One-act play

Definition and stakes

One-Act Plays by Modern Authors

“ None the less, the status of the one-act play is established and a study of the plays of this length, which are rapidly increasing in number, discloses certain tendencies and laws which are exemplified in the form itself. Clayton Hamilton sums up the matter well when he says: "The one-act play is admirable in itself, as a medium of art. ”
Source: Gutenberg

Lewis Beach,  Washington Square Plays

“ The reason for this choice was not entirely a devotion to the art of the one-act play. When players are inexperienced, it is far easier to present a group of plays of one act than it is to sustain a single set of characters for an entire evening. The action moves more rapidly, the tale is told before the monotony of the actors becomes too apparent. ”
Source: Gutenberg

Portrait of William Archer William Archer,  Play-Making: A Manual of Craftsmanship

“ Taken in its simplicity, this principle would indicate the three-act division as the ideal scheme for a play. As a matter of fact, many of the best modern plays in all languages fall into three acts; one has only to note Monsieur Alphonse, Francillon, La Parisienne, Amoureuse, A Doll's House, Ghosts, The Master Builder, Little Eyolf, Johannisfeuer, Caste, Candida, The Benefit of the Doubt, The Importance of Being Earnest, The Silver Box; and, furthermore, many old plays which are nominally in five acts really fall into a triple rhythm, and might better have been divided into three. ”
Source: Gutenberg

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