Augustan literature

“ The master-pieces of the Augustan literature were not the products of that vivid and rapidly-working creative energy which marked the Ciceronian Age. There never was an age in which great writers trained themselves so carefully for their office, strove so much to conform to recognised principles of art, reflected so much on the plan and purpose of their compositions, or used more patient industry in bringing their conceptions to maturity. ”

“ In the Augustan age of Rome rose and flourished, in rapid succession, a large proportion of those great writers to whose works we have given the name of classics. This brilliant summer-time of literature was owing to various causes—to the increase of cultivation and refinement, to the leisure and quiet which followed after long years of war and civil commotion; but in part also it was owing to the character of the Roman emperor himself. Both Augustus and his intimate friend and counsellor Mæcenas were the professed patrons of letters and of the fine arts. ”

“ They endeavoured to form their poetry on the lines laid down in the critical writing of the original Augustan age as elaborated and interpreted in Renaissance criticism. It was tacitly assumed—some of them openly asserted it—that the kinds, modes of treatment and all the minor details of literature, figures of speech, use of epithets and the rest, had been settled by the ancients once and for all. What the Greeks began the critics and authors of the time of Augustus had settled in its completed form, and the scholars of the Renaissance had only interpreted their findings for modern use. ”

“ What, then, could be expected at Rome, where there were no public libraries, no newspapers, no lyceums, no pulpits, no printing-presses, and where books were the solace of a few aristocrats, and where these aristocrats could only be amused by scandalous anecdotes and frivolous poetry. Literature did not even hold its own. It steadily declined from the Augustan age. It declined in proportion as the people had leisure to read it. Instead of elevating society, society corrupted literature. The same may be said of literature as was said of art. ”

“ Profound study of the older poetry, and the laborious training learned from the schools of Alexandria, now bore fruit in a body of poetry which, in every field except that of the drama, excelled what had hitherto been known, and was at once the model and the limit for succeeding generations. Latin poetry, like the Empire itself, took a broader basis; the Augustan poets are still Romans, but this is because Rome had extended itself over Italy, The copious and splendid production of the earlier years of the principate of Augustus was followed by an almost inevitable reaction. ”

“ Probably in no other aristocratic or courtly society has there been so large a number of men possessing the ability and knowledge, the accomplishments and leisure, required for the appreciative enjoyment of a literature based on so fine and elaborate a culture. There are some circumstances which made the patronage of the earlier half of the Augustan Age more favourable to letters than that of other periods in which the same influence has been exercised. ”

“ Latin literature in the Augustan Age drew its representatives not only from a wider district than the preceding age, but also from a different social class. The men eminent as poets, orators, and historians in the last years of the Republic were for the most part members of the great Roman or Italian families. They were either themselves actively engaged in political life, or living in intimacy with those who were so engaged. ”

“ To the several causes above enumerated, as concurring to form the great superiority of the Augustan age, as respects the productions of literature, one more is to be subjoined, of a nature the most essential: the liberal and unparalleled encouragement given to distinguished talents by the emperor and his minister. This was a principle of the most powerful energy: it fanned the flame of genius, invigorated every exertion; and the poets who basked in the rays of imperial favour, and the animating patronage of Mecaenas, experienced a poetic enthusiasm which approached to real inspiration. ”

“ Thus many of the best-known Latin writers lived at this time.
Augustus himself was a great patron of literary men and artists, and so was his minister, Caius Cilinius Mæcenas. They honored and rewarded eminent writers; and though we must not forget that many of the distinguished men whose writings add luster to the “Augustan Age” had grown up under the republic, still Augustus deserves credit for fostering letters. Nothing will make up for the loss of political freedom; but it is something that in Rome, when liberty was lost, literature at least flourished. ”

“ The humanistic cult of Augustan Latin as a literary norm widely affected all language study. Though its literary achievement has faded in the perspective of history, its literary experience has permanent significance.
The rapid diffusion of printing in the late fifteenth century was a change of so wide and deep consequence to literature as to become a revolution. The suddenly increased and rapidly increasing availability of books was by itself enough to make a renaissance. ”

“ The new men at the court of Augustus were naturally attracted to the new men in literature, sprung from quite a different class from that to which Lucretius, Catullus, or Calvus belonged, and yet, in respect of education, refinement, and even early associations, in no respect their inferiors. ”

“ For more than a century after the death of Augustus Roman literature continues to flow in the old channels. Though drawing from the provinces, Rome remains the centre of the literary movement. The characteristics of the great Characteristics of post-Augustan age. writers are essentially national, not provincial nor cosmopolitan. In prose the old forms—oratory, history, the epistle, treatises or dialogues on ethical and literary questions—continue to be cultivated. ”

“ In an age of great poets many lesser poets are sure to be found. Ovid, in one of his letters,75 mentions twenty-three poets of the Augustan age, and his list is not exhaustive. Lesser Augustan poets. Little is known of these lesser writers, and few of their works are preserved, even in fragments. ”

“ Is it not possible that while we look down on the Augustans with pitying superiority, we ourselves may be sunken in darkness as to certain things even more vital, more important than literature and painting? ”

“ The chief interest of Roman poetry, considered as the work of men of natural genius and cultivated taste, and as the expression of great national ideas or of individual thought and impulse, ceases with the end of the Augustan age. Under the continued pressure of the Empire, true poetical inspiration and pure feeling for art were lost. ”

“ The national sentiment of Ennius and the censorious spirit of Lucilius reappeared in new forms in the Augustan poetry; while the more humane and social feelings, and the enjoyment of beauty in Nature and art, fostered by Greek studies, as well as the taste for less elevated pleasures, stimulated by the life of a luxurious capital, are elements which the poetry of the early Empire has in common with that of the last years of the Republic. ”

