornet in the street, the harp man, the lady who has seen better days and who sings before our house in the evening, the active piano-organ invented by a heartless genius, the musical box and all its amazing progenies, the gramophone and the pianola. ”

“ As rhythm is the heart pulsation of music, [69] it naturally took hold of the first singers of in any measure formulated melody, leading to swaying of the body, clapping of the hands, stamping of the feet, and quickly suggested the employment of other resonant means for marking its progress. Our drums were at first only hollow pieces of wood, our cymbals, triangle, and gong may have had double duties,—musical and culinary,—and our harp and piano were anticipated by single strings stretched to yield a sonorous tone regardless of pitch. ”

“ It will thus be seen that the manner in which we are impressed by Music is enormously complex. First, there is the sensuous appeal, the different characteristics of timbre and tone, of rich harmony and full orchestration, of all those devices which are usually described in metaphors of taste and colour. Second, and inclusive of the first, is the emotional appeal, the exhilaration of rapid movement, the gravity of stately chords and broad diatonic melody, the restlessness of broken rhythm and frequent modulation, the shades of surprise which follow upon a sudden change or an unexpected crisis. ”

“ But the real music for us comes through the eye. The rippling of waves, the tremulous vibration of leaf and blossom and twig, all these sights make for us a harmony perhaps as perfect as the most finished orchestra. ”

“ But in that wonderful drama, which the emancipation of the secular or popular principle in the music of the sixteenth century presents, the instrument appears as the second agent, with its greater freedom as contrasted with the human voice. Choral counterpoint penetrates into the music of the future in the two ways of the one-part song and of the instrumental polyphony, which form a quite natural whole. In proportion as vocal music became more individual and more full of soul, the absolute instrumental music gained in meaning. ”

“ Contrasts of timbre and tone are at least as various as contrasts of colour: the complexity of musical rhythm is far beyond anything that language can achieve; while, in the devices of harmony, and still more of polyphony and counterpoint, the composer occupies a position which is virtually unique in human experience. ”

“ In the long evolution from the simple to the complex which music shares with everything else we know we may observe two different methods of tone-combination which, working together, have given us the elaborate texture of the modern art. That especially suited to melodic instruments, like those used in the orchestra or the chorus, puts melodies together as an engraver puts together lines, each remaining distinct, standing off clearly from the others, representing a different musical thought, and yet all agreeing, or, as we say, harmonizing. ”

“ Borrowing as by right from all the arts, and pressing into its service all that has been won in the region of form and colour to enforce its own message of the spirit, it is nevertheless inevitable that to music it must remain the heaviest debtor, for its chosen vehicle of rhythmic language approaches most nearly to the abstract instrument of the musician. ”

“ It has also been recognised that music can speak in its own words outside of the theatre, in a symphony, in a simple sonata, and that there exists no art so benevolent, so reposeful, and so reassuring to troubled souls. ”

“ It has become a formidable engine of steel and gold, vibrant with mad and unexpected things. Patterns leap and tumble out of it. Violin music launches swiftly into space, trumpets run scales, the tempi move with the velocity of express trains. It has become a giant, terrible bird, the great auk of music, that seizes you in its talons and spirals into the empyrean. ”

“ Thirdly, and finally, it is the melody, by virtue of which on these foundations of a beat characterized by rhythmical vitality and of distinctions and movements of harmony itself that the realm of tones is unitedly discharged in a spiritually free mode of expression, and conducts us thereby to the final main section of our subject, which will undertake to consider music in its concrete unity with the spiritual content it is intended to express in beat, harmony, and rhythm. ”

“ But, more than this, man is an instrument of God in his whole frame ; besides the powers of the voice in forming, and of the ear in distinguishing, musical sounds, there is a general sense, or sympathetic feeling, in the fibres and membranes of the body, which renders the whole frame susceptible of musical emotion. Every person strongly touched with music must be assured that its effect is not confined to the ear, but is felt all over the frame, and to the inmost affections of the heart ”

“ The second cause for the concreteness of the musical experience I take to be certain emotions and feelings which are aroused by association, not with the rhythmic elements of music alone, but with the tone-color, intensity, and melody also. There is a human quality, a poignancy and intimacy, about much music, which can be understood only through its analogy with the sounds of the human voice. ”

“ And whereas each sound produced by a sonorous body is invariably allied with its major third and fifth, whereas it acts on grains of fine sand lying on stretched parchment so as to distribute them in geometrical figures that are always the same, according to the pitch,—quite regular when the combination is a true chord, and indefinite when the sounds are dissonant,—I say that music is an art conceived in the very bowels of nature. ”

“ In the face of the flute-player on the left delighted absorption in the music is admirably expressed, while the curving lines of the body and the floating loose garments convey a sense of rhythmic motion in complete harmony with the subject. Equally expressive is the drawing in the face of the musician to the right, with its look of intent concentration. ”

“ MUSIC IN THE NATURAL WAY. How often, when wedged in a heated concert room, annoyed by the creaking of myriad fans, and tortured optically, by the glare of gas-light, have I, with a gipsey longing, wished that the four walls might be razed, leaving only the blue sky over my head, that the tide of music might unfettered flow over my soul. ”

“ CONTENTS OF THE PHRASE.—The question may arise, what is it that makes a phrase,—the rhythm, harmony, or melody? Strictly speaking, all three; for music subsists in the ceaseless co-operation of these three primary elements of composition, and no phrase is wholly complete without the evidence of each and all. Generalizing the definitions already given, the function of each of these primary elements may be thus described: The element of harmony regulates the choice of the tones that are to sound together; the upright shafts of tone (chords) which determine the body, or framework, of the music. ”

“ Throughout the nesting season music fairly pours from his tiny throat; it bubbles up like champagne; it gushes forth in a lyrical torrent and overflows into every nook of the forest, that seems entirely pervaded by his song. While music is everywhere, it apparently comes from no particular point, and, search as you may, the tiny singer still eludes, exasperates, and yet entrances. ”

“ But for her, sweet sounds and sights abound in everything; bird and breeze and bee alike are winged with melody; the music of the sea satisfies her heart, and there "the artist-ear,—which makes a spectrum for all sounds that are not separate, distinguishes the self-same harmonies that govern the gradations of the orchestra, from deep to deep descending, until sounds are lost in sound as lights in light";—the trains have their thunderous music in her hearing ”

“ An unusually emotional nature being thus the general characteristic of musical composers, we have in it just the agency required for the development of recitative and song. Intenser feeling producing intenser manifestations, any cause of excitement will call forth from such a nature tones and changes of voice more marked than those called forth from an ordinary nature—will generate just those exaggerations which we have found to distinguish the lower vocal music from emotional speech, and the higher vocal music from the lower. ”

“ We referred at some length, in the chapter on "The Dance and Its Development," to this germination of musical thought as of the greatest importance in composition. The reader will readily understand that the highest form of an art like music, in which the element of time enters as a vital matter—in which the message of the composer comes to us in successive sounds—must depend on something more than the beauty of its several and successive melodies. ”

“ Thought, emotion, all that we call the spiritual side of music, expresses itself not through sonorous or harmonic effects, primarily sensuous in appeal, but through melody and rhythm and their interplay and elaboration in so-called thematic development. In truly great music we remember, not such and such a bit of tone-color, not this or that sonority, but the soaring or tender curve of the themes, their logical yet ever new unfolding, their embodiment, in the whole composition, of richest variety with completest final unity. ”