“ When you get a pair of cuffs nicely laundried, so that they are stiff and shining, how do you enjoy struggling with them to get the cuff button in, or to get it out—especially if you are in a hurry?"This query produced much merriment among two of the girls, which the elder sister presently explained:"You ought to ask that question of our brother Dick. He does have the most trying times with his cuff buttons. He wants his [119] cuffs so stiff they can almost walk alone, and then he fusses and struggles to get the buttons in so as not to break the cuff. ”
Cuff button
Definition and stakes
Quotes about “cuff button”
F. Scott Fitzgerald,
The Great Gatsby
(1925)
“ "I see you're looking at my cuff buttons." I hadn't been looking at them, but I did now. ”
James Francis Thierry, The Adventures of the Eleven Cuff-Buttons
“ Aren't you worrying about the Puddingham cuff-buttons at all? Aren't you [Pg 17] going to try to dope out an explanation of their disappearance?" I inquired anxiously."There you go again, Watson, you old boob!" my friend replied. "How many times must I tell you that it is a capital mistake to theorize in advance of the facts! Keep your shirt on till we get out to the castle, Doc; and in the meantime ich kebibble who swiped the cuff-buttons!" ”
W. D. F. Vincent, The Cutter's Practical Guide (1898)
“ A pocket is sometimes put in the pleats at side, and a small ticket or cash pocket is invariably put in the fore-part. The one great feature about the garment is to keep it close up at the neck, as any excess of size at that part would detract from the fit. The collar is of the ordinary stand form, and the cuff either left plain or made to form a gauntlet style of cuff as shown on diagram 49. A button stand of 1+1⁄4 inches is allowed on, so that the buttons may come just down the centre. ”
by Butterick Pattern Company, The New Dressmaker (1921)
“ The same general principles are applied to the cuff as to the collar, and are simply adapted to suit the design of the cuff. The cuffs may be closed with buttons and buttonholes, or with buttons and loops. (Chapter 24, page 114.) Or the buttons may be simply ornamental and the closing made underneath with hooks and eyes or tiny snap fasteners. (Chapter 24, page 116.) THE CLOSING OF THE BLOUSE depends on the degree of softness and dressiness that you want to give to the blouse. The closing of the waistline is always made secure with a hook and eye, or button and loop. ”
James Francis Thierry, The Adventures of the Eleven Cuff-Buttons
“ Well, just this Easter Monday morning, when the Earl was being dressed by his valet, an Italian named Luigi Vermicelli, he noticed with horror that his nice pink-and-green silk shirt, lying over the back of the mahogany arm-chair beside his bed, had the ancestral cuff-buttons missing from the cuffs! ”
James Francis Thierry, The Adventures of the Eleven Cuff-Buttons
“ The cuff-buttons are gone,—the cuff-buttons are gone! One pair of them, anyhow. Come quick! The earl is nearly wild about it. Money's no object to him!" the apparition yelled at us.I was so completely taken aback by the way that chump had burst in on us that I spilled all the beautiful tobacco off the cigarette-paper onto the floor. ”
Wilfred Mark Webb, The Heritage of Dress: Being Notes on the History and Evolution of Clothes
“ It must not be forgotten that buttons have long been used on narrow sleeves. They are undone when the hand is to be pushed through the cuff, and afterwards fastened for the sake of warmth or to give a neat appearance. It is therefore possible that the ring of buttons is more properly a survival of the time when cuffs were turned back to preserve them, and that the vertical row is really of earlier origin. A uniform represented by Hogarth (Figure 30) shows both the row of buttons and the turned-back cuff, which seems to be quite independent of them. ”
Russell H. Conwell,
Acres of Diamonds: Our Every-day Opportunities
“ What is the use of my talking if people never do what I advise them to do? When her husband ridiculed her, she made up her mind she would make a better collar-button, and when a woman makes up her mind “she will,” and does not say anything about it, she does it. It was that New England woman who invented the snap button which you can find anywhere now. It was first a collar-button with a spring cap attached to the outer side. Any of you who wear modern waterproofs know the button that simply pushes together, and when you unbutton it you simply pull it apart. ”
“ While to neglect buttons is most reprehensible, there is such a thing as showing them too much indulgence. For buttons must not be coddled: when toyed with, they droop.Tender-hearted women, actuated by sympathy and not realizing the consequences of what they were doing, have been known to pamper buttons. Because a button has a pleasant, open countenance, one of these misguided persons will support it on her costume in idleness. She may even surround herself with a retinue of glittering sycophants that never knew a buttonhole—great saucerlike hangers-on, lolling on their stems ”
by Butterick Pattern Company, The New Dressmaker (1921)
“ Repeat the stitches until the button is securely fastened. Remove the pin, draw the button away from the material as far as possible and wind the working thread tightly several times around the threads between the button and the material, thus forming a thread shank for the button. If a button is too closely sewed to the garment, it will not have room to rest easily in the buttonhole and will crowd the latter out of shape and make the spacing seem irregular. The loose sewing and the winding increase the durability of the work and lessen the strain on the button. ”
