Humour (literature)

“ The humour in the novels of the late seventeenth and eighteenth centuries is apt to be topical, and much has therefore perished, leaving us with little more than an impression of the vitality and zest for living of the authors. ”

“ But those who took the former course might be charged with wandering into the province of literature; while the views of those who adopted the latter might be thought incorrect with regard to definition, or unwarranted with regard to humour. To suppose that a definition of humour would be of any great value, would be to think that it would unfold the nature of things, instead of merely giving the meaning of a term; nor is it correct to conclude that by employing a string of words we can reach the precise signification of one, any more than we can hit the mark by striking at each side of it. ”

“ This dull, phlegmatic, retiring humour is not in a fair way to be corrected, but confirmed and rendered desperate, by being in that work held up as an object of imitation, as an example of simplicity and magnanimity—by coming upon us with all the recommendations of novelty, surprise, and superiority to the prejudices of the world—by being stuck upon a pedestal, made amiable, dazzling, a leurre de dupe! ”

“ In this the self-asserting character of the ‘humourous’ man lay the point of contact, the middle term, between the modern use of ‘humour’ and the ancient. It was his ‘humour’ which would lead a man to take an original view and aspect of things, a ‘humourous’ aspect, first in the old sense, which in some of our provincial dialects still lives on, and then in that which we now employ. The classical passage in English literature on ‘humour’ and its history is the Prologue, or ‘Stage,’ as it is called, to Ben Jonson’s Every Man out of his Humour ”

“ As pointed out in the chapter on the subject, reflective humour grows out of a mutual approximation of two tendencies which seem to the unexamining person to be directly antagonistic, namely, the wholly serious turn for wise reflection and the playful bent towards laughter. In philosophic humour, touched on in our survey of the laughable in literature, this antagonism seems at first sight to be particularly sharp. ”

“ It must be admitted that the minds of men have a tendency to move in the same direction, and may have struck upon the same points in ages widely separated. In reading general literature, we constantly find the same thought suggesting itself to different writers, and I have known two people, who had no acquaintance with each other, make precisely the same joke—original in both cases. On the other hand, the rarity of genuine humour has given a permanent character to many clever sayings, and there has always been a demand for them to enliven the convivial and social intercourse of mankind. ”

“ Thus humour is the first of the gifts to perish in a foreign tongue, and when we turn from Greek to Elizabethan literature it seems, after a long silence, as if our great age were ushered in by a burst of laughter. ”

“ To the character of wit and humour, to which all his other qualities seem to have conformed themselves, he appears to have added a very necessary support, that of the profession of a Soldier.... Laughter and approbation attend his greatest excesses; and being governed visibly by no settled bad principle or ill design, fun and humour account for and cover all. By degrees, however, and thro’ indulgence, he acquires bad habits, becomes an humourist, grows enormously corpulent, and falls into the infirmities of age ”

“ The subject is low enough to please Goldsmith. The humour may be of that mean order which has only a refreshing laugh, and gives tone to the feelings, but it is the pure spirit of humour.
We need not labour to demonstrate that a kindly appreciation of the ludicrous may find expression in art as well as in literature. But humour in art tends so inevitably to become caricature, which can be genial as well as ferocious, that the reader must be referred to the article on Caricature for an account of its manifestations in that field. ”

“ He gives the most amusing exaggeration of the prevailing foibles of his characters, but in a way that they themselves, instead of being offended at, would almost join in to humour; he rather contrives opportunities for them to shew themselves off in the happiest lights, than renders them contemptible in the perverse construction of the wit or malice of others.—There is a certain stage of society in which people become conscious of their peculiarities and absurdities, affect to disguise what they are, and set up pretensions to what they [Pg 97] ”

“ And yet Spanish literature is illumined throughout with bright flashes of humour, like the silver lining to the dark cloud of the history of the people—a humour which shows itself in almost every phase of the national literature, from the twelfth to the nineteenth century: from incidents in the “Poema del Cid” which tickled the rough sense of humour of the warriors of the Middle Ages, to the delicate and subtle irony of Valera in “Pepita Jimenez”—quaint and naïve in the ballads and collections of tales, sprightly in the drama, boisterous in the “Novela Picaresca,” inimitable in “Don Quixote.” ”

“ If you laugh all round him (to wit, the ridiculous person) , tumble him, roll him about, deal him a smack, and drop a tear on him, own his likeness to you, and yours to your neighbour, spare him as little as you shun, pity him as much as you expose, it is spirit of Humour that is moving you.... The humourist of mean order is a refreshing laugher, giving tone to the feelings, and sometimes allowing the feelings to be too much for him. ”

“ The laughter of satire is a blow in the back or the face. The laughter of Comedy is impersonal and of unrivalled politeness, nearer a smile; often no more than a smile. It laughs through the mind, for the mind directs it; and it might be called the humour of the mind.
One excellent test of the civilization of a country, as I have said, I take to be the flourishing of the Comic idea and Comedy; and the test of true Comedy is that it shall awaken thoughtful laughter. ”

“ When the cause of our laughter—be it mind, matter, or imaginary circumstance—is merely regarded as something incongruous and amusing, we name it the ludicrous, and a man is called ludicrous as faulty or contemptible. But when the cause of it is viewed as something more than this, as coming from some conscious power or tendency within us—a valuable gift and an element in our mental constitution—we call it humour, a term applied only to human beings and their productions; and a man is called humorous as worthy of commendation. ”

“ Humour.—If it is difficult to draw a hard-and-fast line round other elements of comedy, and detach wit from satire, or satire from farce, it is still harder to attempt to isolate humour and discuss it as a separate and distinct property. Humour is the sympathetic appreciation of the comic, the faculty which enables us to love while we laugh, and to love the better for our laughter. ”

