Litany

“ Not only the ability to distinguish between fact and fiction, but the ability to distinguish between what is entirely true and what is half true, between the appearance and the essence, between the spirit and the letter. ”

“ In its last analysis, such a conception of literature amounts to the unimpeded intercourse of mind with mind. Literature would be a language which dispenses with gesture, facial expression, tone of voice; which is, in its halts, accelerations and retardations, emphases and concessions, the apotheosis of conversation. But this clearness,--in the sublime sense, including the ornate and the subtle,--this luminous lucidity,-- is it not quite indeterminate? Clearness is said of a medium. WHAT is it that shines through? ”

“ His phraseology rolls ever in solemn and majestic periods, in which every substantive marches ceremoniously accompanied by its epithet; grand pompous words peal like an organ; every proposition is set forth balanced by a proposition of equal length; thought is developed with the compressed regularity and official splendour of a procession. ”

“ But before we handle the kinds of poems, with their special differences, or make court to the art itself, as a mistress, I would lead you to the knowledge of our poet by a perfect information what he is or should be by nature, by exercise, by imitation, by study, and so bring him down through the disciplines of grammar, logic, rhetoric, and the ethics, adding somewhat out of all, peculiar to himself, and worthy of your admittance or reception. ”

“ The root of the mother-word will stand in the centre, and around her the grove of her children. By influence of taste, diligence, sound sense, and the judicious comparison of different dialects, lexicons will be brought to distinguish what is essential from what is accidental in the signification of words, and to trace the gradual process of transition; while in the derivation of words, and the application of metaphors, we shall behold the invention of the human mind in its act, and more fully understand the logic of ancient figurative language. ”

“ And here it is worth while, despite digression, to remark what an immense majority there are of people who can perceive, feel, and value poetry in mere words or form--that is to say, objectively--and hardly know or note it when it is presented subjectively or as thought, but not put into some kind of verse or measure, or regulated form. ”

“ He possessed it as every one who dabbles in poetry with us, possesses what may be called the poetical vocabulary, as distinguished from the vocabulary of common speech and of modern prose: I mean, such expressions as perchance for perhaps, spake for spoke, aye for ever, don for put on, charméd for charm’d, and thousands of others. ”

“ In prose, therefore, we are of opinion that the usual forms of prose may occasionally, and to a certain extent, be departed from, without giving any great offence to the reader.
Not so, however, in rhyming poetry—and, above all, not so in that species of it we are now writing about, the rhymed drama. ”

“ The inherited habit of composition in the form of oral verse and prose is vastly older than our modern practice of secluding ourselves and scratching down rows of little black symbols on a white expanse of paper, or still more incongruously tapping celluloid keys with the tips of our fingers. ”

“ Having pointed out the importance of correct grammar and the right choice of language, I wish now to furnish you with some practical suggestions for the construction of sentences. Remember that a good thought often suffers from a weak and faulty expression of it.
Your sentences will certainly shape themselves after the structure of your own mind. If your thoughts are vivid and definite, so will be your language; if dreamy and hazy, so will your composition be obscure. Your speech, whether oral or written, can be but the expression of yourself; and what you are, that speech will be. ”

“ The dignity and objects of literature are distinctly brought to view, whether in the form of prose to persuade and instruct—in that of poetry, to please the fancy—or in that of the drama, to move the passions. ”

“ These principles pertain to diction, structure, matter, and spirit or purpose. No one will deny [4] that the diction should be well chosen; that the structure of the sentences should be correct and clear; and that, in the case of poetry, the laws of versification should be observed. These elements contribute to excellence of form. In addition to these external elements there should be unity of thought, symmetry of presentation, truth of statement, and sincerity and self-restraint in sentiment. These elements give substantial worth to the matter or content of literature. ”

“ What a miserable instrumentality is language! A tone of satiny flesh, a luminous shadow on a bare shoulder, a flickering light on floating silk, attract, recall, and retain the eye for a long time, and yet there is but a vague phrase with which to express the charm.... ”

“ In the meantime, if you demand on one hand, in defiance of their opinion— the raw material of poetry in all its rawness and that which is, on the other hand, genuine then you are interested in poetry. ”

“ We begin to see now what an intricate affair is any perfect passage; how many faculties, whether of taste or pure reason, must be held upon the stretch to make it; and why, when it is made, it should afford us so complete a pleasure. From the arrangement of according letters, which is altogether arabesque and sensual, up to the architecture of the elegant and pregnant sentence, which is a vigorous act of the pure intellect, there is scarce a faculty in man but has been exercised. ”

“ All the modern editions have, the law of wit, and the liberty; but both my old copies have, the law of writ, I believe rightly. Writ, for writing, composition. Wit was not, in our author's time, taken either for imagination, or acuteness, or both together, but for understanding, for the faculty by which we apprehend and judge. Those who wrote of the human mind distinguished its primary powers into wit and will. ”

“ No poetry comes by the elevation of prose; but the half of prose comes by the “massing into the common clay” of thousands of winged words, whence, like the lovely shells of by-gone ages, one is occasionally disinterred by some lover of speech, and held up to the light to show the play of colour in its manifold laminations. ”

“ The superior character of truth and seriousness, in the matter and substance of the best poetry, is inseparable from the superiority of diction and movement marking its style and manner. The two superiorities are closely related, and are in steadfast proportion one to the other. So far as high poetic truth and seriousness are wanting to a poet’s matter and substance, so far also, we may be sure, will a high poetic stamp of diction and movement be wanting to his style and manner. ”

