Border (design)

Definition and stakes

Ella Victoria Dobbs,  Primary Handwork

“ Animals, birds, trees, flowers, ships, etc., serve well. The process of making the border should be a serious lesson in design. A good border is not merely the repetition of a pretty figure. The units must not be too far apart nor too close together. The shape of the figure used must be such that each unit seems to need the next one. Little children will usually take greatest pleasure in working from [Pg 39] some nature motif, as flower or animal, but interesting work can be done with simple geometric figures. ”
Source: Gutenberg

William H. Varnum,  Industrial Arts Design

“ In addition to the purely onward borders we now come to a variety with a distinctly upward movement as well. While this new feature adds materially to the interest of the border, it also adds to the difficulty of designing. The upward movement is often centered about an axis termed the Axis of Symmetry or Inceptive Axis, about which are grouped and balanced the different elements from the designer's vocabulary. ”
Source: Gutenberg

Amor Fenn,  Design and Tradition

“ The meeting angles or corners of borders invariably require special treatment, and in those positions the detail should be compact and stronger in appearance than the general pattern. The simplest expedient is some form of patera or rosette, but, whatever the detail, it should always be in strong contrast to that of the run of the border. The only forms that can be continuous without any marked change in the angles, are the undulating stem, the wave, and its square form the key or labyrinth; but even with these the proportion of width to height at times needs modification. ”
Source: Gutenberg

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