Creative force

“ We are now in a position to see the place occupied by the individual in the Creative Order. We have found that the originating and maintaining force of the whole Creative Process is the Self-contemplation of the Spirit, and that this necessarily produces a Reciprocal corresponding to the idea embodied in the contemplation, and thus manifesting that idea in a correlative Form. ”

“ As superficial, it corresponds to talent, survives and prospers chiefly through the help of circumstances and environment. Here, the orientation comes from without, not from within. According as the spirit of the time inclines rather to poetry or painting, or music, or scientific research, or industry, or military art, minds of the second order are dragged into the current—showing that a goodly part of their power is in the aptness, not for invention, but for imitation. ”

“ What is it that obliges me to wait, and to wait for a certain length of psychical duration which is forced upon me, over which I have no power? If succession, in so far as distinct from mere juxtaposition, has no real efficacy, if time is not a kind of force, why does the universe unfold its successive states with a velocity which, in regard to my consciousness, is a veritable absolute? ”

“ In fact, we do indeed feel that not one of the categories of our thought—unity, multiplicity, mechanical causality, intelligent finality, etc.—applies exactly to the things of life: who can say where individuality begins and ends, whether the living being is one or many, whether it is the cells which associate themselves into the organism or the organism which dissociates itself into cells? In vain we force the living into this or that one of our molds. ”

“ In proportion as we recede from distant origins the light grows, and invention in the social and moral order becomes manifest as the work of two principal categories of minds—the fantastic, the positive. ”

“ The invaluable suggestions of real practical purpose, the organic dignity of integrated habit and necessity, the safety of tradition, the spiritual weightiness of genuine message, all these elements of creative power are lacking. And in default of them we see a great amount of artistic talent, artificially fed and excited by the teaching and the example of every possible past or present art, exhausting itself in attempts to invent, to express, to be something, anything, so long as it is new. ”

“ As the era in which we live represents a struggle for associated work and common interests and its highest concept is opposed to limited interests and autocratic rule, we may well give our best endeavor to realizing creative impulse in the field of associated effort, in the hope that the field of art will be some day coextensive with life, and that its expressions will not be confined to the limited world of sculptors, painters, musicians and poets. ”

“ If our studies and our work bring us to the point of visual discrimination, to æsthetic appreciation and enjoyment, and no farther, we are distinguished among men. The rarest thing in the world is creative genius, the faculty which creates great works. ”

“ And even so far as you were creative, so shall your work be informed by you, and not mere dead pigment and dried oil and dull canvas be your autograph, but the vivid and inspiring blazon of an inspired idea shall glow life-like on some friendly wall, and in its turn inspire some other soul, whose light within needs but the breath from without to burst upward in clear flame. ”

“ Now the higher the idea of art is understood, the more art feels its task to be the task of bringing the life of the universe into harmony, so much the more must the feeling of responsibility be intensified in a creative mind. ”

“ The combining imagination joined to the inductive spirit constitutes "the talent for invention strictly so-called," in industry, in the technique of science; it gives the artist and the poet the power of composing their works.
The combining imagination plus the deductive spirit gives the speculative talent of the mathematician and philosopher; deduction predominates in the former, imagination in the latter. ”

“ If you will permit me, so early in my argument, to speak of the Maker of them all, I will say that the creative power is inexhaustible in invention, both of useful and beautiful parts. And in the ceaseless activity of these creatures, great and small, we recognise the physical happiness which accompanies so much life. ”

“ There are far too many assumptions about what human nature ought to be and not enough research into what it is. Take the assumption that creative work can be undertaken only in the realm of vision. We speak of creative "artists" in music, painting, and the other arts. ”

“ That faculty in art which individualises the artist, belonging to him and to no other, and which in a work forms that creative part whose likeness is not found in any other work—is it inherent in the constitutional dispositions of the Creator, or can it be formed by patient acquisition?
Astonished at their own silent and obscure progress, some have imagined that they have formed their genius solely by their own studies ”

“ We must, therefore, turn for a moment from the abstractly creative artist to the applied arts and those who practise them.
We are so far obliged to protect ourselves from the implications of modern life that without a special effort it is hard to conceive the{44} enormous quantity of “art” that is annually produced and consumed. ”

“ The creative power enables us to refashion that world and to put it forth again out of ourselves, as it was originally put forth out of the life of the divine artist. The creative process is, therefore, a double process, and culture and genius stand in indissoluble union.
The development of the imagination, upon the power of which both absorption of knowledge and creative capacity depend, is, therefore, a matter of supreme importance. ”

“ May we not apply the same principle to the Greater Creative Mind with which we are seeking to deal? There is something in the work of the artist which is akin to that of original creation. His work, literary, musical, or graphic is original creation on a miniature scale, and in this it differs from that of the engineer, which is constructive, or that of the scientist which is analytical; for the artist in a sense creates something out of nothing, and therefore starts from the stand-point of simple feeling, and not from that of a pre-existing necessity. ”

“ If the rich biographical literature of modern times teaches us anything, it is that original production is the severest strain of human faculty, the most violent and exhausting form of cerebral action. The pleasing fiction that the perfectly-shaped artistic product occurs to the creative mind as a kind of happy thought is at once dispelled by a little study of great men's recorded experience. ”

“ Those he directs, those who do the work of construction alone, do not participate in the creative act, as the creative act is the concentrated intellectual and emotional expression and effort to produce an article or idea. ”