“ But deliberately vicious buttons are rare. The fact is, few buttons would go to the bad, were it not for the heartless indifference of their owners. Too often a headstrong young button, that might easily have been saved had it been brought up short the moment it showed signs of looseness, is allowed to reach the end of its rope, fall, and be utterly lost. ”
Dorothy Quigley, What Dress Makes of Us
“ The high crown and wide, gracefully rolling brim counter-balance the weight and prominence of the jaw.Apropos of the minor details of man's garments, the button as a feature of clothes has never been fully done justice to. It is a sustaining thing we know, something we can hang to, fasten to, and even tie to. That properly placed buttons contribute to our mental poise and therefore to our physical repose, is hinted in that absurdly engaging story, anent the smart boy who was the envy of his spelling-class, because he always stood first. ”
Alice Morse Earle,
Two Centuries of Costume in America…
“ In an old play a man threatens a country lad, “I’ll make your buttons fly.” The lad replies, “All my buttons is loops.” Some garments, especially leather ones, like doublets, which were cumbersome to button, were secured by loops. For instance, in spatterdashes, a row of holes was set on one side, and of loops on the other. To fasten them, one must begin at the lower loop, pass this through the first hole, then put the second loop through that first loop and the second hole, and so on till the last loop was fastened to the breeches by buckle and strap or large single button. ”
Various, The Girl's Own Paper, Vol. VIII, No…
“ By another press the edge was scalloped, and by a third press the open work was effected. The next process was that of so pressing each disc to such an extent that the scalloped edges of two might meet, and thus form a round button of pretty design when united, and a shank fastened in the centre of one of the blanks.Military buttons, like many others, are made of two discs of metal, the impression on the outer ones being produced by a sharp blow in a stamp, the under ones having two holes pierced in them for the shanks, which are put through and bent flat on the inside. ”
Mrs. Power O'Donoghue, Ladies on Horseback
“ It is not a bad method, either, to stitch a small button at the back of the neck of the jacket, upon the inner side, upon which the collar can be secured, fastening the cuffs in the same manner to buttons attached to the inner portion of each sleeve. In short, anything in the shape of a device which will check the unseemly habit of using a multiplicity of pins, may be regarded as a welcome innovation, and at once adopted. ”
“ They fit better around the neck. It is better to have the collar separate and for some reasons the cuffs also—dress shirts excepted, perhaps. Let your collars always be in and strictly within the fashion, unless you would look like a rowdy, in which case you are at liberty to go to any extreme you please and to gratify any vulgar caprice you may chance to have. Your cuffs should be no larger than is necessary to admit of your slipping your hand through them when they are buttoned. Why should a man wear a cuff so large that one may see up to his elbow? ”
Various, The Yale Literary Magazine (Vol…
“ About two years after the father-vest-second-button age, which would land me in the father-vest-third-and-a-half-button stage, I fell to wondering about buttons in a scientific way. Buttons were awkward. The world, I knew, had been going on for hundreds of centuries and men had discovered no more graceful fashion of fastening their clothes together than by these round discs, dangling ridiculously from clothes and yet anchored there with an amount of pains out of all proportion to the achievement. ”
Gertrude Stein,
Tender Buttons
“ If the speed is open, if the color is careless, if the selection of a strong scent is not awkward, if the button holder is held by all the waving color and there is no color, not any color. If there is no dirt in a pin and there can be none scarcely, if there is not then the place is the same as up standing.This is no dark custom and it even is not acted in any such a way that a restraint is not spread. That is spread, it shuts and it lifts and awkwardly not awkwardly the centre is in standing. ”
John Kendrick Bangs,
In Camp With A Tin Soldier
“ No one has ever yet been known to recover the suspender button he has once really lost; and my notion of it is simply that the minute a metal suspender button comes off the clothes of anybody in all the whole universe, it immediately flies up through the air and space to Twinkleville, which is nothing more than a huge magnet, and lies there until somebody picks it up and tries to sell it. ”
Irvin S. Cobb,
The Escape of Mr. Trimm
“ She knew that button well. It was the imitation-jet head of a hatpin—a steel hatpin—that was ten inches long and maybe longer.She looked and looked at the round, dull knob, like a mystic held by a hypnotist's crystal ball, and she began to breathe a little faster; she could feel her resolution tighten within her like a turning screw.Beneath her brows, heavy and thick for a woman's, her eyes flitted back to the man. ”
by Butterick Pattern Company, The New Dressmaker (1921)
“ METHODS OF SEWING ON BUTTONS are shown in Illustration 237. Always use a coarse single thread in preference to a fine double one. In placing buttons in position, lap the edges of the garment, and push a pin through at the outer end of the buttonhole. This will bring the button exactly opposite the buttonhole. Make a knot in the thread, push the needle through from the right side so that the knot will be directly under the button. ”
