Artistic method

“ Thus, while the three arts are each limited to their own special functions, they, at the same time, would appear to assimilate from each other what is lacking in themselves, and so contribute to the complete artistic harmony. ”

“ The painter expresses his feelings through the representation of the visible world of Nature, and through the representation of those combinations of form and colour inspired in his imagination, that were all originally derived from visible nature. If he fails from lack of skill to make his representation convincing to reasonable people, no matter how sublime has been his artistic intention, he will probably have landed in the ridiculous. ”

“ If the definition of realistic art be “a piece of nature seen through a temperament,” that of the new movement may be “an artistic temperament attuned to pieces of nature,” a sensitive and supple talent which has an almost unlimited capacity to tell every story just in the vein its particular subject demands. ”

“ But when we come to study the rudimentary forms of artistic expression,—an artist’s sketches and studies—we begin to discover the shortcomings of the merely statical or morphological point of view. Works of art, we find, are something more than the fossil remains or dead bodies of artistic activity. They are factors in the living process by which the artist’s thought and emotion are kindled afresh in the bosom of the spectator. ”

“ In the compositional painting which is developing today we see the signs of the attainment of the higher step of pure art, in which the remains of the practical desire (all evidences of objectivity) can be perfectly separated, which can speak from soul to soul in purely artistic language. ”

“ Considered simply as a natural basis a talent of this kind asserts itself for the most part in early youth, and is manifested in the restless persistency, ever intent with vivacity and alertness, to create artistic shapes in some particular sensuous medium, and to make this mode of expression and utterance the unique one or the one of main importance and most suitable. ”

“ These groups were as refined in composition as they were exuberant,{207} exhibiting the genuine creativeness of an artist who has an instinct for decoration and a lively delight in the pure expression of line and form, regulated by an instinct also of artistic propriety. ”

“ In whatever light the art-impulse may appear to the reflecting consciousness of the producing artist, this is the only consistent interpretation at which we can arrive by an examination of the artistic activity on psychological grounds. ”

“ Their difficulties of execution arise from the necessities of artistic expression, and such difficulties will be found in all the truest and best art, the art that lives beyond the fashion of the hour. ”

“ All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its [Pg 19] high desire is to reach the secret spring of responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music—which is the art of arts. ”

“ This inversion of the question is worth inquiring into, because, like the analogous paradox about the pictorial "realisation" of cubic existence, it affords an illustration of some of the psychological intricacies of the relation between Art and the Beautiful. This is how I propose to explain it.
The task to which an artist is set varies from one work to another, while the shapes employed for the purpose are, as already said, limited by his powers and especially by the precise moment in artistic evolution. ”

“ Each one of his paintings is the coefficient of the impressions that form has performed in his spirit, and in these paintings the public must see the realization of an artistic ideal, and must judge them by the abstract sensation they produce, without trying to look for the factors that entered into the composition of the final result. ”

“ In sich selbst zu erweitern. The phrase at once suggests by contrast that expression so frequently used by painters of "tightness," incapacity to enlarge, which is such a characteristic of artificial handling, and indeed of most academic work, and so frequently gives to the original sketch of an artist a greater artistic value than to the highly finished work. ”

“ In order to understand the art-impulse as a tendency to æsthetic production, we must bring it into connection with some function, from the nature of which the specifically artistic qualities may be derived. Such a function is to be found, we believe, in the activities of emotional expression. ”

“ Third, the perfect use of the medium in the effort to fulfill the artistic purpose of sympathetic representation—the power to delight the senses and create sympathy for the object expressed, on the one hand, and the range of the vision of the object, on the other; the depth and the breadth of the aesthetic experience. With reference to the former we ask: how vividly does the work of art force us to see; how completely does it make us enter into the world it has created ”

“ This desire for expression is the driving-force of the artist; it informs, controls, and animates his method of working; it governs the hand and eye. That figures should give the impression of life and spontaneity, that the sun should shine, trees move in the wind, and nature be felt and represented as a living thing—this is the firm ground in art; and in those who have this feeling every effort will, consciously or unconsciously, lead towards its realisation. ”

“ Style, the Latin name for an iron pen, has come to designate the art that handles, with ever fresh vitality and wary alacrity, the fluid elements of speech. By a figure, obvious enough, which yet might serve for an epitome of literary method, the most rigid and simplest of instruments has lent its name to the subtlest and most flexible of arts. Thence the application of the word has been extended to arts other than literature, to the whole range of the activities of man. ”

“ Art, it seems to me, should simplify. That, indeed, is very nearly the whole of the higher artistic process; finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole—so that all that one has suppressed and cut away is there to the reader’s consciousness as much as if it were in type on the page. ”

“ A sound judgment in literature, or an acquaintance with the general principles upon which all works of taste must necessarily be conducted, are not sufficient, without practical skill, truly to estimate a production of art. The poet employs [Pg 220] vehicles of thought and signs of expression familiar to all as the use of reason; the means and instruments of the painter constitute in their management a peculiar science, in which excellence or defect is less appreciable by natural or untrained observation. ”

“ Even thus the spirit, immersed in things of sense presented to us by the figurative arts, is still spirit, though diminished in its intellectual clearness and invested with hues not its own. To fashion that alabaster form of art with utmost skill, to make it beautiful, to render it transparent, is the artist's function. ”

