Summary

Portrait of Donald Grant Mitchell Donald Grant Mitchell English Lands, Letters and Kings…

Though Scott—singularly enough—passes him by without mention, he is down at Kenilworth, when the ambitious Leicester turns his castle-gardens into a Paradise to welcome his sovereign. When he goes as ambassador to Rudolph of Germany, he hangs golden blazonry upon the walls of his house: Englishmen, everywhere, are proud of this fine gentleman, Sidney, who can talk in so many languages, who can turn a sonnet to a lady’s eyebrow, who can fence with the best swordsmen of any court, who can play upon six instruments of music, who can outdance even his Grace of Anjou.
Source: Gutenberg

Portrait of Donald Grant Mitchell Donald Grant Mitchell English Lands, Letters and Kings…

This ballad music—whose first burst we can no more pin to a date than we can the first singing of the birds—had lightened, in that early century, the walk of the wayfarer on all the paths of England; it had spun its tales by bivouac fires in France; it had caught—as in silken meshes—all the young foragers on the ways of Romance. To this epoch, of which we have talked, belongs most likely that brave ballad of Chevy Chase, which keeps alive the memory of Otterbourne, and of that woful hunting which
“Once there did, in Chevy Chase befal.
Source: Gutenberg

Portrait of Donald Grant Mitchell Donald Grant Mitchell English Lands, Letters and Kings…

We see Sir Francis Drake, with his full beard and bullet-head—all browned with his long voyages, from which he has come laden with ingots of Spanish gold—swinging with his sailor-gait into her august presence: We catch sight of Lord Burleigh, feeble now with the weight of years, leading up that young nephew of his—Francis Bacon, that he may kiss the Queen’s hand and do service for favors which shall make him in time Lord Chancellor of England.
Source: Gutenberg

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