Moorish art

“ The real scene would have stirred an emotion in the heart of the dullest member of the Stock Exchange, and, however unskilful the brushwork, if the man could hold a brush at all, there would have been something to show that the man had been in the presence of Nature. There is no art so indiscreet as painting, and the story of the painter's mind may be read in every picture. ”

“ And they all come out with a certain Shakespearian fulness, vividness, directness. Above all, they are every one of them men and women, with free play of human life in limb and feature, as in an antique sculpture. So much of modern art, in poetry as in painting, runs to mere drapery. ”

“ And the Divine Artist's paintings ne'er grow old.
—O. O. H. Scenery such as you meet with here has a more telling effect upon one than a masterpiece of sculpture, literature or music, and infinitely surpasses man's most worthy efforts. Why cross the ocean or spend an over-amount of time in the art galleries of our own country, when we dwell so near Art's primal source? Out here the Divine Artist, with all rare colors, has painted scenes of panoramic splendor and every day new and grander views are displayed, for He sketches no two alike. ”

“ The qualities admired by this new school are certainly the mirrors of that side of the nineteenth-century development most opposed to fine painting, or, say, fine craftsmanship. Hurry, rush, fashion, are the enemies of toil, patience, and seclusion, without which no great works are produced. Hence the admiration for an art fully answering to a demand. No doubt impressionism is an expression in painting of the deplorable side of modern life. ”

“ The gray and stern arches, the hitherto colorless sky of the art temple, now take the azure hue of the heavens, while hovering cherubs look down from their cerulean depths; the relievos glow, and color defines, as it etherealizes, the works of man. Painting, at first absorbed in the plastic arts, scarcely begins to show symptoms of life until she is fully born, and living in her own distinctive form! As that power which develops the almost infinite variety of forms is to the universe, so is painting with its ever ready and vivid canvas to the temple of art. ”

“ Through this brilliant court, the visitor will proceed or linger as his spirit directs. There are no statues to examine, for the religion of the Moors forbade the representation of living objects; in truth, the exquisitely wrought tracery on every side, upon which the Moorish mind was thus forced to concentrate all its artistic power and skill, is in itself sufficient exclusively to arrest and to enchain the attention. ”

“ When I try to draw aside the veil, and peer into the mists of the future, I seem to see another art, less material, more akin to the pure spirit of music; an art stripped of all that is gross and material; an art in which abstract beauty alone shall rule. In this new art values may very possibly be unnecessary, and all will be stated in terms of beautiful color. ”

“ He seems to have said to himself, "Nature is greater than all our artifices," and to have abandoned himself to the might and splendour and incommensurability of the great mother. The tricks of the trade are all forgotten or abandoned. Here is no cunning artifice of line, no obvious formula of design. The scene itself speaks to us from the canvas: the art and the artist are forgotten. ”

“ There could the poet's soul catch sparks of inspiration from nature's open volume, and the painter's pencil vainly strive to touch with living lines his there faithless canvass. 'Who can paint like nature?' would echo from each lovely object; and man, in all his pride of nature and of art, shrink from the task of copying her rich and gorgeous dyes. ”

“ And for this, of course, the artists have prepared us; it is they who, by first exhibiting life as beautiful in art, have shown us that it may be beautiful as mirrored in the observing mind. One region after another has been conquered by them. The poets and the painters created the beauty of the mountains, of windmills and canals, of frozen wastes and monotonous prairies, of peasants and factories and railway stations and slums. Themselves the first to feel the value of these things, through some personal attachment or communion with them, they have made it universal through expression. ”

“ The grand, free lines of the Moorish landscape are unbroken; no trees, no houses, no hedges, and no highways are there to spoil the composition of the picture drawn and painted by the master artist, Nature. ”

“ To wring from nature its countless harmonies of tone and colour, to seize and interpret the endless subtleties of individual form and character—these are the ideals that have inspired and have satisfied many of the greatest painters the world has produced. Who then shall say that Art has need of any other, any wider ambition? ”

“ This divine, spiritual sea of light, this fairyland of adjusted light and shade, is the business of painting: why should we fight against nature, and not allow every art to do what it alone can do and do best? ”

“ Free as the ancients with their gods and legends, he pours forth his Cupids, beautiful women, genii, Bacchantes, and historical figures, and at the same time draws into his kingdom of art all nature with its variety of plants, flowers, and fruits, all civilisation with its fulness of splendid vessels and jewels, of shining stuffs, emblems, weapons, 344 and masks. All that he created breathes the naïve, sensuous satisfaction of the genuine painter. ”

“ By its deliberate rejection of Nature as the ideal of beauty, as well as of the imitative method of the ordinary painter, decorative art not merely prepares the soul for the reception of true imaginative work, but develops in it that sense of form which is the basis of creative no less than of critical achievement. For the real artist is he who proceeds, not from feeling to form, but from form to thought and passion. ”

“ In an age which was prouder of its antiquarian knowledge than of its own achievements, which recognised the faithful imitation of the method of all past periods, the mere performance of a delicate task, as the highest aim of art, these genre painters were the first to portray the actual man of the nineteenth century; the first to desert museums and appeal to nature, and thus to lay the foundation of modern painting. ”

“ Into the service of this luxurious and immoral life the Fine Arts were now called, and of the motives which animate such life they become largely an expression. The mediæval endeavour to embody the beauty of Christian ideals in works of art gave place to the desire to make the Fine Arts minister to sensuous pleasure and to mundane pride. ”

