History of Music

“ And upon all his pupils the spirit of the Renaissance was at work. Thousands of madrigals, of love songs, drinking songs, and hunting songs came crowding from their pens and jostled masses and motets in confusion. Program music was in the air, songs of battle, songs of gossiping women, of birds, of shepherds and of shepherdesses. It is hardly surprising that music for the church began to take on colors more and more brilliant. It is more surprising that the old ideal of exalted polyphony still endured and still called men to its standard. ”

“ The history of any art in such a stage of reformation is necessarily complicated, and the history of music is in no way exceptional. A thousand new influences shaped it, hundreds of composers and of virtuosi came for a while to the front. ”

“ Let him study the history of music, not only as a record of the work of individual composers, but as an account of what has transpired in the various periods or epochs of musical art, so that he may become intelligent concerning the ideals, the styles, and the forms of these various periods. ”

“ Grandeur of conception, warmth and depth of feeling, nobility and often exaltation of spirit he brought to music, and transformed the materials which were, as the accumulation of a long century, at the service of a hundred of his contemporaries, into masterpieces of imperishable beauty. ”

“ The most important contributions of the eighteenth century to the history of music—the establishment of harmony and the new tonalities, the technical growth of the various forms, especially of the sonata and the development of opera—have been treated in preceding chapters ”

“ And so in the nineteenth century men came to feel that beautiful music cannot be merely contemplated and admired, but must be lived with and felt. Accordingly composers of this period emphasized continually the sensuous in their music, developing orchestral colors, dazzling masses of tone, intense harmonies and biting dissonances, delicate half-lights of modulation, and the [Pg 221] deep magic of human song. The change in attitude from music as a thing to be admired to music as a thing to be felt is perhaps the chief musical fact of the early nineteenth century. ”

“ With the invention of printing came a liberation from this restraint. Music circulated through the lay society—all kinds of music, both secular and sacred—it stepped from the dim vast cathedrals and went among the people and entered into their homes and into their lives. The world of men and women welcomed it and changed it, formed it to the expression of their joys and sorrows. The superhuman intricacies of counterpoint and canon little by little withered and fell by the way. ”

“ Without this aid from the ancients, then, it might reasonably be expected that music would be neglected or would certainly be in abeyance, but this is not the case. There is a great period of musical history, not perhaps so significant as the progress in other departments of aesthetics, but containing within itself {135} a magnificent achievement and the germ of all our modern music. ”

“ For our present purpose may it suffice to convey to the reader that here for the first time music has attained the dignity of an art, with all its æsthetic, emotional and moral significance, with its complicated theory, its sophisticated technique, consciously employed to give pleasure and to uplift the mind of man. Mechanical limitations and peculiar conditions prevented the development of this art in the modern sense, but its theory has without doubt given a definite direction to modern music. ”

“ When carefully scrutinized, the progress of music during the present century has been governed by certain leading principles which are not contradictory, although at first glance they might appear so. Since the time of the Netherlandish contrapuntists, the pri [Pg 499] mary impulse in musical creation has been the musical ideal—the creation of tonal fancies, novel, inspiring, musical, satisfactory. Out of this desire has arisen the entire fabric of fugue, sonata, symphony and the whole world of free music. ”

“ After examining the general course of musical history, ascertaining some fundamental principles, and applying these principles to our special judgments, we shall be able to perceive the greatest musicians of our day in their relations, and to get a perspective view of modern music in which they shall take their proper places. ”

“ Just as the introductory essay tries to sketch the general musical environment, as determined by basic principles and developed in history, in relation to which alone the individuals discussed can be understood, so the epilogue seeks to suggest that still larger environment of human feeling and activity on which music, like everything else, depends for its vitality. The first essay considers music as a medium for men, the last considers life as a medium for music. ”

“ The history of the art of music is divisible into two great epochs—the first dating from its birth about three centuries ago under the impelling influences of the Renaissance, to the end of the eighteenth century, when pseudo-classicism had given all it had to give ”

“ Add to these influences, already sufficiently diversified, that of a succession of brilliant virtuosi upon the leading instruments, whereby the resources of all the effective musical apparatuses were more fully explored and illustrated, with the final result of affording the poetic composer additional means of bringing his ideas to a more effective expression [Pg 262] —and we have the general features of a period in music so luxuriant that in it we might easily lose ourselves; nor can we easily form a clear idea of the entire movement as the expression of a single underlying spiritual impulse. ”

“ Whatever theory of the origin of music may finally prevail, there can be no question that music in its primitive condition is more directly the outcome of clearly realized feeling than it is when developed into a free, intellectualized, and heterogeneous [17] art form. ”

“ On the contrary, music of some kind or other has, doubtless, been a source of solace as well as amusement for untold years.
For antiquity, vocal music stands pre-eminent. Ages must have passed before instrumental music came to any position of efficacy at all correlative with it.
It must be remembered that music as we know it, is the gift that the ancient Church gave [Pg 21] us centuries ago, and that the pangs of its birth were suffered in days of which all sense of record is lost. ”

“ It entails a change in the position of musical art which took place in the painting art centuries earlier, and shows what a modern thing music is. Men no longer expect music to be the expression of noble and exalted thoughts only, but accept it as the expression of all kinds of moods, emotions, feelings and aspirations, whether they be little and intimate, satyric and strange, wildly extravagant, genially humorous, pugnacious, pacific, pastoral, even uproariously domestic. ”