“ Whether the medium be the painter's color, the musician's tones, or the poet's words, the purpose of the representation is fulfilled in so far as the work expresses the emotion which the artist has felt in the presence of this spectacle. He, the artist, more than I or another, has thrilled to its mystery, its tumult, its power. It is this effect, received as a unity of impression, that he wants to communicate. This power of the object over him, and consequently the content of his work, is beauty. ”

“ By what art or mystery, what craft of selection, omission or commission, does a given picture of life appear to us to surround its theme, its figures and images, with the air of romance while another picture close beside it may affect us as steeping the whole matter in the element of reality? It is a question, no doubt, on the painter's part, very much more of perceived effect, effect after the fact, than of conscious design—though indeed I have ever failed to see how a coherent picture of anything is producible save by a complex of fine measurements. ”

“ The artist’s sympathetic imagination and extraordinary reverence, not for the saint-idea in his theme but for humanity in its relation to art, have informed the technique with a noble sympathy, grand imagination and a sovereign reverence. For the point, difficult to put into words, is that technique such as this, while it is magnificent as mere representation, achieves the higher quality of expression, and the measure of the latter is the quality of the artist’s conception not only of his subject but even more of his art, as one of the noble mediums of expression. ”

“ But seeing that the mechanical side of any art is learned by experience, study, or observation—still to quote the definition—without which an adequate manifestation of that art is impossible, then certainly the artist is made. ”

“ Now whatever may be the result of my experiment in the subjects which I have chosen for poetical composition—be they vulgar or be they not,—I can say without vanity, that I have bestowed great pains on my style, full as much as any of my contemporaries have done on theirs. I yield to none in love for my art. I, therefore, labour at it with reverence, affection, and industry. ”

“ Is there any other branch of intellectual art which has such a direct appeal, by the very nature of it, to every sane human being as the art of painting? There it is, able to represent through a medium which offers itself to you palpably, in the shape of so many visible feet of canvass, actual human facts, and distinct aspects of Nature, which poetry can only describe, and which music can but obscurely hint at. ”

“ for I wish rather, in this lecture at least, to dwell on the effect that decorative art has on human life—on its social not its purely artistic effect. ”

“ Cut carefully and with selection, and you may get a poem which will soothe you like a melody.
As to the value of the laws which govern the perfect composition, it is unquestionably true that a correct knowledge of these laws [24] makes or unmakes the picture and establishes or ruins the rank of the painter. No matter how careful the drawing, how interesting the subject, how true the mass, how subtle the gradations of light and shade, how perfect the expression of the figures, or how transparent the atmosphere of a landscape, a want of this knowledge will defeat the result. ”

“ Well, I know what art is in the same way.”
“Yes, but I ask you as a favour to define it for me. A picture is art, a living person is life. We sitting here are life; if we were talking on a stage we should be art. How would you define art?” ”

“ The fact, the material which the artist uses, exists out there in nature. But the beauty of the building, the majesty and power of the picture, the charm of the poem,—this is the art of the artist; and he wins his effects by the way in which he handles his materials, by his technique. Some knowledge of technique, therefore,—not the artist's knowledge of it, but the ability to read the language of art as the artist intends it to be read,—is necessary to appreciation. ”

“ We are not going to quarrel with the technique of the painters, any more than with their handwriting; if it is clear and legibly conveys the message and satisfies eye and heart, we want to help to an understanding and appreciation of their thought and their art. If it rings true, beauty of style, texture, color, and sentiment will come to the surface and art is manifested. ”

“ First, the theory, often called "hedonistic," that the value of art consists in the satisfactions of sense which the media of aesthetic expression afford—the delight in color and sound and rhythmical movement of line and form. ”

“ The truly educated man in art perceives the adaptation, polish, and perfection in literature; discovers the grace, the just proportions, the ideal form and typical idea in sculpture; views the expression, grouping, sentiment, coloring, and human passion in painting; enjoys the harmonies, movements, and ideas in music, that combination of effects that makes subtile and evasive metaphors ”

“ Not that the execution of the work demands great ability in reproducing it—the artist’s skill is developed and shown in the proper arrangement and use of coloring, and also in the proper tracing out of the work itself, but that without the other will surely disappoint. ”

“ I have spoken of poetry, but all the other modes of art produce similar effects in their degree. The races and nations whose senses are naturally finer, and their sensuous perceptions more exercised, than ours, receive the same kind of impressions from painting and sculpture: and many of the more delicately organized among ourselves do the same. All the arts of expression tend to keep alive and in activity the feelings they express. ”

“ Besides these, in the field of painting, are to be found now and then products of an artist's skill which, though interesting in technique and color, give little pleasure to a well-balanced mind, destitute as they are of the simple principles which govern the universe of matter. ”

“ If you should ask a dozen painters what mental qualification was most essential to an artist's success, the chances are that every man of them would reply "temperament"—in other words, genius and imagination. ”

“ The ultimate significance of a work of art is its content of emotion, the essential controlling idea, which inspires the work and gives it concrete form. In its actual embodiment, the expressive power of the work resides in the medium. The medium of any art, then, as color and mass in painting, line in drawing and etching, form in sculpture, sound in music, is its means of expression and constitutes its language. ”

“ Before we can come to a true initiation into, and an abiding enjoyment of, the domains of representative art, we must have a keen, clear, settled, and contented view of its limitations. Far less of the fruitlessness of discontent enters into poetry and literature than into the subject of painting and sculpture. ”