Greek mythology

Definition and stakes

Portrait of Sidney Lanier Sidney Lanier The English Novel and the Principle of its Development

I find nothing so subtly and inconsolably mournful among all the explicit miseries of the Greek mythology as this fixity of nature in the god or the man, by which the being is suspended, as it were, at a certain point of growth, there to hang forever. And in this view the whole multitudinous people, divine and human, of the whole Greek cyclics, seem to me as if sculptured in a half relief upon the black marble wall of their fate—in half relief because but half gods and half men, who in the lack of personality cannot grow, cannot move.
Source: Gutenberg

Portrait of Walter Pater Walter Pater Greek Studies: a Series of Essays

The gods of Greek mythology overlap each other; they are confused or connected with each other, lightly or deeply, as the case may be, and sometimes have their doubles, at first sight as in a troubled dream, yet never, when we examine each detail more closely, without a certain truth to human reason. It is only in a limited sense that it is possible to lift, and examine by itself, one thread of the network of story and imagery, which, in a certain age of civilisation, wove itself over every detail of life and thought, over every name in the past, and almost every place in [101] Greece.
Source: Gutenberg

Portrait of Jane Ellen Harrison Jane Ellen Harrison Ancient Art and Ritual

The Greeks are a people of such swift constructive imagination that they almost always obscure any problem of origins. So fair and magical are their cloud-capp’d towers that they distract our minds from the task of digging for foundations. There is scarcely a problem in the origins of Greek mythology and religion that has been solved within the domain of Greek thinking only. Ritual with them was, in the case of drama, so swiftly and completely transmuted into art that, had we had Greek material only to hand, we might never have marked the transition.
Source: Gutenberg

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