Charles Mills Gayley,
Francis Beaumont: Dramatist
“ In Philaster and Cupid's Revenge Beaumont's tyrants are sonorific yet shadowy forms; but the king of the Maides Tragedy is a thoroughly visualized monster, and Arbaces in A King and No King stands as an epitome of progressively developed, concrete personality, absolutely distinct from any other figure on Beaumont's stage. In the construction of Evadne and Bacha a similar skill in evolution and individualization is displayed. The latter is an abnormality grown from lust to overweening ambition; the former never loses our sympathy: in her depravity there is the seed of conscience ”