“ If there is poetry and verse, there is also verse and verse. Poetry may be said to be a fixed quality; but that is not so with the inferior article. There are many different [Pg 30] sorts of verse. There is that which is strongly sentimental, there is that which is broadly comic, and there is that which is something between the two—neither over-sentimental nor over-comic, but altogether light in tone, and marked in the main by wit and humour. Now, to this last class of verse has been given, in general, the name of vers de société or vers d’occasion—verse of society or for the moment. ”

“ The great master of language, and of song, is become silent as the night that surrounds him.—The pampered flesh, so lately clothed in purple and fine linen, how is it covered rudely with clods of clay! ”

“ Of these it may be said, that their form is their essence, and their object, the production of pleasure in their contemplation. This is their final end. They are as much the product of genius and the result of composition, as are the lines of the poet or the historian's period. ”

“ As for eloquence, which Eloquence, rhetoric, etc.also was classed with poetry by our ancestors, and which is subjective and passionate, I do not say that it may not rise by borrowing wings; but in a poem the force of eloquence pure and simple cannot be prolonged without lessening ideality and the subtlest quality of all,—suggestiveness,—and rhetoric is as false a note as didacticism in the poet's fantasia. ”

“ Ever alive to the picturesque or the romantic, he clothed his stories in the language of which the true story-teller has the key, whilst over all hung the indelible stamp of truth and accuracy that characterized the man himself. ”

“ The further our literary inquiries are extended here, the more vast and stupendous is the scene which opens to us; at the same time, that the true and false, the sublime and the puerile, wisdom and absurdity, are so intermixed, that, at every step, we have to smile at folly, while we admire and acknowledge the philosophical truth, though couched in obscure allegory and puerile fable. ”

“ As we ascend in the scale of literary composition the author's personality creeps in, and brings with it a corresponding complexity of language, not merely the complexity of structure of sentences, but of choice of words, use of figures of speech, and all the refinements of elaborate writing. ”

“ We shall find occasion presently to remember that prose is freer than verse, not because prose is formless while verse is formal, but because any given sequence of prose has more forms in it than a sequence of verse. ”

“ It is the distinction of verse to follow a chosen pattern, with due regard to the artistic principles of variety and uniformity; it is the distinction of prose to accomplish its object, whether artistic or utilitarian, without encroaching on the boundaries of its neighbor. Prose may be as 'poetic,' as charged with powerful emotion, as possible, but it remains true prose only when it refuses to borrow aids from the characteristic excellences of verse. ”

“ All literature, then, may be separated into five classes,—narration, description, exposition, argument, and persuasion.
Narration tells what things do; description tells how things look. Narration deals with occurrences; description deals with appearances. Exposition defines a term, or explains a proposition; argument proves the truth or falsity of a proposition; persuasion urges to action upon a proposition. Exposition explains; argument 4 convinces; persuasion arouses. These are the broad lines of distinction which separate the five forms of discourse. ”

“ And if one reads the speeches of our greatest advocates and the records of those who heard them, one finds that each had some peculiar condiment of eloquence, so that if one could beg a flavour from each one might hope to produce an olio of super-eloquence. ”

“ The flow is easy, the style graceful and natural; but the step from poetry to prose is substantial as well as formal; the imagination is ossified, and we exchange the exuberance of legendary creativeness for the dogmatic record of fact without reality, and fiction without grace. ”

“ But the Writer who, whether in verse or prose, would avail himself of such sources of pity or terror as flow from the Marvellous, can only attain his object in proportion as the wonders he narrates are of a kind to excite the curiosity of the age he addresses. ”

“ He had but little of the studied allusion, the antithetical point, the classic metaphor, which chiefly characterize the wits of my day. On the contrary, it was an exceeding and naive simplicity, which gave such unrivalled charm and piquancy to his conversation. And while I have not scrupled to stamp on my pages some faint imitation of the peculiar dialogue of other eminent characters, I must confess myself utterly unable to convey the smallest idea of his method of making words irresistible. ”

“ Now though allegories, metaphors and other tropes and figures, which are no more than comparisons and similitudes, expressed in another form, belong indeed to the genus of figured language, they are by no means the whole of it, as so great a master of rhetoric, as yourself, very well knows. ”

“ The kind of prose life from which poetry is separate postulates a different kind of conception and speech. The finite categories of the understanding applicable to the former. The ideal rationale of fact is aimed at by poetry. ”

“ And if thou leave the literal sense, thou canst not but go out of the way. Neverthelater, the Scripture useth proverbs, similitudes, riddles, or allegories, as all other speeches do; but that which the proverb, similitude, riddle, or allegory signifieth, is ever the literal sense, which thou must seek out diligently: as in the English we borrow words and sentences of one thing, and apply them unto another, and give them new significations. ”

“ This is the reading of all the modern editions, and is copied from the quarto. The folio reads, your honesty should admit no discourse to your beauty. The true reading seems to be this, If you be honest and fair, you should admit your honesty to no discourse with your beauty. ”

“ To apply words, and more especially adjectives, in an unwonted and unusual sense is one of the arts which go a long way to make conversation agreeable. To do this with taste, and without corrupting or annihilating the meaning of the word, demands a certain amount of literary skill. ”

“ One of the chief causes of the curiously commonplace character of most of the literature of our age is undoubtedly the decay of lying as an art, a science, and a social pleasure. The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction. ”