Repetition (visual)

Definition and stakes

Harvard Psychological Studies, Volume 2

“ It is never a construction or reflective perception that certain relations of intensity, duration, etc., do obtain." [90]
Visual Repetition: The feeling of rhythm in a visual series is immediate, and wholly distinct from the knowledge that certain objects do recur. This is especially illustrated in repetitions of three distinct units, when subjects saw and understood the scheme of repetition, but could not feel it.
(4) The number of units in an auditory group depends on the rate of succession, but any higher number of elements in a group than six or eight falls back into smaller groups.
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Source: Gutenberg

Harvard Psychological Studies, Volume 2

“ Visual Repetition: Alternate spaces must be of invariable size, or the series is broken up. Different degrees of interest may attach to the principal unit, or the subject may group them in different ways, but the alternate spaces must be uniform, or there is no feeling of rhythmic repetition.
(2) Auditory Rhythm: Sounds must recur within a certain rate. When succession falls below, or rises above a certain rate, no impression of rhythm results. [88] A certain voluminousness is necessary for very slow measures, to make the separate elements connect themselves in a series.
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Source: Gutenberg

Harvard Psychological Studies, Volume 2

“ The subjects declared the pairs in which a third line was hung were not intensified alone, as when a greater stress is put on a tone in auditory rhythm, but the pairs were changed qualitatively. The group of three became the repeated element, while the pair was only an alternating figure different from the principal unit. This unanimous testimony brought up [Pg 199] a variety of questions. 1. Is any purely intensive accent, without involving qualitative changes, possible in visual repetition? 2. What factor makes us choose one object rather than another as the repeated element? 3. ”
Source: Gutenberg

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