Adela Harriet Sophia Wodehouse, A Dictionary of Music and Musicians (1900)
“ Notice of the modern German composers on whom the stamp of Schumann is so unmistakeable, would lead us too far. Wagner we pass by, because he can hardly be counted among the followers of the romantic school, and we could not, within the limits of this article, show the points wherein he differs from former romanticists; but mention is made under Orchestration of some of the beautiful and truly romantic effects which he knows how to produce in his instrumentation. [See also Opera and Wagner.] ”
