Sebastian Bach

Definition and stakes

Portrait of Donald Francis Tovey Donald Francis Tovey,  1911 Encyclopædia Britannica (1910)

“ The indirect influence no one could escape, for whatever in modern music is not traceable to Sebastian Bach is traceable to his sons, who were encouraged by their father in the cultivation of those infant art-forms which were so soon to dazzle the world into the belief that his own work was obsolete.
Bach’s place in music is thus far higher than that of a reformer, or even of an inventor of new forms. He is a spectator of all musical time and existence, to whom it is not of the smallest importance whether a thing be new or old, so long as it is true.
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Source: Wikisource

Francis Jameson Rowbotham,  Story-Lives of Great Musicians

“ No; the childhood and youth of Sebastian Bach were stages in the life of a genius which were entirely destitute of the advantages of either wealth or the patronage of the great, and as such they command our interest and respect.
Henceforth we have to picture Bach as settled in his Weimar home, no longer as a student, but as a player and composer whose fame was gradually spreading throughout the country.
”
Source: Gutenberg

Reginald Lane-Poole,  Sebastian Bach

“ Spitta’s “Johann Sebastian Bach,” published at Leipzig in two volumes in 1873 and 1880, represents the many years’ study of a professed musician. For all the facts of Bach’s life, and all the obtainable data relative to his works, it is a final and exhaustive treasure-house. Nothing can be more scientific and workmanlike than the method with which he has exhumed and collected every detail from every source that might possibly bear upon his subject, and nothing more admirable than the warm enthusiasm which lights up his work. ”
Source: Gutenberg

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