Artistic model

“ Thus, while the three arts are each limited to their own special functions, they, at the same time, would appear to assimilate from each other what is lacking in themselves, and so contribute to the complete artistic harmony. ”

“ Thus, if when one paints an image or carves it of wood there are, in the name of artistic licence, some stylized parts in a work otherwise resembling the real form; this is, after all, what people love in art. ”

“ And we find a fundamental principle by which the several particular arts may be arranged and defined—that is, the species of art contain in themselves the same essential differences which we have found in the three general types of art. External objectivity, moreover, into which these types are molded by means of a sensuous and particular material, renders them independent and separate means of realizing different artistic functions, as far as each type finds its definite character in some one definite external material whose mode of portrayal determines its adequate realization. ”

“ Here again I find a similitude among the artists who paint or model. Studios are full of such caricatures, and the hard-working, honest souls who have made them believe that they are true reproductions of nature and life. ”

“ Try to imagine how a Michael Angelo or a Raphael would have conducted themselves, and work yourself into a belief that your picture is to be seen and observed by them. Even enter into a kind of competition with these great masters; paint a subject like theirs; a companion to any work you think a model. Test your own work with the model.... Let your port-crayon be never out of your hands. Draw till you draw as mechanically as you write. But, on every opportunity, paint your studies instead of drawing them. Painting comprises both drawing and coloring. ”

“ These groups were as refined in composition as they were exuberant,{207} exhibiting the genuine creativeness of an artist who has an instinct for decoration and a lively delight in the pure expression of line and form, regulated by an instinct also of artistic propriety. ”

“ If the work is artistic, the spectator's interest will center in feeling the life in the color and line or sculptured form; that it happens to be an imitation of something else will become of secondary importance. ”

“ As engaging the emotions and the imagination, they have the qualities which give the fine arts their quality. As demanding method or skill, the adaptation of tools to materials with constantly increasing perfection, they involve the element of technique indispensable to artistic production. ”

“ This inversion of the question is worth inquiring into, because, like the analogous paradox about the pictorial "realisation" of cubic existence, it affords an illustration of some of the psychological intricacies of the relation between Art and the Beautiful. This is how I propose to explain it.
The task to which an artist is set varies from one work to another, while the shapes employed for the purpose are, as already said, limited by his powers and especially by the precise moment in artistic evolution. ”

“ Whether the medium be the painter's color, the musician's tones, or the poet's words, the purpose of the representation is fulfilled in so far as the work expresses the emotion which the artist has felt in the presence of this spectacle. He, the artist, more than I or another, has thrilled to its mystery, its tumult, its power. It is this effect, received as a unity of impression, that he wants to communicate. This power of the object over him, and consequently the content of his work, is beauty. ”

“ By what art or mystery, what craft of selection, omission or commission, does a given picture of life appear to us to surround its theme, its figures and images, with the air of romance while another picture close beside it may affect us as steeping the whole matter in the element of reality? It is a question, no doubt, on the painter's part, very much more of perceived effect, effect after the fact, than of conscious design—though indeed I have ever failed to see how a coherent picture of anything is producible save by a complex of fine measurements. ”

“ This, and not any train of thoughts awakened by this possibly but not necessarily existing resemblance to an already known natural object, or to an already known sort of emotional voice inflexion, is what is given by the artist, and this is artistic form, the absolutely, objectively existing work of art. And now we may examine what mental faculties, in the various arts, are required for the production of this work: what portions of the whole individual man are included or excluded in that smaller, more limited individual whom we call the artist. ”

“ I wish we could get a model of every work of art, a cast of every piece of ancient statuary, a copy of every valuable painting and rare book, so that our artists might pursue their studies and exercise their skill at home, and that our literary men might not be exiled in the pursuits which bless mankind. ”

“ Hence, when our great artists required an ideal of beauty in painting or in sculpture, they would take several models, each supplying some beautiful detail not to be found in the rest,—one model furnishing the features, another the general outline, each a separate limb. ”

“ It is not an easy task to point out those various excellences for your imitation, which lie distributed amongst the various schools. An endeavour to do this may perhaps be the subject of some future discourse. I will, therefore, at present only recommend a model for style in painting, which is a branch of the art more immediately necessary to the young student. Style in painting is the same as in writing, a power over materials, whether words or colours, by which conceptions or sentiments are conveyed. ”

“ But when we come to study the rudimentary forms of artistic expression,—an artist’s sketches and studies—we begin to discover the shortcomings of the merely statical or morphological point of view. Works of art, we find, are something more than the fossil remains or dead bodies of artistic activity. They are factors in the living process by which the artist’s thought and emotion are kindled afresh in the bosom of the spectator. ”

“ I know nothing, whatever, of what constitutes excellence in color, drawing, or design. I understand in a picture only what it suggests to my own mind, either as a correct copy of nature, or as originating new trains of thought, new sources of feeling ”

“ When the chosen model rightly inspired him—and without that model his invention was often vapid and inert—he could succeed in a degree which no other artist has matched or surpassed in registering not only the permanent facts of beauty in form and feature, but in arresting with equal felicity the most fleeting moments of tender or passionate expression. ”

“ Here we find the artistic import recognized and presented in its independent universality, whose concrete embodiment is expressly placed in subordination as an image of that presentment, and no more, and as such a comparative medium is utilized for the purpose of artistic representation. ”

