Eliza Ruhamah Scidmore,
Jinrikisha Days in Japan
(1891)
“ Dropping his shoes at the steps, the visitor wanders through a labyrinth of little rooms, each exquisite, simple, and charming, with its golden screens and gold-flecked ceilings. The irregularly shelved recesses, the chigai dana of each room, the ramma, the lattices and windows, are perfect models of Japanese taste and art; and the Taiko’s crest is wrought in silver, gold, and bronze on all the mountings, and is painted and carved everywhere. The open rooms look upon a lovely garden, and paths of flat-topped stones lead through the tiny wilderness of lake, forest, thicket, and stream ”
