"The One," a 2001 science fiction film by James Wong, explores the multiverse concept through the protagonist’s quest to eliminate alternate selves in pursuit of omnipotence. This theme of singular supremacy intersects with philosophical reflections on unity and duality, as seen in authors like Eugene Sue, who mused on interconnected identities, or Swami Vivekananda, who emphasized the oneness of all existence.
Bahá’u’lláh’s assertion of divine singularity and Rudyard Kipling’s critique of theological triads further enrich the discourse, framing "The One" as both a cosmic force and a metaphor for existential unity. The film’s narrative, blending action with metaphysical inquiry, underscores the tension between individuality and universal oneness, mirroring the philosophical inquiries of its literary counterparts.