Literary theory

“ Yet truth to the conditions of man's nature and the conditions of man's life, the truth of literary art, is free of the ages. It may be told us in a carpet comedy, in a novel of adventure, or a fairy tale. ”

“ However, he leaves us in some confusion, for what, with this enlargement of human nature, is going to become of the plot? In most literary works there are two elements: human individuals, whom we have recently discussed, and the element vaguely called art. ”

“ This study in turn should aim first at an understanding of the literature as an expression of the authors' views of life and of their personalities and especially as a portrayal and interpretation of the life of their periods and of all life as they have seen it; it should aim further at an appreciation of each literary work as a product of Fine Art, appealing with peculiar power both to our minds and to our emotions, not least to the sense of Beauty and the whole higher nature. ”

“ In subordination to one essential beauty in all good literary style, in all literature as a fine art, as there are many beauties of poetry so the beauties of prose are many, and it is the business of criticism to estimate them as such; as it is good in the criticism of verse to look for those hard, logical, and quasi-prosaic excellences which that too has, or needs. To find in the poem, amid the flowers, the allusions, the mixed perspectives, of Lycidas for instance, the thought, the logical structure:—how wholesome! ”

“ The cardinal virtue of poetry, he says, is love, while the cardinal virtue of prose is justice. May we not rather say that the difference is one of plane of consciousness, prose being at the highest level of the rational mind, and poetry at the highest level of the spiritual mind? Yes, but then, in all probability, The Times would regard us as fanciful, for note, anything exact about spiritual things is likely to be dismissed by the Literary Supplement as fanciful and dangerous. ”

“ This literature proper was likely to take the form of verse in the eleventh century. A practical matter would be put in prose; but the effervescence of the soul, or the intended literary effort, would fall into rhyme or resort to metre. ”

“ At present, however, we shall be satisfied with two principles which may serve to guide our efforts to reach defined ideas of literature. (1) Our definition cannot cover an unlimited range of human life save at the expense of confusing perceptions of sense, emotions, thoughts, not only belonging to widely diverse social and physical conditions, but often directly conflicting in the form and spirit of their literary expression. ”

“ It will be good literary art not because it is brilliant or sober, or rich, or impulsive, or severe, but just in proportion as its representation of that sense, that soul-fact, is true, verse being only one department of such literature, and imaginative prose, it may be thought, being the special art of the modern world. ”

“ The newly discovered power and delight of original imaginative writing, and their dissatisfaction with the current tone of thought on all matters deeply affecting human life, alike urged them to some literary enterprise in which imagination and criticism should find harmonious expression. ”

“ Criticism fell into the prevailing theory: so did history, and even romance. Philosophy and Science are not the best foster-mothers of Poetry and Romance. Philosophy and Science grew more solemn than ever; and Poetry and Romance lost something of their wilder fancy and their light heart. Literature grew less spontaneous, more correct, more learned, and, it may be, more absorbed in its practical purpose of modifying social life. ”

“ It is thus evident that the interest and worth of literature depend largely on the manner in which the thought and emotion are expressed. In general the matter of discourse, which aims at the communication of ideas, is of more importance than the form. Words without thought, no matter how skillfully and musically they may be arranged, are nonsense. But in the lighter sorts of prose, which aim at entertainment, and in poetry, which is dependent on meter and harmony, form is of preëminent importance. ”

“ Sometimes it is designed to throw light on some phase of human character or human experience. And again, it may be a vehicle for conveying some form of teaching or for illustrating the growth of culture and character. In studying a work of fiction the purpose should be clearly apprehended, for the merit of a novel or romance depends in a measure upon the author's aim and his degree of success in realizing it.
(6) Every work of fiction, consciously or unconsciously to the author, is apt to embody a particular view or philosophy of life. ”

“ These principles pertain to diction, structure, matter, and spirit or purpose. No one will deny [4] that the diction should be well chosen; that the structure of the sentences should be correct and clear; and that, in the case of poetry, the laws of versification should be observed. These elements contribute to excellence of form. In addition to these external elements there should be unity of thought, symmetry of presentation, truth of statement, and sincerity and self-restraint in sentiment. These elements give substantial worth to the matter or content of literature. ”

“ In introducing this Platonic ideal of poetic beauty into modern literary criticism, he defines and distinguishes poetry according to a subjective criterion; and it is according to whether the objective or the subjective conception of art is insisted upon, that we have the classic spirit or the romantic spirit. ”

“ The flow is easy, the style graceful and natural; but the step from poetry to prose is substantial as well as formal; the imagination is ossified, and we exchange the exuberance of legendary creativeness for the dogmatic record of fact without reality, and fiction without grace. ”

“ In the present argument our chief concern is not with the formal use of literary materials for practice in reading, but with the moral culture, conviction, and habit of life they may foster. Nor have we chiefly in view the art side of our best literary pieces. Appreciation of beauty in poetry and of strength in prose, admirable as they may be, are quite secondary to the main purpose. ”

“ A book exhibits not only the attainments, culture, and literary art of the writer but also his intellectual force, emotional nature, and moral character. Wide attainments are revealed in breadth of view and in mastery of large resources. Culture is exhibited in a general delicacy of thought, feeling, and expression. Literary art is shown in the choice of words and in their arrangement in sentences and paragraphs. The artistic sense, without which a finished excellence is not attainable, reveals itself in the proportion, symmetry, and completeness of a work. ”

“ In short, the sensory or formal effect of words has very little play in the literature of analysis and exposition. But as’ soon as prose becomes more emotive than scientific, the formal side becomes prominent. ”