“ Thus, at the close of the Middle Ages, narrative, lyric and dramatic poetry seemed firmly established among the people. Not unmindful of romance, it was grounded in realism and sought to interpret the life of the peasant and the artisan of fifteenth-century England. The Renaissance follows, and a profound change comes over poetry. The popular note grows fainter and fainter, till at last it becomes inaudible. Poetry leaves the farmyard and the craftsman’s bench for the court. ”

“ It may be so, but the Moorish style is so imprinted on the tastes of the people that they build age after age with substantially the same models, and it is not safe to affirm that the hands of the Moors laid any of these stones. ”

“ Genre painting followed, and rendered the true spirit of life, illustrating it histrionically, but without surprising it in its unconstrained working. And so trees, mountains, and clouds also were forced to lay aside the innocence of unconscious being and wrap themselves in the cloak of affectation. Simple reality in its quiet, delicate beauty, the homely “mood” of nature, touching the forms of landscape with the play of light and air, had nothing to tell an age overstrained by the heroics of history and the grimaces of genre painting. ”

“ But of sublimity, I have never seen any thing in human nature at all to approach the expression of sculpture, either in the Apollo, the Moses, or other of the sterner works of ancient or modern art.
Let us examine a little further this "babble of green fields" and of bare nature in general as superior 363 to artificial imagery, for the poetical purposes of the fine arts. In landscape painting, the great artist does not give you a literal copy of a country, but he invents and composes one. Nature, in her actual aspect, does not furnish him with such existing scenes as he requires. ”

“ The stream is bound fast and the wolds are chill;
And by the dead flats, where the cold blasts moan,
A bent body wearily plods alone.
THE PATHOS OF ART. Oft seeing the old painters' art,
We find the tear unbidden start,
And feel our full hearts closer grow
To the far days of long ago.
Not burning faith, or godlike pain,
Can thus our careless thought enchain;
The heavenward gaze of souls sublime,
At once transcends, and conquers time.
Nor pictured form of seer or saint,
Which hands inspired delight to paint;
Art's highest aims of hand or tongue,
Age not, but are for ever young. ”

“ By force of his genius—or, if you prefer it, of sympathy—which means the same thing—for some particular phase of life, some artist may at any moment uncover in its pages an altogether fresh kind of humour and of beauty.
§ 9
Du Maurier's art covers the period when England was flushed with success. Artists in such times grow wealthy, and by their work refine their time. But in spite of the number of wealthy Academicians living upon Society in the mid-Victorian time, the influence of Art upon Society was less than at any time in history in which circumstances have been favourable to the artist. ”

“ Nothing, perhaps, shewed the grandeur and the grasp of ancient art more strongly than the vigour with which the old painters used the effect produced upon the human mind by the power of contrast, and the infinite skill with which they employed that power, so as never to violate those essential principles of harmony which affect painting and sculpture fully as much as they affect music and poetry. ”

“ Whatever the subject to be translated—whether river or tree, rock or mountain, bird or flower, fish or animal—the artist at the moment of painting it must feel its very nature, which, by the magic of his art, he transfers into his work to remain forever, affecting all who see it with the same sensations he experienced when executing it. ”

“ Why, then picking up her skirt she threads her way through the crowded streets, reads the advertisements on the walls, hails the omnibus, inquires at the concierge's loge, murmurs as she goes upstairs, "Que c'est haut le cinquième," and then? Why, the door opens, and she cries, "Je t'aime"
But it was the idea of the new æstheticism—the new art corresponding to modern, as ancient art corresponded to ancient life—that captivated me, that led me away, and not a substantial knowledge of the work done by the naturalists. ”

“ And, the commonplace character of so much of our English painting seems to me due to the fact that so many of our young artists look merely at what we may call ‘ready-made beauty,’ whereas you exist as artists not to copy beauty but to create it in your art, to wait and watch for it in nature. ”

“ CHAPTER XI THE DOMINION OF ART OVER NATURE: PAINTING In literature, as we observed in our last two chapters, nature does not find aesthetic expression on its own account. In the lyric, nature appears only as the reflection of personal moods and thoughts, in the drama and novel and epic only as the theater of human action or the determiner of human fate. In painting and sculpture, on the other hand, the expression of nature is the primary aim. ”

“ This is the point at which art reaches its highest mark: when to the primitive strength and simplicity of early art are added the infinite refinements and graces of culture without destroying or weakening the sublimity of the expression.
In painting, the refinement and graces of culture take the form of an increasing truth to natural appearances, added bit by bit to the primitive baldness of early work ”

“ Yet the central tenet of their philosophy, independent naturalness of soul, is the necessary complement to the broad human sympathy which is of the essence of modern art. The difficulty which imagination finds in expressing itself in the new terms is natural enough, for the poet and painter and musician are seemingly deprived of color, the color which we associate with mystic elegance and aristocratic prestige. ”

“ But the æsthetic faculty was thus stimulated into activity with results which tended to develop art in all its forms of carving, modelling, sculpture, and painting. An appreciation of colour, not merely for personal adornment, but in its artistic application—alike as a decorative art, and as the means whereby natural objects can be presented with vivid truthfulness to the eye,—is widely diffused; though the mastery of form by the modeller or sculptor long precedes that of chiaroscuro, or aerial perspective. ”

“ As then, when painting was still an ecclesiastical art, the slowly awakening feeling for nature, the joy of life was first expressed in miniatures, woodcuts, and engravings, so also the great draughtsmen of the nineteenth century were the first who set themselves with their whole strength to bring modern life and all that it contained earnestly and sincerely within the range of art, the first who held up the glass to their own time and gave the abridged chronicle of their age. ”