P. H. Emerson,
Naturalistic Photography for Students of the Art
“ It is needless to say that in all mechanical processes the very best negative is required to work from, for although a great deal may be done in the biting to counteract any defects in the negative, yet, if the negative is wanting in any particular, the after-result is sure to suffer. And here I wish to say that by the ‘very best negative’ I do not mean the ordinary photographer’s beau-ideal, but a negative which gives a true impression of the object photographed, and is full of the ‘quality’ and subtlety of nature. ”
