The pinna, commonly referring to the external part of the ear, has been examined in anatomical, literary, and naturalistic contexts. Authors such as M. le Clerc and Frederick Gymer Parsons analyzed its structural elements, describing skin, hair, and glands, while Montague Rhodes James conjured its eerie, otherworldly shape in his ghostly tales.
Theodore Wood’s account of a sea creature securing itself with threads illustrates the term’s wider biological application. These diverse viewpoints—from medical examination to Gothic imagery—reveal the pinna as both a functional anatomical element and a symbol of the body’s complex, at times unsettling, design.