Turrets, towers, and temples (1898)
“ It is simple and severe at the bottom, and daintily traceried and pinnacled at the top, and yet seems all of a piece—though it isn’t—and everybody must like the taper and transparent fret-work of the flèche above, which seems to bend in the west wind,—though it doesn’t—at least, the bending is a long habit, gradually yielded into, with gaining grace and submissiveness, during the last three hundred years. ”