“ The ear of the South has always felt the charm of rhythmical or melodious speech, with a keenness of pleasure generally denied to our colder temperament. And the Augustan age had, in a single generation, performed miracles, under Greek inspiration, in moulding the Latin tongue to be the apt vehicle of every mood of poetic feeling. That inspired band of writers, whose call it was to glorify the dawn of a world-wide empire and the ancient achievements of the Latin race,966 rose to the full height of their vocation. ”

“ Their power of condensation naturally recommends them to a writer who has to deal with inconvenient clauses, threatening to swallow up the greater part of a line; but there is no doubt that in the Augustan poets, as compared with the poets of the republic, they are chiefly conspicuous for their absence, and it is equally certain, I think, that a translator of an Augustan poet ought not to suffer them to be a prominent feature of his style. ”

“ The Parthenon lifts its everlasting columns, and the Venus and Apollo are moulded into marble immortality.
Rome had her Augustan age, an era of poets, philosophers, soldiers, statesmen, and orators. Crowded into contemporary life, we recognize the greatest general of the heathen world, the greatest poet, the greatest orator, and the greatest statesman of Rome. Cæsar and Cicero, Virgil and Octavius, all trod the pavement of the capitol together, and lent their blended glory to immortalize the Augustan age.
Italy and Spain and France and England have had their golden age. ”

“ AUGUS′TAN AGE. The period of highest literary activity in Rome, under the patronage of Augustus and his adviser Mæcenas. At that time the Latin language was in its perfection, and men of letters were held in the highest honor. ”

“ It was not, however, through his own compositions but through his influence that Augustus made his name great in the history of literature. He encouraged Virgil, Horace, and other poets, he attended the recitations of authors who wished to bring their new works before an enlightened public, and he surrounded himself with friends who delighted in aiding and honor [Pg 99] ing those whose genius could give glory to their patrons and add lustre to the empire. ”

“ It is only when we perceive in "classical antiquity" a human nature similar to our own in its mingling of weakness and strength, vice and virtue, sorrow and joy, defeats and victories that we shall find in its noblest literature an intimate rather than a formal inspiration, and in its history either comfort or warning.
A secondary purpose is to suggest Roman conditions as they may have affected or appeared to men of letters in successive epochs, from the last years of the Republic to the Antonine period. Three of the six sketches are concerned with the long and brilliant "Age of Augustus." ”

“ The poetical imagination, susceptible as it is in the highest degree of emotions produced by the spectacle of ancient or powerful government or of a people nobly asserting its freedom, has little prophetic insight into the working of political causes. Nor need it be regarded as a sign of weakness or time-serving in the poets of the Augustan Age that they did not foresee the gloom and oppression which were destined to follow so soon after the prosperous dawn of the Roman Empire. ”

“ In youth his means of living must have been moderate, yet sufficient to enable him to forsake everything else for his art: in later life, through the munificence of Augustus, he was rich enough to enjoy exemption from the cares of life, and to gratify freely the one taste by which his poetical gifts were fostered—that of living and varying his residence among the fairest scenes of Southern Italy. ”

“ But there is so much perplexity in the titles of the MSS., and so many disputes have arisen among the critics (see Fabricius, Biblioth. Latin. l. iii. c. 6) concerning their number, their names, and their respective property, that for the most part I have quoted them without distinction, under the general and well-known title of the Augustan History. ”

“ And so in this first century of the Roman Empire there was no dearth of great men. The golden age of literature was the time of Augustus; the silver age was the time of his immediate successors. The poets and philosophers have left us such names as Valerius Maximus, Asinius Pollio, Seneca, Lucan, Valerius Flaccus, Martial, Quintilian, and Statius. History and science were never more fully represented than in the day of Paterculus, Mela, Quintus Curtius, Florus, Pliny, Josephus, Suetonius, and Tacitus. A time which produced such men as these was not wholly bad. ”

“ Juvenal and Martial both flattered the tyrants they detested. The nobles may have laughed at their bitter sarcasms, but they pursued their pleasures. Literature, under Augustus, did but little to elevate the Roman mind. What could be expected when it was coarse, feeble, and frivolous? If intellectual strength will not keep men from vices, what can be expected when intellect panders to passions and interests? There is no more absurd cant than that the culture of the mind favors the culture of the heart. What do operas and theatres for the elevation of society? ”

“ We have a striving after originality that ends in eccentricity: writers were steeped in the great poets of the Augustan age: men of comparatively small creative imagination, but, thanks to their education, possessed of great technical skill, they ran into violent extremes to avoid the charge of imitating the great predecessors whom they could not help but imitate; hence the obscurity of Persius—the disciple of Horace—and of Statins and Valerius Flaccus—the followers of Vergil. ”

“ The poet must make smooth the way of the law. It was the poet who could best interest men in the past; and thus Augustan poetry was encouraged and directed by the emperor, that by pointing out the glories of old Rome it might inspire men to make a new Rome more glorious than the old. Practically every poet of the age was directly or indirectly under the influence of the ruler. It was the emperor's counsellor, Maecenas, who encouraged Virgil to write his Georgics, and these glowing pictures of farm life did quite as much to carry out the emperor's plans as the Aeneid later. ”

“ Innumerable men resorted to magic, either in its naïve form or in its astrological or mathematical refinements. Newer and more terrific rites, stranger and more outlandish ceremonials, found a demand constantly increasing. And the Augustan monarchy brought only a temporary subsidence of this excitement. Order and peace returned, but Augustus could not cure the fundamentally unsound conditions that vitiated Roman life, nor did he make any real attempt to prevent Roman society from being dissolved by the steady inpour of foreign blood, traditions, and non-Roman habits of mind. ”