Henry Rankin Poore,
Pictorial Composition and the Critical Judgment of Pictures
“ In many cases where all essential items are happily arranged, but, as a whole, refuse to compose, the addition of some element or the readjustment of a part which will produce circular observation, will ofttimes prove the solution of the difficulty. Just as progression in a straight line will soon carry us out of the picture, will circular progression keep us within its bounds. If then, circular observation affords the best means of appreciation, [pg 103] it follows that circular composition is the most telling form of presentation. ”