“ The novelist who in the course of his work changes his characters; the dramatic author who, in deference to public sentiment, substitutes a happy denoûement in place of a catastrophe, furnish naïve testimony of this freedom of imagination. Moreover, artistic creation, expressing itself in words, sounds, lines, forms, colors, is cast in a mould that allows it only a feeble "material" reality. ”

“ We hope to show that in practical life, in mechanical, military, industrial, and commercial inventions, in religious, social, and political institutions, the human mind has expended and made permanent as much imagination as in all other fields. ”

“ This unifying, organizing, creative principle is so active in certain minds that, placed face to face with any work whatever—novel, picture, monument, scientific or philosophic theory, financial or political institution—while believing that they are merely considering it, they spontaneously remake it. ”

“ It is not mere industry that will produce good work, nor yet skill, nor even genius: more than this is required. The heart of the artist must be thrust with all its gushing tides into the performance. ”

“ Thanks to this isolation, the object emerges out of the average level of its [337] milieu, is illumined all around and put in relief—it takes body, moves, lives. But to attain this is necessary the concentration of all the faculties. It is only when the art-work has been a world for the artist that it is also a world for others. ”

“ How the executive are trained to embody the creative powers, through what struggles dexterity is attained, and by what reflection and earnest musing and observant patience and blest intuitions original achievements glimmer upon the fancy, grow mature by thought, correct through the study of Nature, and are finally realized in action,—these and such as these inward revelations constitute the actual life of the artist. ”

“ The inventor undoes, decomposes, breaks up in thought, or makes of experience a tool, an instrument, a machine, an agency for building anew with the débris.
The practical imagination is no more foreign to inspiration than the esthetic imagination. The history of useful inventions is full of men who suffered privations, persecution, ruin; who fought to the bitter end against relatives and friends—drawn by the need of creating, fascinated not by the hope of future gain but by the idea of an imposed mission, of a destiny they had to fulfill. ”

“ Experience, I fear, teaches us that accurate and methodical habits in daily life are seldom characteristic of those who either quickly perceive, or richly possess, the creative powers of art; there is, however, nothing inconsistent between the two instincts, and nothing to hinder us from retaining our business habits, and yet fully allowing and enjoying the noblest gifts of Invention. ”

“ Thus the manifestations of the Creative Spirit, and the operations of His laws in the material world, are no less wonderful and minute than the results are beautiful and complete; so likewise, in the universe of mind and the world of poetry, brilliant effects require for their production the spontaneous impulses of genius, their first cause, together with the combined and often recondite workings of all the agencies which constitute the intellectual being. ”

“ The wish to give them out was not a thing of motive, nor thought, nor will. It was the fierce, instinctive impulse that accompanies all creative power, the tremendous impetus towards production that is an integral part of all conceptive capacity. ”

“ The generations may judge it as they will, but as an expression of the energies of my own soul, it is divine. Of course, from the industry of our time, where most work is mechanical and meaningless to him who performs it, the spirit of art has largely fled. Yet there still remain tasks which we all have to execute, if not in business, then at home, which, by arousing our interest and invention, may become materials for the spirit of art. We have at least our homes, our pleasures, our relations with one another, our private adventures, where we can still be free and genial and masterly. ”

“ Between the mechanism of instinct and that of imaginative creation there are frequently great analogies but not identity of nature. Every tendency of our organization, useful or hurtful, may become the beginning of a creative act. Every invention arises from a particular need of human nature, acting within its own sphere and for its own special end.
If now it should be asked why the creative imagination directs itself preferably in one line rather than in another—toward poetry or physics, trade or mechanics, geometry or painting, strategy or music, etc.—we have nothing in answer. ”

“ As engaging the emotions and the imagination, they have the qualities which give the fine arts their quality. As demanding method or skill, the adaptation of tools to materials with constantly increasing perfection, they involve the element of technique indispensable to artistic production. ”

“ For these reasons, having now some general idea of what it is we are in search of, we may commence our investigation by considering this common factor which must be at the back of all individual exercise of creative power, that is to say, the Generic working of the Universal Creative Principle. ”

“ We seemingly limit the creative functions to productions that may be hung on gallery walls, or played in concert halls, or otherwise displayed where idle and fastidious people gather to admire each other's culture. But if a man wants a field for vital creative work, let him come where he is dealing with higher laws than those of sound, or line, or colour ”

“ Though much of that exists in our modern decorations, it is highly desirable that it should not partake of that character; a little taste, a little poetry, gracefulness, order, and some display of general knowledge, of artistic combinations and principles, cannot fail to make our productions more valued and valuable. Give a tinge of some originality,—display an attempt of your own inventive powers, based upon acknowledged principles of beauty and effect, and your productions will soon reach an eminence of which art is ever capable! ”

“ Generally, it may be described as an attempt to reclaim the world of art as a world of fixed laws, to show that the creative activity of genius and the simplest act of thought are but higher and lower products of the laws of a universal logic. ”

“ Without it all work is hard, detached, mechanical; with it all work is vital, co-ordinated, original. It must shape, illumine, and adorn; it must build the house, light the lamp within its walls, and impart to it that touch of beauty which invests wood and stone with the lightness, the grace, and the loveliness of spirit itself. We begin with the imagination; it holds its light over the play of childhood; it is the master of the revels, the enchantments, and the dreams of youth; it must be also the inspiration of all toil and the shaping genius of all work. ”