“ The greatest masters of the novel of modern manners have generally availed themselves of Humour for the illustration of manners; and have, with a deep and true, but perhaps unconscious, knowledge of art, pushed the humour almost to the verge of caricature. ”

“ But in one of the leading periodicals of the day, I lately read the observation—made by a writer whose views should not be lightly regarded—that "all the most profound philosophers have pronounced a definition of humour to be hopelessly impracticable." ”

“ It may be observed that as men's perceptions of humour are different, so in the expression of them there is a character about laughter in accordance with its subject, and with the person from whom it comes. ”

“ That gives surprise, and this delight, Humour is odd, grotesque, and wild, Only by affectation spoil'd; 'Tis never by invention got, Men have it when they know it not. Our conversation to refine, True humour must with wit combine: From both we learn to rally well, Wherein French writers most excel; [2] Voiture, in various lights, displays That irony which turns to praise: His genius first found out the rule For an obliging ridicule: He flatters with peculiar air The brave, the witty, and the fair: And fools would fancy he intends A satire where he most commends. ”

“ But the humourist, if high, has an embrace of contrasts beyond the scope of the comic poet.” The third sentence is required to complete the first. The tumbling and rolling, the smacks and the exposure, may be out of place where there is humour of the most humorous quality. ”

“ We may now better define the attitude of the humorist in its relation to that of the comedian and of the satirist. The comic spirit, placing itself at the social point of view, projects as laughable show an eccentric individual, or group of individuals. Satire, when it attacks the manners of an age, may be said to project the society, turning it into an object of derision. Humour, as we have seen, sometimes does the like, though in its laughter at the social scene it is neither passionately vindictive nor concerned with the practical problem of reforming a world. ”

“ When we pass from Goldsmith to Hazlitt—one of the greatest names in English criticism—we find that “humour” has grown in meaning, without quite reaching its full development. In the introduction to his Lectures on the English Comic Writers he attempts a classification of the comic spirit into wit and humour. “Humour,” he says, “is the describing the ludicrous as it is in itself; wit is the exposing it, by comparing or contrasting it with something else. ”

“ But very good humour nevertheless, the thoroughly popular humour of broad comedy and obvious farce—the humour that finds its account where absurd characters are placed in ridiculous situations, that delights in the oddities of the whimsical and eccentric, that irradiates stupidity and makes dulness amusing. ”

“ One finds what may be described as primitive humour—the humour of children and of men in a low state of culture who delight in practical jokes, rough banter, farcical adventures, grotesque blunders and misunderstandings and horse-play. ”

“ As we found reason to believe that the earliest kind of laughter was that of pleasure, so in this revival of civilization, we often see humour regarded as having no influence beyond that of ministering to amusement. ”

“ Thus, it is indubitable that whereas humour specially favours certain kinds of imaginative and reflective activity, wit seems always to prefer, even in its play, something in the shape of an incisive logical process.320 But I suspect that the deeper ground of the distinction is to be found in the circumstance that the wit which is most brilliant, of keenest edge, and most effective in its stroke, appears always to grow out of, and so becomes associated with, those moods of satire and mordant mockery, to which humour as good-natured and tolerant is directly opposed. ”

“ Yet while all humorous writings illustrate these tendencies, the subjective and personal quality of humour is seen in the circumstance that every writer brings to bear on what he sees a new temper and attitude. ”

“ To say "I do not see any fun in it," is different from saying "I do not see any fun in him," and a man may be called funny, either in laudation or disparagement.
In the third class we place such words as refer to the mind alone as the source of amusement, and under this head we may place Humour as a general and generic term. ”

“ Observation and our power of imitation provided the means, and men of humour employed themselves in reproducing some ludicrous situations; and thus, instead of things derided being as previously wholly separate from those who derided them, a man could laugh, and yet be the cause [Pg 53] of laughter to others. ”

“ The prevalence of jokers, moreover, spoils the game of humour; the sputter and sparkle of their made jokes interferes with that luminous contemplation of the incongruities p. 86of life and the universe which is humour’s essence. All that is ludicrous depends on some disproportion: Comedy judges the actual world by contrasting it with an ideal of sound sense, Humour reveals it in its true dimensions by turning on it the light of imagination and poetry. The perception of these incongruities, which are eternal, demands some expense of intellect ”

“ There is another way in which the development of the humorous faculty enlarges the sphere of the risible. In the simple nature of children and uncultured adults, fun and seriousness tend to dwell apart. The introduction of a serious element into the mood of amusement, which is at the basis of humour, makes a breach in the dividing wall. As a consequence, the humorist, though a profoundly serious person, will show a readiness in the midst of grave occupations to digress for a moment at the prick of some ludicrous suggestion. ”

“ I suppose no man at this time of day would have the temerity to hazard a definition of humour. It has been often attempted, never, however, with any convincing success; and sometimes with such cumbrous elaboration of thought as to leave upon the reader only the desolating impression that the philosopher was wholly lacking in the quality which he sought to define. ”

“ It is of some importance to understand that in play, fun, and humor, there is a delicate counterpoise of opposing sentiments, an attempt to make the most of both worlds—love and anger. The great masterpieces of humor in literature, the amenities of every-day society, the innocent joyousness of laughter—all attest the success of the hazardous combination. ”

“ In Humour we have a burlesque appeal to the sense of human fortune, making of it nothing but fun; doing this by means of sheer blunder, stupidity, and miscarriage. The reason of the perennial popular charm of Humour is at once seen when this is remembered—it lies in comicality utterly resting the ordinary efferent-activity and relaxing the Brain of every sensory nervous co-ordination. Comedy, taken in the broad meaning, asks for its full success even moderate ugliness in the persons most concerned in it, with awkwardness of gesture, inexact speech, irrelevancy of doing. ”