“ It has always been our opinion, that the very essence of poetry—apart from the pathos, the wit, or the brilliant description which may be imbodied in it, but may exist equally in prose—consists in the fine perception and vivid expression of the subtle and mysterious analogy which exists between the physical and the moral world—which makes outward things and qualities the natural types and emblems of inward gifts and emotions, or leads us to ascribe life and sentiment to every thing that interests us in the aspects of external nature. ”

“ Under their authority we see introduced into literary work an habitual grace and perfection, a clearness and directness, a light and pliable strength, and a fine shading of expression, such as no other tongue can even define. We see the same high standard in their criticism, in their works of research, in the Revue des Deux Mondes, and in short throughout literature. ”

“ There remain, however, poetic springs deep in human consciousness; and though thought and sentiment may be intelligently expressed in prose, it is the welding of thought to rhythm, the union of the pleasures of intellect and of sense which appeal most strongly to our perception of the beautiful. ”

“ Looking at poetry, then, in its abstract and absolute character, looking at what we may call the spirit of poetry as it exists, not incarnated in this or that particular composition, but as a genial power which enlightens the intellect and the heart both of the poet himself and of those who listen to his strains; looking at poetry under this point of view, I ask, putting the question in the form of a bold, brief, and strong antithesis, Does man make poetry, or does poetry make man? Is the human mind the original source to which poetry may be traced as to its fountainhead? ”

“ I think the use or value of poetry to be the suggestion it affords of the flux or fugaciousness of the poet. The mind delights in measuring itself thus with matter, with history, and flouting both. A thought, any thought, pressed, followed, opened, dwarfs matter, custom, and all but itself. ”

“ Hence it is that fiction's peculiar ministry to the human soul is the prose depiction, through the lens of beauty, to the imagination and the emotions, of conflicts of human passions, wills, duties, and fates; a depiction unaccompanied by any tax of intellectual labor, but consistent with all known truth, though without any necessary intervention of actual facts. ”

“ They will find in them a truth to nature—a freshness and raciness of thought and diction—a freedom from the hackneyed conventionalisms of ordinary story-telling, a descriptive and dramatic power, which lend to them an unfailing charm. ”

“ When it becomes necessary, as a guarantee of sincerity and knowledge, to exhibit in full all that is implied in a general statement, he reverses his favourite method, and permits his imagination to expatiate on his material with all the visionary activity of poetry. ”

“ Prose is simply formally consistent experience, experience that is wholly bound to some determined standpoint, and, being this, in what it presents—that is, in its subject-matter—it is always, not adequate and inclusive, but partial and narrow and one-sided to reality. Prose, in short, sacrifices wholeness, that is to say, depth and breadth of view, to mere formal consistency. Poetry, at least in its subject-matter, is above formal consistency and above partiality. Through its very license poetry bears the message of what is real and whole. Poetry forever prefers reality to prosaic peace. ”

“ Gifted with an acute and penetrating intellect, capable of grappling with the highest problems of philosophy and the minutest details of criticism, he could sympathise with the intellectual movement of the old rationalism; while his fine moral sensibility, the depth and passionateness of his sympathy, the exquisite delicacy of his taste and brilliancy of imagination, were in perfect harmony with the literary and æsthetic revival which was commencing. ”

“ In three chapters it briefly discusses the diction, the various kinds of sentences, the use of figures of speech, and the different species of style as determined partly by the nature of the discourse [iv] and partly by the mental endowments of the writer. It is intended to embrace the rhetorical elements of form.
In Part Third the leading kinds of literature are discussed, and the general principles governing each are presented. Special effort has been made to throw light upon the nature and structure of poetry, fiction, and the drama ”

“ There is no more dangerous assumption in modern aesthetics than that of popular poetry and individual poetry, or, as it is usually called, artistic poetry. This is the reaction, or, if you will, the superstition, which followed upon the most momentous discovery of historico-philological science, the discovery and appreciation of the soul of the people. ”

“ But literature is a progressive art, and soon the writers of the age developed two marked tendencies of their own,--the tendency to realism, and the tendency to that preciseness and elegance of expression which marks our literature for the next hundred years.
RealismIn realism--that is, the representation of men exactly as they are, the expression of the plain, unvarnished truth without regard to ideals or romance--the tendency was at first thoroughly bad. ”

“ But it must always be remembered that in such writing as Comedy and Romance the strict rules of motivation must be relaxed, and indeed in all literature, even in Tragedy, the idealization, condensation, and heightening which are the proper methods of Art require them to be slightly modified. ”

“ Reason is the enumeration of qualities already known; imagination is the perception of the value of those qualities, both separately and as a whole. Reason respects the differences, and imagination the similitudes of things. Reason is to imagination as the instrument to the agent, as the body to the spirit, as the shadow to the substance.
Poetry, in a general sense, may be defined to be “the expression of the imagination”: and poetry is connate with the origin of man. ”

“ Having thus passed the stage at which the theory that poetry is an end in itself will suffice us, we vaguely cast about in our minds for some fuller justification of the poetic activity. A presentiment that our poetic values are chaotic is widespread; we are uncomfortable with it, and there is, we believe, a genuine desire that a standard should be once more created and applied. ”

“ Even in the vaguest obsessions of the poetical mind the intellect is present, watching, noting, weighing, and, if you will, discriminating.
For, after all, poetry, though completely different in its methods, its aims, and its effects from the other arts, is itself the greatest of all the arts and must be profoundly aware, just as they are aware, of the actual sense-impressions which produce its inspiration. ”