Pastel

Definition and stakes

1911 Encyclopædia Britannica (1911)

“ The inherent qualities of pastel are those of charm, of subtlety, softness, exquisite depths of tone, unsurpassable harmonies and unique freshness of colour, sweetness, delicacy, mystery all the virtues sought for by the artist of daintiness and refinement. Pastel-painting is essentially, therefore, the art of the colourist. ”
Source: Wikisource

Gerharda Hermina Marius,  Dutch Art in the Nineteenth Century… (1908)

“ And, whereas, before, she was reproached with being able to paint only men's portraits, that is to say character-portraits, since this period she has shown, in a series of charming portraits of women and children, that pastel is a very beautiful medium in which to make the fleeting, evanescent, pale qualities of a woman's face tell against the brilliancy of the white silks or muslins in which she prefers to array her sitters. ”
Source: Wikisource

1911 Encyclopædia Britannica (1911)

“ Strength belongs to oil, tenderness and subtlety to pastel, together with freshness and elegance.
The pre-eminent technical advantage, in addition to those already mentioned, is the permanence of the tones. In watercolours there is an admixture of gum and glycerin which may attract moisture from the air; and, besides, the pigment is used in very thin washes. In oil-painting not only does the oil darken with age but sometimes draws oxygen from a pigment and changes its hue. In pastel the colour is put on without any moist admixture, and can be laid on thick.
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Source: Wikisource

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