“ The artist must now step down, don his working clothes, and become the artisan. He now resolutely commits his airy conception, his delicate Ariel, to the touch of matter; he must decide, almost in a breath, the scale, the style, the spirit, and the particularity of execution of his whole design. ”

“ Third, the perfect use of the medium in the effort to fulfill the artistic purpose of sympathetic representation—the power to delight the senses and create sympathy for the object expressed, on the one hand, and the range of the vision of the object, on the other; the depth and the breadth of the aesthetic experience. With reference to the former we ask: how vividly does the work of art force us to see; how completely does it make us enter into the world it has created ”

“ For example, the vast superstructure of fine art has its foundations in human feeling, and in rendering an account of this we are led to recognise the interesting group of artistic or æsthetic emotions. ”

“ One can imagine what an infinity, what variety and richness, of details it should contain.
Our subject presents, at the same time, another kind of interest more elevated and not less alluring. Here each Art appears in its different phases and in its diversified progress. It is a history, not alone of the Arts, but of the epoch itself in which they were developed; for the Arts, regarded in their generality, are the truest expression of society. They speak to us of tastes, of ideas, of character: they exhibit us in their works. ”

“ Three kinds of forces virtually determine the general trend of all artistic development as, indeed, of all other forms of evolution—forces which constitute the sum total of those that we comprehend under the joint name of tradition, a sum total of progressive tendencies which we will designate as esthetic ideals, and, mediating between the two, the typical development of the individuals themselves—above all, naturally, individuals of genius who really create literature. ”

“ I have spoken of a certain interpenetration of the matter or subject of a work of art with the form of it, a condition realised absolutely only in music, as the condition to which every form of art is perpetually aspiring. In the art of painting, the attainment of this ideal condition, this perfect interpenetration of the subject with the elements of colour and design, depends, of course, in great measure, on dexterous choice of that subject, or phase of subject ”

“ Finally, schools of pictorial and plastic art, of architecture, and of music, will offer a thorough discipline in the principles and practice of art to those in whom lies nascent the rare faculty of aesthetic representation, or the still rarer powers of creative genius. ”

“ Even thus the spirit, immersed in things of sense presented to us by the figurative arts, is still spirit, though diminished in its intellectual clearness and invested with hues not its own. To fashion that alabaster form of art with utmost skill, to make it beautiful, to render it transparent, is the artist's function. ”

“ The public, on the other hand, should consider art, not as a matter of fashion, or as an opportunity to display its clothes, but should feel it as a true and profound enjoyment, and do everything to second the artist's efforts. ”

“ Then, in art, keep the finest models before her, and let her practice in all accomplishments be accurate and thorough, so as to enable her to understand more than she accomplishes. I say the finest models--that is to say, the truest, simplest, usefullest. Note those epithets: they will range through all the arts. ”

“ In such a production the idea, the form, the execution, the elements of representation and of beauty, and the individual expression of the artist in his handiwork, are essentially one, and none of them can be imagined as really existing without the others. ”

“ Have you observed that no one seems to have comprehended its design? That the rules of epic composition are so generally forgotten, that a work of thought and immense labour is judged as if it were the production of a day, or a mere romance? ”

“ The ultimate significance of a work of art is its content of emotion, the essential controlling idea, which inspires the work and gives it concrete form. In its actual embodiment, the expressive power of the work resides in the medium. The medium of any art, then, as color and mass in painting, line in drawing and etching, form in sculpture, sound in music, is its means of expression and constitutes its language. ”

“ Nevertheless, I repeat, you should cultivate your own style, not by changing it into some other person’s style, but by striving to preserve its individuality, while decorating it with all the graces of art. Nature gives the style, for your style is yourself; but the decorations are slowly and laboriously acquired by diligent study, and, above all, by long and patient practice. There are but two methods of attaining to this accomplishment—contemplation of the best productions of art, and continuous toil in the exercise of it.
Make Your Composition Attractive. ”

“ It is the business of art to create an ideal world, in which perception, emotion, understanding, action, all elements of human life sublimed by thought, shall reappear in concrete forms as beauty. This being so, the logical criticism of art demands that we should not only estimate the technical skill of artists and their faculty for presenting beauty to the æsthetic sense, but that we should also ask ourselves what portion of the human spirit he has chosen to invest with form, and how he has conceived his subject. ”

“ The artist or the art-critic, discriminating still, even among these raw materials of human creation, derives an elaborate and subtle delight from the suggestiveness of their colours, their odours, and their fabrics—conscious all the while of wondrous and visionary evocations, wherein they take their place. ”

“ Before we can come to a true initiation into, and an abiding enjoyment of, the domains of representative art, we must have a keen, clear, settled, and contented view of its limitations. Far less of the fruitlessness of discontent enters into poetry and literature than into the subject of painting and sculpture. ”

“ To find out, to uncover, one's true style; to lay bare one's self: how is this to be set about? Primarily, by experiment in the way of imitation, which is the commencement of all art. Every great artist--Shakspere, Beethoven, Velasquez, Inigo Jones--has started by imitating the models which he admired and to which he felt drawn. ”

“ Cut carefully and with selection, and you may get a poem which will soothe you like a melody.
As to the value of the laws which govern the perfect composition, it is unquestionably true that a correct knowledge of these laws [24] makes or unmakes the picture and establishes or ruins the rank of the painter. No matter how careful the drawing, how interesting the subject, how true the mass, how subtle the gradations of light and shade, how perfect the expression of the figures, or how transparent the atmosphere of a landscape, a want of this knowledge will defeat the result. ”