J. Cree Fischer, Piano Tuning: A Simple and Accurate Method for Amateurs
“ If the button is too high, the jack does not fly off soon enough, and the result is, that the hammer either blocks against the string or bounces from the jack after the stroke has been made, striking the string a second or third time from one stroke of the key. The felt punching on the lower side of the button often wears until this trouble prevails. Lower the button by turning down the screw on top of the regulator rail; if lowered too far, however, the action is weakened by causing the jack to fly off too soon, without giving the hammer a sufficient impulse. ”
Parthenia Antoinette Hague, A Blockaded Family: Life in Southern Alabama during the Civil War
“ Many a household manufactured its own buttons. They were made of cloth cut round, and of as many ply as was necessary for firmness. Thick, heavy button-hole stitches were worked all around the edge with thread coarser than the cloth of which the button was made, and when these were stitched on firmly there was no worry about the washerwoman’s breaking or washing them off. ”
Ann Macbeth, The Playwork Book
“ This can be simply made by threading a large button on a string, so that when the ends are knotted together it makes a loop about twelve to fifteen inches long. Keeping the button in the middle of the doubled length of string insert the first and second fingers of each hand into the looped ends, and rapidly whirl the button round till the string gets a considerable twist on it. Now by alternately slacking and tightening the [81] string the button will whizz round with a slight humming noise. If a piece of tin with notched edges (as in Figure 51 of a windmill) is used, it will hum very loud. ”
John Jervis, The traveller's oracle; or, maxims for locomotion… (1827)
“ Buttons are not always stamped so carefully as they ought to be:—caution your Button Maker, that you will not take any impressions that are imperfect: you may be charged a trifle more per Dozen, if you will have every Button as perfect as the Proof Specimen. ”
“ Fig. 122.—Diagram showing how to connect a Bell, Battery, and Push-Button. A little experimenting with the bell will soon enable one to find its best adjustment. Figure 122 shows how to connect a bell to a battery and a push-button. A push-button is simply a small switch which closes the circuit when pressed. Do not make the armature spring too weak, or the hammer will move very slowly and with very little life. Each time that the armature moves toward the magnets, it should barely touch the iron cores before the ball strikes the bell. ”
Various, The Girl's Own Paper, Vol. VIII, No…
“ The neck, or collet, of the button is japanned after being stamped and cut. The hollow between the neck and shell is filled with millboard. When the parts are put together and pressed the button is brought into shape, and its several parts are consolidated.It was in the year 1841 that Mr. John Aston made the first three-fold linen button—that is, a button formed of a linen covering and a ring of metal, so put together that both sides and centre were completely covered with separate pieces of linen, and thus produced being quite flat. ”
Andrew Ure,
A Dictionary of Arts, Manufactures and Mines
“ The buttons are now cast from a mixture of brass and tin; sometimes a small proportion of zinc is added, which is found useful in causing the metal to flow freely into the mould, and make a sharp casting. When the buttons are cast, they are cleaned from the sand by brushing; they are then broken asunder, and carried to a second workman at the lathe, who inserts the shank of a button into a chuck of a proper figure, in which it is retained by the back centre of the lathe being pressed against the button with a spring. ”
Robert Routledge, Discoveries and Inventions of the Nineteenth Century
“ But where a button has been pushed down, its lever catches the arm, lifting its spring away from the teeth of the wheel. So long as the key remains down, the arrested arm makes a short metallic circuit by its contact, and no currents pass into the line, for they take the shortest path. The key is raised only when another is depressed, and then the arm and the pointer immediately resume their revolution until they again become stationary at the letter corresponding with the key which has been pushed down. ”
Dorothy Quigley, What Dress Makes of Us
“ We all sub-consciously acknowledge our dependence upon buttons, but not many of us, evidently, have observed that even buttons have a certain possibility of caricature in them; and that they may add to, or detract from, the appearance of manly forms. The consideration of properly placed buttons may seem trivial to you, but if you will observe sketches Nos. 79 and 80, you may discern that a thin man may apparently increase his breadth and add a certain manly touch to his figure, by changing the buttons at the waist-line of his coat. The buttons placed so near together, in No. ”
Norman Douglas,
London street games
(1916)
“ They collect buttons the same way, for games like BUTTONS IN THE RING; only the buttons must be of metal, of brass or steel; they must ring like money when you throw them on the pavement: that’s the test. All other buttons are simply “toot”—not worth talking about. The best metal buttons are commissionaires’ buttons; they’re called “raileys”, and a good railey is worth four or even six ordinary metal ones, while a bad one (with a loose shank, for instance) will fetch only two. Many boys are able to stitch themselves full of these buttons, for use in games ”
