Georg Wilhelm Friedrich Hegel,
The Philosophy of Fine Art, volume 4…
“ I will, in conclusion, add merely a word or two on the point of verse-measure. Dramatic metre is best when it lies midway between the tranquil, uniform flow of the hexameter and the more interrupted and split-up syllabic metres congenial to the Lyric. In this respect the iambic metre is above all others commendable. For the iambus, with the rhythm of its onward movement, which may be either accelerate [Pg 270] d by anapaests, or be made more solemn and weighty with the spondee, forms a most fitting accompaniment to the march of the action ”
