Legato

Definition and stakes

Carl Schroeder,  Handbook of violin playing (1920)

“ It is essential to a correct rendering that, even in the first pieces played by a beginner, a perception of the phrasing as a whole should be acquired; not, as is usually the case, regarding the bowing marks and the legato signs as exclusively determinative of it. In this respect, unfortunately, there is nothing offered for the student’s enlightenment and the improvement of his taste in the existing violin methods ”
Source: Gutenberg

Arthur Broadley,  Chats to 'Cello Students

“ The student should endeavour to produce a clear, round tone, which must be of even volume throughout the whole bow-stroke. To accomplish this, a correct motion of the arm and wrist is necessary, the first finger must gradually increase the pressure on the [Pg 22] bow as the head is reached, being again relaxed as the bow is pushed to the heel; to apply the necessary pressure without causing any inequality in the tone, is the secret of fine legato playing. ”
Source: Gutenberg

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