“ These principles, universally recognized as governing in the other fine arts, are equally valid in music. As will be seen later, all musical progress has been toward their more complete attainment and their due co-ordination into a single satisfactory whole. Every musical form that has ever been created is an effort to solve this problem ”

“ It is with hypnotic power that these methods and their effects have possessed the musical consciousness of the succeeding generation and, becoming the very essence of modernity, insinuated themselves into the pages of all modern music. ”

“ From that time forward, history makes mention of many persons who labored worthily, now more and now less, to create a theory of music, seeking to found a system of harmony upon that rude beginning, and by degrees to improve it. ”

“ Wherever there has been vigorous movement of mind and material prosperity (and they have always been associated) there has been an art of music, the richness of which, however, has always [Pg 20] been limited by the state of the musical ears of the people or generation, and the perfection of their musical instruments. ”

“ The instinct for expression in music works so far in all [Pg 55] races alike. But whereas those races whose music we are discussing were content with the harsh or dry sounds of the primitive instruments we have mentioned, the races of Europe have been impelled by the desire for ever richer and more flexible tone to develop and improve these instruments. Of the clumsy, hoarse viol they have made the perfect violin; of the hunting horn the mellow French horn of the orchestra; of the tremulous clavichord and spinet the powerful pianoforte. Music has become an art of sound. ”

“ Volumes V to IX, inclusive, deal with the practical side of the art—what is sometimes called ‘applied music’—and in describing the chief media by which it is produced, such as the voice, the organ, the piano, the string quartet, the orchestra, provide general notions of what is appropriate to each. ”

“ FOR EVERY MUSIC LOVER I The Origin and Function of Music
One of the most interesting of the many interesting stories of our civilization is the story of Music. It affords an intimate knowledge of the inner life of man as manifested in different epochs of the world's history. He who has failed to follow it has failed to comprehend the noblest phenomena of human progress. ”

“ It is by far the most elaborate piece of ancient part music which has come down to us from times so remote. It indicates conclusively that early in the thirteenth century, when the composers of the old French school were struggling with the beginnings of canonic imitation, confining their work to ecclesiastical tonality, English musicians had arrived at a better art and a true feeling for the major scale and key. ”

“ Another explanation of the ancient view of music as possessing a controlling power over emotion, thought, and conduct lies in the fact that music existed only in its rude primal elements; antiquity in its conception and use of music never passed far beyond that point where tone was the outcome of simple emotional states, and to which notions of precise intellectual significance still clung. ”

“ To the lawgivers, the signs themselves are the most important matter, and are continually growing in their estimation; the new art of music is derived from the old signs—and these now stand for musical art itself. ”

“ In reading the lives of these great musical composers, we can trace the gradual development of music from its earliest days as an art and as a science. Unlike the other arts which have flourished, decayed, and had rebirth, music, as we now understand it, sprang into being out of the ferment of the Renaissance, and therefore is the youngest of the arts—a modern growth belonging particularly to the later phases of civilisation. ”

“ Thus from the definite number of twenty-four notes, varied in different degrees, by sharps, flats, semi-tones, &c., are produced all that is so magical, enthusiastic, and transporting in the empire of omnipotent music. Like as the alphabetic characters may be varied into myriads of forms suitable to every multifarious species of conversation or composition; in a word, a few musical notes in the hands of a master may be made by his skill to produce, from agreeable interchanges of time, harmony, &c., every variety of musical sentiment which can affect the human soul. ”

“ At the same time, there is reason to believe that much of the ancient theory and science of music has been lost. It is certain that a custom existed of collecting popular ballads for purposes of government record. ”

“ During those eleven Christian centuries, from the latter part of the fourth century, when the corner-stone for our musical system was laid, until the wonderful exploration period of the fifteenth was well advanced, the masters of music were absorbed in controlling the elements of their art. Since then event has crowded upon event with rapidly increasing ratio. During the past two centuries the progress of the art has been like a tale in fairyland. ”

“ We shall shortly examine some typical folk-songs in order to see how this design gradually became larger and more various, and how, through this process, the foundations were laid for the masterpieces of modern instrumental music. We shall see that this advance has accompanied an advance in civilization; that as men's lives have become better ordered, as higher standards of living and thinking have appeared, the sense of beauty has grown until, finally, this steady progress has resulted in the creation of certain permanent types. ”

“ We referred at some length, in the chapter on "The Dance and Its Development," to this germination of musical thought as of the greatest importance in composition. The reader will readily understand that the highest form of an art like music, in which the element of time enters as a vital matter—in which the message of the composer comes to us in successive sounds—must depend on something more than the beauty of its several and successive melodies. ”

“ Our rules of harmony and forms of composition are unknown to them; still, their popular legends and traditions clearly [Pg 232] prove that they appreciate the beauty and power of music not less keenly than we do; and they demonstrate the superiority of their scales with the same confidence as any of our theorists are capable of displaying. ”

“ But there is, I claim, a deeper interest and a higher pleasure to be derived from seeking, beneath the smoothly flowing harmonies and graceful, rippling embellishment, for the allegorical significance or suggestion mirrored in their clear depths, as scenes and faces are reflected in the tranquil stream, and which are rarely, if ever, wanting in the true art work.
The “theme and variations” in music, which owes its origin to the first crude attempts of early composers to elongate and develop a musical idea into a symmetrical art form, corresponds to a very early phase of another art. ”