Tone production

Definition and stakes

Portrait of Luisa Tetrazzini Luisa Tetrazzini,  How to Sing

“ Here, as so often in art, when grace and beauty are the objects aimed at, economy of effort is the grand secret.
There should never be any strain or forcing of any sort or kind, and on the same principle, it may be noted, is the rule as to the amount of breath emitted, which should always be the smallest quantity possible which suffices to produce the tone required. Let out enough breath and no more—keeping the remainder in reserve—that is one of the fundamental secrets of beautiful tone production.
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Source: Gutenberg

Victor Oscar Freeburg,  Pictorial Beauty on the Screen

“ Our attention swings back from these far flights into a quiet response to the delicacy of arrangement of line and shape, of texture and tone, of blending and weaving and vanishing values. We feel an exquisiteness too fine for understanding, which tapers away at last until it is too fine for the most sensitive feeling. And during all the while that we are rapt by the poignancy, the imagination, the exquisiteness of the master’s production, we feel that a rich reserve lies beyond our grasp or touch. ”
Source: Gutenberg

Portrait of Wesley Mills Wesley Mills,  Voice production in singing and speaking…

“ It cannot be too well borne in mind, obvious though it is, that all speaking and singing, whatever else they be, are tone-production; hence the first thing for every one to ascertain regarding himself is the extent to which he can form and hold tones of good quality—in other words, the success with which he can establish the essential co-ordinations or harmonious actions of the breathing and laryngeal mechanisms, and maintain them for a considerable length of time. ”
Source: Gutenberg

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